Isbn: 9781848936096 - new jazz conceptions: history, theory, practice (warwick series in the humanities) (18 resultados)

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 256.

Condición: New.

Condición: New. pp. 256.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 256.

Condición: New.

Condición: New. This collection builds on recent studies by considering the production, reception, adaptation and survival of jazz. An interdisciplinary group of contributors break down the traditional barriers between historians, theorists and practitioners casting new light on the economic and cultural processes that shape the music. Editor(s): Fagge, Roger; Pillai, Nicolas. Series: Warwick Series in the Humanities. Num Pages: 216 pages, 5 black & white illustrations, 1 black & white tables, 4 black & white halftones, 1 black. BIC Classification: AVGJ; JFC. Category: (P) Professional & Vocational. Dimension: 159 x 235 x 17. Weight in Grams: 432. . 2016. Hardback. . . . .…

Condición: New. In English.

Hardcover. Condición: Brand New. 256 pages. 9.29x5.98x0.87 inches. In Stock.

Condición: New. This collection builds on recent studies by considering the production, reception, adaptation and survival of jazz. An interdisciplinary group of contributors break down the traditional barriers between historians, theorists and practitioners casting new light on the economic and cultural processes that shape the music. Editor(s): Fagge, Roger; Pillai, Nicolas. Series: Warwick Series in the Humanities. Num Pages: 216 pages, 5 black & white illustrations, 1 black & white tables, 4 black & white halftones, 1 black. BIC Classification: AVGJ; JFC. Category: (P) Professional & Vocational. Dimension: 159 x 235 x 17. Weight in Grams: 432. . 2016. Hardback. . . . . Books ship from the US and Ireland.…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Roger Fagge is an Associate Professor in History at the University of Warwick, UK.Nicolas Pillai is a Research Fellow at Birmingham City University, UK.New Jazz Conceptions: History, Theory, Practice is an . …

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -New Jazz Conceptions: History, Theory, Practice is an edited collection that captures the cutting edge of British jazz studies in the earlytwenty-first century, highlighting the developing methodologies and growing interdisciplinary nature of the field. In particular, the collection breaks down barriers previously maintained between jazz historians, theorists and practitioners with an emphasis on interrogating binaries of national/local and professional/amateur. Each of these essays questions popular narratives of jazz, casting fresh light on the cultural processes and economic circumstances which create the music. Subjects covered include Duke Ellington's relationship with the BBC, the impact of social media on jazz, a new view of the ban on visiting jazz musicians in interwar Britain, a study of Dave Brubeck as a transitional figure in the pages of Melody Maker and BBC2's Jazz 625, the issue of 'liveness' in Columbia's Ellington at Newport album, a musician and promoter's views of the relationship with audiences, a reflection on Philip Larkin, Kingsley Amis and Eric Hobsbawm as jazz critics, a musician's perspective on the oral and generational tradition of jazz in a British context, and a meditation on Alan Lomax's Mr. Jelly Roll, and what it tells us about cultural memory and historical narratives of jazz. 220 pp. Englisch.…

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - New Jazz Conceptions: History, Theory, Practice is an edited collection that captures the cutting edge of British jazz studies in the earlytwenty-first century, highlighting the developing methodologies and growing interdisciplinary nature of the field. In particular, the collection breaks down barriers previously maintained between jazz historians, theorists and practitioners with an emphasis on interrogating binaries of national/local and professional/amateur. Each of these essays questions popular narratives of jazz, casting fresh light on the cultural processes and economic circumstances which create the music. Subjects covered include Duke Ellington's relationship with the BBC, the impact of social media on jazz, a new view of the ban on visiting jazz musicians in interwar Britain, a study of Dave Brubeck as a transitional figure in the pages of Melody Maker and BBC2's Jazz 625, the issue of 'liveness' in Columbia's Ellington at Newport album, a musician and promoter's views of the relationship with audiences, a reflection on Philip Larkin, Kingsley Amis and Eric Hobsbawm as jazz critics, a musician's perspective on the oral and generational tradition of jazz in a British context, and a meditation on Alan Lomax's Mr. Jelly Roll, and what it tells us about cultural memory and historical narratives of jazz.…