Isbn: 9781783486557 - the dimensions of difference: space, time and bodies in women's cinema and continental philosophy (10 resultados)

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Librería: Dorothy House, Bath, SOMER, Reino UnidoDorothy House
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Soft cover. Condición: Very Good. Rowman & Littlefield edition. Paperback. 136 pages. Very good copy. ( All proceeds go to Dorothy House Hospice, who provide care to those with life threatening illnesses.) ( A 10/2026.).

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Condición: New. In English.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 192 pages. 9.00x6.25x0.50 inches. In Stock.

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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. The Dimensions of Difference examines space, time, and bodies in the works of three contemporary women directors and four continental philosophers, leading to a new approach to the question of sexual difference and its place within film criticism. Num Pages: 176 pages. BIC Classification: APFA; HPCF7; JFFK. Category: (P) Professional & Vocational. Dimension: 229 x 152. . . 2015. Paperback. . . . . Books ship from the US and Ireland.…

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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. The Dimensions of Difference examines space, time, and bodies in the works of three contemporary women directors and four continental philosophers, leading to a new approach to the question of sexual difference and its place within film criticism. Num Pages: 176 pages. BIC Classification: APFA; HPCF7; JFFK. Category: (P) Professional & Vocational. Dimension: 229 x 152. . . 2015. Paperback. . . . .…

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Paperback. Condición: new. Paperback. The Dimensions of Difference departs from traditional takes on feminist film criticism, and in particular from the psychoanalytical focus on the gaze, to examine the question of sexual difference through three axes: space, time, and bodies. These are some of the most fundamental elements of cinema, which deploys the bodies of actors through space and time, for instance, through camerawork and editing.While this approach may not at first sight seem to be related to questions of gender and sexuality, Caroline Godart demonstrates its relevance to feminist film studies by weaving together careful analyses of space, time, and bodies in womens cinema with close readings of the same concepts in the works of three philosophers: Luce Irigaray, Henri Bergson, and Gilles Deleuze. The book investigates how certain films generate a cinematic experience of sexual difference, and frames this analysis within a careful philosophical inquiry into the notion of alterity itself. These tools provide fruitful resources for feminist inquiry, giving insights into sexual difference as it operates within film aesthetics and, beyond cinema, in the world at large. The result is a compelling reflection on feminism, film form, and continental philosophy. The Dimensions of Difference examines space, time, and bodies in the works of three contemporary women directors and four continental philosophers, leading to a new approach to the question of sexual difference and its place within film criticism. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

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Paperback. Condición: new. Paperback. The Dimensions of Difference departs from traditional takes on feminist film criticism, and in particular from the psychoanalytical focus on the gaze, to examine the question of sexual difference through three axes: space, time, and bodies. These are some of the most fundamental elements of cinema, which deploys the bodies of actors through space and time, for instance, through camerawork and editing.While this approach may not at first sight seem to be related to questions of gender and sexuality, Caroline Godart demonstrates its relevance to feminist film studies by weaving together careful analyses of space, time, and bodies in womens cinema with close readings of the same concepts in the works of three philosophers: Luce Irigaray, Henri Bergson, and Gilles Deleuze. The book investigates how certain films generate a cinematic experience of sexual difference, and frames this analysis within a careful philosophical inquiry into the notion of alterity itself. These tools provide fruitful resources for feminist inquiry, giving insights into sexual difference as it operates within film aesthetics and, beyond cinema, in the world at large. The result is a compelling reflection on feminism, film form, and continental philosophy. The Dimensions of Difference examines space, time, and bodies in the works of three contemporary women directors and four continental philosophers, leading to a new approach to the question of sexual difference and its place within film criticism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Librería: moluna, Greven, Alemaniamoluna
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The Dimensions of Difference examines space, time, and bodies in the works of three contemporary women directors and four continental philosophers, leading to a new approach to the question of sexual difference and its place within film criticism.&U.…

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Dimensions of Difference examines space, time, and bodies in the works of three contemporary women directors and four continental philosophers, leading to a new approach to the question of sexual difference and its place within film criticism.…