ISBN: 9781606060933 - proof – the rise of printmaking in southern california (getty publications –) (23 resultados)

Hardcover. Condición: Very good. Quarto. 11 1/2 x 9 7/8". 259pp. Solid history, nicely illustrated, mostly in color. Pictorial cover without dust jacket as issued. cover has some light wear and rubbing at spine fold.

Hardcover. Condición: Good. No Jacket. 1st Edition. Good+1-1/4" scrape to rear board. Edge wear, chipping, small tearing to spine tips and joints. Corners chipped. Internally clean and unmarked. Brown splatter stain and foxing to top text block. Due to weight of book, international orders cannot be accepted. Shelf 13b.…

hardcover. Condición: As New. Hardcover. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Condición: New. 2011. Hardcover. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Num Pages: 256 pages, 200 full-colour illustrations. BIC Classification: 1KBBWF; AFH. Category: (G) General (US: Trade). Dimension: 247 x 293 x 28. Weight in Grams: 1788. . . . . .…

Condición: New.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 259 200 Illus. (Col.).

Condición: new.

Condición: As New. Unread book in perfect condition.

Condición: New. 2011. Hardcover. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Num Pages: 256 pages, 200 full-colour illustrations. BIC Classification: 1KBBWF; AFH. Category: (G) General (US: Trade). Dimension: 247 x 293 x 28. Weight in Grams: 1788. . . . . . Books ship from the US and Ireland.…

Hardback. Condición: New. This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art.…

Condición: New. In English.

Condición: New.

Hardcover. Condición: Brand New. 256 pages. 11.50x10.00x1.00 inches. In Stock.

Hardcover. Condición: new. Hardcover. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to create a pool of master artisan-printers in the United States to revive the medium of fine art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the countrys most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of postwar American art. Drawing mainly on the extensive print collection of the Norton Simon Museum, the book includes works by the local founders of the movement such as John Altoon, Garo Antreasian, Richard Diebenkorn, Sam Francis, Ed Moses, Ken Price, Ed Ruscha, and June Wayne as well as by artists who traveled west to print in Los Angeles such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg. An accompanying exhibition, part of the Pacific Standard Time initiative, will be on view at the Norton Simon Museum in Pasadena from October 1, 2011, through April 3, 2012. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New. pp. 259.

Condición: As New. Unread book in perfect condition.

Condición: New. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in So.

Buch. Condición: Neu. Neuware - The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to 'create a pool of master artisan-printers in the United States' to revive the medium of fine art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of postwar American art. Drawing mainly on the extensive print collection of the Norton Simon Museum, the book includes works by the local founders of the movement such as John Altoon, Garo Antreasian, Richard Diebenkorn, Sam Francis, Ed Moses, Ken Price, Ed Ruscha, and June Wayne as well as by artists who traveled west to print in Los Angeles such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg. An accompanying exhibition, part of the Pacific Standard Time initiative, will be on view at the Norton Simon Museum in Pasadena from October 1, 2011, through April 3, 2012. …

Hardback. Condición: New. This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art.…

Hardcover. Condición: new. Hardcover. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to create a pool of master artisan-printers in the United States to revive the medium of fine art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the countrys most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of postwar American art. Drawing mainly on the extensive print collection of the Norton Simon Museum, the book includes works by the local founders of the movement such as John Altoon, Garo Antreasian, Richard Diebenkorn, Sam Francis, Ed Moses, Ken Price, Ed Ruscha, and June Wayne as well as by artists who traveled west to print in Los Angeles such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg. An accompanying exhibition, part of the Pacific Standard Time initiative, will be on view at the Norton Simon Museum in Pasadena from October 1, 2011, through April 3, 2012. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardcover. Condición: New. This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art.…