Isbn: 9781617038723 - conversations with edna o’brien (literary conversations series) (25 resultados)

Condición: Good. PLEASE NOTE: FORMER LIBRARY BOOK. IT MAY HAVE IDENTIFYING STAMPS, MARKS, STICKERS, ETC. Former Library book. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condición: VG. Some rubbing & edgewear; some yellowing; overall clean & tight. 104 pages.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket As Issued. Tiny scuff to back cover, otherwise text clean and tight; no dust jacket; Literary Conversations Series; 9.10 X 6.20 X 0.60 inches; 126 pages.

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Hardback. Condición: New. Who's Afraid of Edna O'Brien?"" asks an early interviewer in Conversations with Edna O'Brien. With over fifty years of published novels, biographies, plays, telecasts, short stories, and more, it is hard not to be intimidated by her. An acclaimed and controversial Irish writer, O'Brien (b. 1932) saw her early works, starting in 1960 with The Country Girls, banned and burned in Ireland, but often read in secret. Her contemporary work continues to spark debates on the rigors and challenges of Catholic conservatism and the struggle for women to make a place for themselves in the world without anxiety and guilt. The raw nerve of emotion at the heart of her lyrical prose provokes readers, challenges politicians, and proves difficult for critics to place her.In these interviews, O'Brien finds her own critical voice and moves interviewers away from a focus on her life as the ""once infamous Edna"" toward a focus on her works. Parallels between Edna O'Brien and her literary muse and mentor, James Joyce, are often cited in interviews such as Phillip Roth's description of The Country Girls as ""rural Dubliners."" While Joyce is the centerpiece of O'Brien's literary pantheon, allusions to writers such as Shakespeare, Chekhov, Beckett, and Woolf become a medium for her critical voice. Conversations with contemporary writers Phillip Roth and Glenn Patterson reveal Edna O'Brien's sense of herself as a contemporary writer. The final interview included here, with BBC personality William Crawley at Queen's University, Belfast, is a synthesis of her acceptance and fame as an Irish writer and an Irish woman and an affirmation of her literary authority.…

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Condición: New. 2013. Illustrated. hardcover. . . . . .

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Hardcover. Condición: Brand New. 128 pages. 9.25x6.25x0.50 inches. In Stock.

Hardback. Condición: New. Who's Afraid of Edna O'Brien?"" asks an early interviewer in Conversations with Edna O'Brien. With over fifty years of published novels, biographies, plays, telecasts, short stories, and more, it is hard not to be intimidated by her. An acclaimed and controversial Irish writer, O'Brien (b. 1932) saw her early works, starting in 1960 with The Country Girls, banned and burned in Ireland, but often read in secret. Her contemporary work continues to spark debates on the rigors and challenges of Catholic conservatism and the struggle for women to make a place for themselves in the world without anxiety and guilt. The raw nerve of emotion at the heart of her lyrical prose provokes readers, challenges politicians, and proves difficult for critics to place her.In these interviews, O'Brien finds her own critical voice and moves interviewers away from a focus on her life as the ""once infamous Edna"" toward a focus on her works. Parallels between Edna O'Brien and her literary muse and mentor, James Joyce, are often cited in interviews such as Phillip Roth's description of The Country Girls as ""rural Dubliners."" While Joyce is the centerpiece of O'Brien's literary pantheon, allusions to writers such as Shakespeare, Chekhov, Beckett, and Woolf become a medium for her critical voice. Conversations with contemporary writers Phillip Roth and Glenn Patterson reveal Edna O'Brien's sense of herself as a contemporary writer. The final interview included here, with BBC personality William Crawley at Queen's University, Belfast, is a synthesis of her acceptance and fame as an Irish writer and an Irish woman and an affirmation of her literary authority.…

Hardcover. Condición: Brand New. 128 pages. 9.25x6.25x0.50 inches. In Stock. This item is printed on demand.

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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Klappentextrnrn Who s Afraid of Edna O Brien? asks an early interviewer in Conversations with Edna O Brien. With over fifty years of published novels, biographies, plays, telecasts, short stories, and more, it is hard not to be intimidated by h.…

Condición: New. Print on Demand pp. 128 Index.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'Who's Afraid of Edna O'Brien ' asks an early interviewer in Conversations with Edna O'Brien. With over fifty years of published novels, biographies, plays, telecasts, short stories, and more, it is hard not to be intimidated by her. An acclaimed and controversial Irish writer, O'Brien (b. 1932) saw her early works, starting in 1960 with The Country Girls, banned and burned in Ireland, but often read in secret. Her contemporary work continues to spark debates on the rigors and challenges of Catholic conservatism and the struggle for women to make a place for themselves in the world without anxiety and guilt. The raw nerve of emotion at the heart of her lyrical prose provokes readers, challenges politicians, and proves difficult for critics to place her.In these interviews, O'Brien finds her own critical voice and moves interviewers away from a focus on her life as the 'once infamous Edna' toward a focus on her works. Parallels between Edna O'Brien and her literary muse and mentor, James Joyce, are often cited in interviews such as Phillip Roth's description of The Country Girls as 'rural Dubliners.' While Joyce is the centerpiece of O'Brien's literary pantheon, allusions to writers such as Shakespeare, Chekhov, Beckett, and Woolf become a medium for her critical voice. Conversations with contemporary writers Phillip Roth and Glenn Patterson reveal Edna O'Brien's sense of herself as a contemporary writer. The final interview included here, with BBC personality William Crawley at Queen's University Belfast, is a synthesis of her acceptance and fame as an Irish writer and an Irish woman and an affirmation of her literary authority.Alice Hughes Kersnowski, San Antonio, Texas, is a professor of English at St. Mary's University in San Antonio, Texas. She is coeditor of Conversations with Henry Miller (University Press of Mississippi).…

Condición: New. Print on Demand pp. 128 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 128.

Buch. Condición: Neu. Conversations with Edna O'Brien | Alice Hughes Kersnowski | Buch | Einband - fest (Hardcover) | Englisch | 2013 | University Press of Mississippi | EAN 9781617038723 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…