Isbn: 9781789386813 - invisible presence: the representation of women in french-language comics (28 resultados)

Condición: very_good. Some light shelf, storage or usage wear present. The interior appears unmarked and the binding is tight. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: new. Paperback. In this groundbreaking study of French-language comic strips, Catriona MacLeod looks at the representation of women across three distinct categories: as main characters and as secondary figures created by male artists, and as characters created by women artists. Drawing from feminist scholarship, especially well-known film and literary theorists, the book asks what it means to draw and depict women from within a phallocentric, male-dominated paradigm as well as how the particular medium of bande dessinee (the French-language graphic novel) has shaped dominant representations of women. MacLeods exploration focuses on the representation of female characters in French comics across genres, artistic styles, and time periods. Until now, these characters and their creators have received relatively little scholarly attention, or have only been considered individually, rather than within wider patterns of female representation; this book aims to correct that. The most complete study of women in French-language comics to date - and the first published in English. Taking a two-pronged approach of historical and case-study analysis, and with a chronological span of over a century, it is the fullest examination thus far of female depiction in Francophone sequential art. 16 plates, 7 col. 9 b/w. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New.

paperback. Condición: New.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. This book looks at the representation of female characters in French comics from their first appearance in 1905. Organised into three sections, the book looks at the representation of women as main characters created by men, as secondary characters created by men, and as characters created by women.It focuses on female characters, both primary and secondary, in the francophone comic or bande dessinée, as well as the work of female bande dessinée creators more generally. Until now these characters and creators have received relatively little scholarly attention; this new book is set to change this status quo.Using feminist scholarship, especially from well-known film and literary theorists, the book asks what it means to draw women from within a phallocentric, male-dominated paradigm, as well as how the particular medium of bande dessinée, its form as well as its history, has shaped dominant representations of women.This is the first book to study the representation of women in the French-language drawn strip. There are no other works with this specific focus, either on women in Franco-Belgian comics, or on the drawn representation of women by men.This is a very useful addition to both general discussions of French-language comics, and to discussions of women's comics, which are focused on comics by women only.As it is written in English, and due to the popularity of comic art in Britain and the United States, this book will primarily appeal to an Anglo-American market. However, the cultural and gender studies approach this text employs (theoretical frameworks still not widely seen in non-Anglophone studies of the bande dessinée) will ensure that the text is also of interest to a Franco-Belgian audience.With a focus on an art-form which also inspires a lot of public (non-academic) enthusiasm, it will also appeal to fans of the bande dessinée (or wider comic art medium) who are interested in the representation of women in comic art, and to comics scholars on a broad scale.…

Paperback. Condición: New. This book looks at the representation of female characters in French comics from their first appearance in 1905. Organised into three sections, the book looks at the representation of women as main characters created by men, as secondary characters created by men, and as characters created by women.It focuses on female characters, both primary and secondary, in the francophone comic or bande dessinée, as well as the work of female bande dessinée creators more generally. Until now these characters and creators have received relatively little scholarly attention; this new book is set to change this status quo.Using feminist scholarship, especially from well-known film and literary theorists, the book asks what it means to draw women from within a phallocentric, male-dominated paradigm, as well as how the particular medium of bande dessinée, its form as well as its history, has shaped dominant representations of women.This is the first book to study the representation of women in the French-language drawn strip. There are no other works with this specific focus, either on women in Franco-Belgian comics, or on the drawn representation of women by men.This is a very useful addition to both general discussions of French-language comics, and to discussions of women's comics, which are focused on comics by women only.As it is written in English, and due to the popularity of comic art in Britain and the United States, this book will primarily appeal to an Anglo-American market. However, the cultural and gender studies approach this text employs (theoretical frameworks still not widely seen in non-Anglophone studies of the bande dessinée) will ensure that the text is also of interest to a Franco-Belgian audience.With a focus on an art-form which also inspires a lot of public (non-academic) enthusiasm, it will also appeal to fans of the bande dessinée (or wider comic art medium) who are interested in the representation of women in comic art, and to comics scholars on a broad scale.…

Condición: new.

Paperback. Condición: Brand New. 256 pages. 9.50x6.75x0.60 inches. In Stock.

Condición: New.

Condición: New.

Paperback. Condición: New.

Condición: New. 2022. New. Paperback. . . . . .

