This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art.
"Sinopsis" puede pertenecer a otra edición de este libro.
Leah Lehmbeck is associate curator at the Norton Simon Museum.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Friends of Poughkeepsie Library, Poughkeepsie, NY, Estados Unidos de America
Hardcover. Condición: Good. No Jacket. 1st Edition. Good+1-1/4" scrape to rear board. Edge wear, chipping, small tearing to spine tips and joints. Corners chipped. Internally clean and unmarked. Brown splatter stain and foxing to top text block. Due to weight of book, international orders cannot be accepted. Shelf 13d. Nº de ref. del artículo: 4161
Cantidad disponible: 1 disponibles
Librería: Sequitur Books, Boonsboro, MD, Estados Unidos de America
hardcover. Condición: As New. Hardcover. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Nº de ref. del artículo: 2508150035
Cantidad disponible: 1 disponibles
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. 2011. Hardcover. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Num Pages: 256 pages, 200 full-colour illustrations. BIC Classification: 1KBBWF; AFH. Category: (G) General (US: Trade). Dimension: 247 x 293 x 28. Weight in Grams: 1788. . . . . . Nº de ref. del artículo: V9781606060933
Cantidad disponible: 1 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: WY-9781606060933
Cantidad disponible: 7 disponibles
Librería: Ria Christie Collections, Uxbridge, Reino Unido
Condición: New. In English. Nº de ref. del artículo: ria9781606060933_new
Cantidad disponible: 7 disponibles
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
Condición: new. Nº de ref. del artículo: b4421ffd784a537ee9033fabc1a5d66b
Cantidad disponible: 7 disponibles
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: New. 2011. Hardcover. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Num Pages: 256 pages, 200 full-colour illustrations. BIC Classification: 1KBBWF; AFH. Category: (G) General (US: Trade). Dimension: 247 x 293 x 28. Weight in Grams: 1788. . . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9781606060933
Cantidad disponible: 1 disponibles
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Hardback. Condición: New. This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Nº de ref. del artículo: LU-9781606060933
Cantidad disponible: 4 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 256 pages. 11.50x10.00x1.00 inches. In Stock. Nº de ref. del artículo: __1606060937
Cantidad disponible: 2 disponibles
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Hardcover. Condición: new. Hardcover. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to create a pool of master artisan-printers in the United States to revive the medium of fine art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the countrys most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of postwar American art. Drawing mainly on the extensive print collection of the Norton Simon Museum, the book includes works by the local founders of the movement such as John Altoon, Garo Antreasian, Richard Diebenkorn, Sam Francis, Ed Moses, Ken Price, Ed Ruscha, and June Wayne as well as by artists who traveled west to print in Los Angeles such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg. An accompanying exhibition, part of the Pacific Standard Time initiative, will be on view at the Norton Simon Museum in Pasadena from October 1, 2011, through April 3, 2012. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781606060933
Cantidad disponible: 1 disponibles