Isbn: 9781848424531 - russian avant-garde theatre: war, revolution & design (24 resultados)

paperback. Condición: Very Good. Russian Avant-Garde Theatre: War, Revolution & Design This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. …

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: new. Paperback. A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933.At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russias cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design.The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture one that still resonates today.Published to accompany a major exhibition at Londons Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished.Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work. A beautifully presented, landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933.At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia's cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design.The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture - one that still resonates today.Published to accompany a major exhibition at London's Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished.Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work.…

Condición: New. A landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia from 1913-1933. Editor(s): Bowlt, John. Num Pages: 450 pages. BIC Classification: 1DVUA; ACXD; ANH. Category: (G) General (US: Trade). Dimension: 234 x 242 x 30. Weight in Grams: 1538. . 2015. Paperback. . . . .…

Condición: new.

Condición: New. A landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia from 1913-1933. Editor(s): Bowlt, John. Num Pages: 450 pages. BIC Classification: 1DVUA; ACXD; ANH. Category: (G) General (US: Trade). Dimension: 234 x 242 x 30. Weight in Grams: 1538. . 2015. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condición: Brand New. 432 pages. 9.50x8.50x1.25 inches. In Stock.

Paperback. Condición: New. A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933.At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia's cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design.The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture - one that still resonates today.Published to accompany a major exhibition at London's Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished.Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work.…

Condición: New.

Condición: New.

Taschenbuch. Condición: Neu. Neuware - The creative radicalism in Russia's avant-garde movement transformed the cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design. The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre.…

Condición: New. A landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia from 1913-1933.&Uumlber den AutorrnrnEdited by John E. Bowlt, Professor of Slavic Languages and Literatur.

Paperback. Condición: new. Paperback. A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933.At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russias cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design.The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture one that still resonates today.Published to accompany a major exhibition at Londons Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished.Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work. A beautifully presented, landmark volume which explores the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New. A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933.At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia's cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design.The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture - one that still resonates today.Published to accompany a major exhibition at London's Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished.Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work.…

Paperback. Condición: New. A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933.At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia's cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design.The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture - one that still resonates today.Published to accompany a major exhibition at London's Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished.Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work.…