Isbn: 9781909932203 - bridget riley: venice and beyond (23 resultados)

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Paperback. Condición: new. Paperback. During the early 1960s, Riley's black-and-white work employed elementary shapes to convey movement and light. Having tested this limited set of means, the artist incorporated colour into her paintings in 1967. This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February25 June 2016) that chronicles the period of change which took place before, during and after Riley's representation of Great Britain at the 34th Venice Biennale. Using Rise 1 (1968) as a starting point, the carefully selected group of paintings and works on paper from 196785 situate this important painting within its context. Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Riley's ensuing career. AUTHOR: Paul Moorhouse is a curator at the National Portrait Gallery. SELLING POINTS: . This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February25 June 2016) that chronicles the period of change which took place before, during and after Riley's representation of Great Britain at the 34th Venice Biennale Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Bridget Rileys ensuing career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Softcover, 56 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. 48 pages. Exhibition catalog for a show that ran February 18 through June 25, 2016. Features an essay by Paul Moorhouse. Includes numerous color illustrations. A fine copy in French style wrappers.

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Stiff Wrappers. Condición: Fine Condition. 60 pages 28 illustrations in color. Stiff Illustrated wraps. Published on the occasion of the exhibition from the Museums Sheffield 18 February-25 June 2016. Book.

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Paperback. Condición: Brand New. 56 pages. 12.00x10.00x0.30 inches. In Stock.

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Taschenbuch. Condición: Neu. Neuware - Examining a breakthrough moment in Bridget Riley's career, this volume illustrates the importance of colour to the artist's investigation of visual contrast and perception. During the early 1960s, Riley's black-and-white work employed elementary shapes to convey movement and light. Having tested this limited set of means, the artist incorporated colour into her paintings in 1967. This volume accompanies an exhibition at Graves Gallery, Sheffield (18 February-25 June 2016) that chronicles the period of change which took place before, during and after Riley's representation of Great Britain at the 34th Venice Biennale. Using Rise 1 (1968) as a starting point, the carefully selected group of paintings and works on paper from 1967-85 situate this important painting within its context. Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Riley's ensuing career.…

Paperback. Condición: new. Paperback. During the early 1960s, Riley's black-and-white work employed elementary shapes to convey movement and light. Having tested this limited set of means, the artist incorporated colour into her paintings in 1967. This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February25 June 2016) that chronicles the period of change which took place before, during and after Riley's representation of Great Britain at the 34th Venice Biennale. Using Rise 1 (1968) as a starting point, the carefully selected group of paintings and works on paper from 196785 situate this important painting within its context. Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Riley's ensuing career. AUTHOR: Paul Moorhouse is a curator at the National Portrait Gallery. SELLING POINTS: . This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February25 June 2016) that chronicles the period of change which took place before, during and after Riley's representation of Great Britain at the 34th Venice Biennale Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Bridget Rileys ensuing career. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Paperback. Condición: New.