9781597115537 - i m so happy you are here: japanese women photographers from the 1950s to now /anglais de vermare, pauline/mari (8 resultados)
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 55,38
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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EUR 67,54
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Hardcover. Condición: new. Hardcover. A critical and celebratory counter-narrative to what we know of Japanese photography today.I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a…wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering. A critical and celebratory counter-narrative to what we know of Japanese photography today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 74,31
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Hardback. Condición: New. A critical and celebratory counternarrative to what we know of Japanese photography today. I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range o…f photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography-and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 71,71
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Hardcover. Condición: Brand New. 384 pages. 11.00x0.83x11.20 inches. In Stock.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 67,28
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Hardcover. Condición: new. Hardcover. A critical and celebratory counter-narrative to what we know of Japanese photography today.I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a…wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering. A critical and celebratory counter-narrative to what we know of Japanese photography today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 55,37
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Hardcover. Condición: new. Hardcover. A critical and celebratory counter-narrative to what we know of Japanese photography today.I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a…wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering. A critical and celebratory counter-narrative to what we know of Japanese photography today. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 63,94
Envío por EUR 76,12Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. A critical and celebratory counternarrative to what we know of Japanese photography today. I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range o…f photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography-and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering.


