Isbn: 9781858946528 - signs of our times-from calligraphy to calligraffiti (26 resultados)

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: very good. --ALL INVENTORY 40% OFF in Sept--Unmarked text. Dust jacket (unclipped) under clear mylar cover. Foreword by Hans-Ulrich Obrist. Covers six decades of an art trend led by artists from the Arab world and Iran. Starting in the early 1950s, this alternative and original approach to modernism began with artists who took inspiration from their own cultural sources and combined them with international aesthetics and concepts. Artists include Siah Armajan, Faith Hassan, Shirin Neshat, Susan Hefuna, Mounir Fatmi, Dia Batal, El Seed, and others. 320p. Measures 9.5x11.25 inches.…

Hardcover with dustjacket, 320 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

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Hardcover. Condición: new. Hardcover. 'Signs of Our Times: From Calligraphy to Calligraffiti' covers six decades of an art trend led by artists from the Arab world and Iran. Starting in the early 1950s, this alternative and original approach to modernism began with artists who took inspiration from their own cultural sources and combined them with international aesthetics and concepts. This publication considers the work of 50 key artists, ranging from important pioneers of the calligraphic movement to those who use the written word in their work today. The book begins with a contribution from Venetia Porter, curator of Islamic and contemporary Middle Eastern art at the British Museum, who provides a historical contextualization of the movement and its relationship to lettrism in Europe. In a second essay, the writer and curator Rose Issa presents an overview of 60 years of the art movement in Arab countries and Iran, from the independences of the late 1940s and 1950s to the present day. A timeline by Juliet Cestar, an expert on contemporary Middle Eastern art, then sets out major cultural and historical events in the Middle East over the course of the last 60 years. The main part of the book is divided into three sections, each devoted to a different generation of artists: the first generation of pioneers, who created a new aesthetic language following the independence of their countries; the second generation of artists, who mostly live in exile and who reference their own cultures and languages in their work; and the third generation, comprising contemporary artists who have absorbed international aesthetics, concepts and languages and who occasionally use Arabic and Persian script, or the morphology of letters, in their work. The entry for each artist includes a concise biography and a statement from the artist about their work. The artworks, in a variety of media, are also interspersed with poems and relevant literature, putting into personal and historical contexts the innovative use of words in art. AUTHORS: Rose Issa is an independent curator, publisher and writer specialising in visual art and film from the Arab world and Iran. Juliet Cestar is a writer on contemporary Middle Eastern art. Venetia porter is a curator of Islamic and contemporary Middle Eastern art at the British Museum, London. Hans Ulrich Obrist is an art curator and critic. He is Co-Director of Exhibitions and Programmes, and Director of International Projects at the Serpentine Gallery, London. SELLING POINTS: . The first publication to explore the innovative use of words in art by artists from the Arab world and Iran . Presents the work of over 40 artists from different backgrounds and generations, curated by experts in Middle Eastern art . Offers an alternative historical and exceptionally personal perspective on artists, and by artists, from a region in turmoil 300 colour illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 320.

Condición: New.

Condición: New. pp. 320.

Condición: New. pp. 320.

Hardcover. Condición: Brand New. 320 pages. 11.00x9.25x1.25 inches. In Stock.

Condición: New. 2016. Hardcover. . . . . .

Condición: New. In English.

Condición: New. 2016. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: New. Special order direct from the distributor.

Condición: NEW.

Gebunden. Condición: New. &Uumlber den AutorRose Issa: Rose Issa is an independent curator, publisher and writer specializing in visual art and film from the Arab world and IranJuliet Cestar: Juliet Cestar is a writer and specialist on Middle Eastern co.

Hardcover. Condición: Brand New. 320 pages. 11.00x9.25x1.25 inches. In Stock.

Buch. Condición: Neu. Neuware - Signs of Our Times: From Calligraphy to Calligraffiti covers six decades of an art trend led by artists from the Arab world and Iran. Starting in the early 1950s, this alternative and original approach to modernism began with artists who took inspiration from their own cultural sources and combined them with international aesthetics and concepts.This publication considers the work of 50 key artists, ranging from important pioneers of the calligraphic movement to those who use the written word in their work today. The book begins with a contribution from Venetia Porter, curator of Islamic and contemporary Middle Eastern art at the British Museum, who provides a historical contextualization of the movement and its relationship to lettrism in Europe. In a second essay, the writer and curator Rose Issa presents an overview of 60 years of the art movement in Arab countries and Iran, from the independences of the late 1940s and 1950s to the present day. A timeline by Juliet Cestar, an expert on contemporary Middle Eastern art, then sets out major cultural and historical events in the Middle East over the course of the last 60 years.The main part of the book is divided into three sections, each devoted to a different generation of artists: the first generation of pioneers, who created a new aesthetic language following the independence of their countries; the second generation of artists, who mostly live in exile and who reference their own cultures and languages in their work; and the third generation, comprising contemporary artists who have absorbed international aesthetics, concepts and languages and who occasionally use Arabic and Persian script, or the morphology of letters, in their work. The entry for each artist includes a concise biography and a statement from the artist about their work. The artworks, in a variety of media, are also interspersed with poems and relevant literature, putting into personal and historical contexts the innovative use of words in art.…

Hardcover. Condición: new. Hardcover. 'Signs of Our Times: From Calligraphy to Calligraffiti' covers six decades of an art trend led by artists from the Arab world and Iran. Starting in the early 1950s, this alternative and original approach to modernism began with artists who took inspiration from their own cultural sources and combined them with international aesthetics and concepts. This publication considers the work of 50 key artists, ranging from important pioneers of the calligraphic movement to those who use the written word in their work today. The book begins with a contribution from Venetia Porter, curator of Islamic and contemporary Middle Eastern art at the British Museum, who provides a historical contextualization of the movement and its relationship to lettrism in Europe. In a second essay, the writer and curator Rose Issa presents an overview of 60 years of the art movement in Arab countries and Iran, from the independences of the late 1940s and 1950s to the present day. A timeline by Juliet Cestar, an expert on contemporary Middle Eastern art, then sets out major cultural and historical events in the Middle East over the course of the last 60 years. The main part of the book is divided into three sections, each devoted to a different generation of artists: the first generation of pioneers, who created a new aesthetic language following the independence of their countries; the second generation of artists, who mostly live in exile and who reference their own cultures and languages in their work; and the third generation, comprising contemporary artists who have absorbed international aesthetics, concepts and languages and who occasionally use Arabic and Persian script, or the morphology of letters, in their work. The entry for each artist includes a concise biography and a statement from the artist about their work. The artworks, in a variety of media, are also interspersed with poems and relevant literature, putting into personal and historical contexts the innovative use of words in art. AUTHORS: Rose Issa is an independent curator, publisher and writer specialising in visual art and film from the Arab world and Iran. Juliet Cestar is a writer on contemporary Middle Eastern art. Venetia porter is a curator of Islamic and contemporary Middle Eastern art at the British Museum, London. Hans Ulrich Obrist is an art curator and critic. He is Co-Director of Exhibitions and Programmes, and Director of International Projects at the Serpentine Gallery, London. SELLING POINTS: . The first publication to explore the innovative use of words in art by artists from the Arab world and Iran . Presents the work of over 40 artists from different backgrounds and generations, curated by experts in Middle Eastern art . Offers an alternative historical and exceptionally personal perspective on artists, and by artists, from a region in turmoil 300 colour illustrations Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: New.

Hardcover. Condición: New.