Isbn: 9781784533441 - jazz as visual language: film, television and the dissonant image (international library of the moving image) (14 resultados)

Hardcover. Condición: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condición: New. None. New copy.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In English.

Condición: New. Num Pages: 192 pages, 20 bw integrated. BIC Classification: APF; AVGJ; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 138. . . 2017. Hardcover. . . . .

Condición: New. 192.

Condición: New. Num Pages: 192 pages, 20 bw integrated. BIC Classification: APF; AVGJ; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 138. . . 2017. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. 192 pages. 8.75x5.50x1.00 inches. In Stock.

Hardcover. Condición: new. Hardcover. This book provides a timely analysis of the relationship between jazz and recording and broadcast technologies in the early twentieth century. Jazz histories have traditionally privileged qualities such as authenticity, naturalness and spontaneity, but to do so overlooks jazz's status as a modernist, mechanised art form that evolved alongside the moving image and visual cultures. Jazz as Visual Language shows that the moving image is crucial to our understanding of what the materiality of jazz really is. Focusing on Len Lye's direct animation, Gjon Mili's experimental footage of musicians performing and the BBC's Jazz 625 series, this book places emphasis on film and television that conveys the 'sound of surprise' through formal innovation, rather than narrative structure. Nicolas Pillai seeks to refine a critical vocabulary of jazz and visual culture whilst arguing that jazz was never just a new sound; it was also a new way of seeing the world. The new phenomenon of jazz music took the world by storm in the 1920s and 1930s. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: new. Hardcover. This book provides a timely analysis of the relationship between jazz and recording and broadcast technologies in the early twentieth century. Jazz histories have traditionally privileged qualities such as authenticity, naturalness and spontaneity, but to do so overlooks jazz's status as a modernist, mechanised art form that evolved alongside the moving image and visual cultures. Jazz as Visual Language shows that the moving image is crucial to our understanding of what the materiality of jazz really is. Focusing on Len Lye's direct animation, Gjon Mili's experimental footage of musicians performing and the BBC's Jazz 625 series, this book places emphasis on film and television that conveys the 'sound of surprise' through formal innovation, rather than narrative structure. Nicolas Pillai seeks to refine a critical vocabulary of jazz and visual culture whilst arguing that jazz was never just a new sound; it was also a new way of seeing the world. The new phenomenon of jazz music took the world by storm in the 1920s and 1930s. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The new phenomenon of jazz music took the world by storm in the 1920s and 1930s.Inhaltsverzeichnis1. Introduction 2. Len Lye 3. Gjon Mili4. Jazz 625 Coda: Jazz in motionThe new phenomenon of jazz m.…

Condición: New. Print on Demand 192.

Condición: New. PRINT ON DEMAND 192.