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. 2022. New. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: new. Paperback. In this groundbreaking study of French-language comic strips, Catriona MacLeod looks at the representation of women across three distinct categories: as main characters and as secondary figures created by male artists, and as characters created by women artists. Drawing from feminist scholarship, especially well-known film and literary theorists, the book asks what it means to draw and depict women from within a phallocentric, male-dominated paradigm as well as how the particular medium of bande dessinee (the French-language graphic novel) has shaped dominant representations of women. MacLeods exploration focuses on the representation of female characters in French comics across genres, artistic styles, and time periods. Until now, these characters and their creators have received relatively little scholarly attention, or have only been considered individually, rather than within wider patterns of female representation; this book aims to correct that. The most complete study of women in French-language comics to date - and the first published in English. Taking a two-pronged approach of historical and case-study analysis, and with a chronological span of over a century, it is the fullest examination thus far of female depiction in Francophone sequential art. 16 plates, 7 col. 9 b/w. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Taschenbuch. Condición: Neu. Neuware - In this groundbreaking study of French-language comic strips, Catriona MacLeod looks at the representation of women across three distinct categories: as main characters and as secondary figures created by male artists, and as characters created by women artists. Drawing from feminist scholarship, especially well-known film and literary theorists, the book asks what it means to draw and depict women from within a phallocentric, male-dominated paradigm as well as how the particular medium of bande dessinée (the French-language graphic novel) has shaped dominant representations of women. MacLeod's exploration focuses on the representation of female characters in French comics across genres, artistic styles, and time periods. Until now, these characters and their creators have received relatively little scholarly attention, or have only been considered individually, rather than within wider patterns of female representation; this book aims to correct that.…

Condición: NEW.

Paperback. Condición: New. This book looks at the representation of female characters in French comics from their first appearance in 1905. Organised into three sections, the book looks at the representation of women as main characters created by men, as secondary characters created by men, and as characters created by women.It focuses on female characters, both primary and secondary, in the francophone comic or bande dessinée, as well as the work of female bande dessinée creators more generally. Until now these characters and creators have received relatively little scholarly attention; this new book is set to change this status quo.Using feminist scholarship, especially from well-known film and literary theorists, the book asks what it means to draw women from within a phallocentric, male-dominated paradigm, as well as how the particular medium of bande dessinée, its form as well as its history, has shaped dominant representations of women.This is the first book to study the representation of women in the French-language drawn strip. There are no other works with this specific focus, either on women in Franco-Belgian comics, or on the drawn representation of women by men.This is a very useful addition to both general discussions of French-language comics, and to discussions of women's comics, which are focused on comics by women only.As it is written in English, and due to the popularity of comic art in Britain and the United States, this book will primarily appeal to an Anglo-American market. However, the cultural and gender studies approach this text employs (theoretical frameworks still not widely seen in non-Anglophone studies of the bande dessinée) will ensure that the text is also of interest to a Franco-Belgian audience.With a focus on an art-form which also inspires a lot of public (non-academic) enthusiasm, it will also appeal to fans of the bande dessinée (or wider comic art medium) who are interested in the representation of women in comic art, and to comics scholars on a broad scale.…

Condición: New. Brand New.

Condición: New. &Uumlber den AutorCatriona MacLeod is a lecturer in French studies and politics at the University of London Institute in Paris (ULIP).KlappentextrnrnThe most complete study of women in French-language comics t.

Paperback. Condición: New. This book looks at the representation of female characters in French comics from their first appearance in 1905. Organised into three sections, the book looks at the representation of women as main characters created by men, as secondary characters created by men, and as characters created by women.It focuses on female characters, both primary and secondary, in the francophone comic or bande dessinée, as well as the work of female bande dessinée creators more generally. Until now these characters and creators have received relatively little scholarly attention; this new book is set to change this status quo.Using feminist scholarship, especially from well-known film and literary theorists, the book asks what it means to draw women from within a phallocentric, male-dominated paradigm, as well as how the particular medium of bande dessinée, its form as well as its history, has shaped dominant representations of women.This is the first book to study the representation of women in the French-language drawn strip. There are no other works with this specific focus, either on women in Franco-Belgian comics, or on the drawn representation of women by men.This is a very useful addition to both general discussions of French-language comics, and to discussions of women's comics, which are focused on comics by women only.As it is written in English, and due to the popularity of comic art in Britain and the United States, this book will primarily appeal to an Anglo-American market. However, the cultural and gender studies approach this text employs (theoretical frameworks still not widely seen in non-Anglophone studies of the bande dessinée) will ensure that the text is also of interest to a Franco-Belgian audience.With a focus on an art-form which also inspires a lot of public (non-academic) enthusiasm, it will also appeal to fans of the bande dessinée (or wider comic art medium) who are interested in the representation of women in comic art, and to comics scholars on a broad scale.…