Isbn: 9781578062621 - zhang yimou: interviews (conversations with filmmakers) (28 resultados)

Paperback. Condición: Good. Zhang Yimou: Interviews edited by Frances Gateward With a concrete image we can dissolve boundaries and allow one to see, think, and feel. Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992). Zhang was one of the 1982 Beijing Film Academy graduates-the so-called Fifth Generation of filmmakers, who were the first generation of Chinese directors trained after the Cultural Revolution. As he discusses the Academy's impact on him and his peers, he often mentions that many of his fellow graduates now work in television because the state did not deem their films successful. Using his art as a means of exploring oppression and its devastation of human relationships, Zhang talks openly about the effects of mainland China's codes of censorship on his work. As he discusses his filmmaking style and compares it to the current state of Chinese filmmaking, he is revealed as open and modest, yet deeply passionate about his art. Readers meeting him through these interviews will see him to be complex, serious, and as quietly unassuming as his movies. Frances Gateward is an assistant professor in the Program of Film and Video Studies and in the Center for African and Afro-American Studies at the University of Michigan. …

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: new.

Paperback. Condición: New. Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992). Several of these interviews appear in English for the first time. Some come from Chinese-language periodicals, and a few have never been published until now. In these conversations with such notable critics as Michel Ciment, Robert Sklar, and Tam Kwok-Kan, Zhang Yimou discusses all his films and speaks candidly about his work both as a cinematographer and an actor. Certain topics-the symbolism in his use of color, the use of women protagonists in most of his films, his working relationships with the Taiwanese filmmakers Hou Hsiao-Hsien and Edward Yang-emerge many times in the interviews. He shows strong interests in literature and film adaptations of texts. Zhang speaks too of his work with the actress Gong Li and of her roles in six of his films, most of which depict the role of a woman living in feudal patriarchal society. Zhang was one of the 1982 Beijing Film Academy graduates-the so-called Fifth Generation of filmmakers, who were the first generation of Chinese directors trained after the Cultural Revolution. He discusses the Academy's impact on him and his peers. He often mentions that many of his fellow graduates now work in television because the state did not deem their films successful. ""If a film does not recoup its costs in China,"" he told the New York Times in 2000, ""you're not going to make another one. And you're not going to make a film without attracting investors."" Using his art as a means of exploring oppression and its devastation of human relationships, Zhang talks openly about the effects of mainland China's codes of censorship on his work. He often bemoans his lack of access to films, especially international films, during his youth. As he discusses his filmmaking style and compares it to the current state of Chinese filmmaking, he is revealed as open and modest, yet deeply passionate about his art. Readers meeting him through these interviews will see him to be complex, serious, and as quietly unassuming as his movies. …

Condición: New. pp. 204 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condición: New. 2001. Paperback. . . . . .

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: New. pp. 204.

Condición: New. 2001. Paperback. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New.

Condición: New. In English.

Paperback. Condición: Brand New. 169 pages. 9.25x6.25x0.50 inches. In Stock.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Condición: Neu. Zhang Yimou | Interviews | Frances Gateward | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2001 | University Press of Mississippi | EAN 9781578062621 | Verantwortliche Person für die EU: Easy Access System Europe, Mustamäe Tee 50, 10621 TALLINN, ESTLAND, gpsr[dot]requests[at]easproject[dot]com | Anbieter: preigu. …

Paperback. Condición: New. Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992). Several of these interviews appear in English for the first time. Some come from Chinese-language periodicals, and a few have never been published until now. In these conversations with such notable critics as Michel Ciment, Robert Sklar, and Tam Kwok-Kan, Zhang Yimou discusses all his films and speaks candidly about his work both as a cinematographer and an actor. Certain topics-the symbolism in his use of color, the use of women protagonists in most of his films, his working relationships with the Taiwanese filmmakers Hou Hsiao-Hsien and Edward Yang-emerge many times in the interviews. He shows strong interests in literature and film adaptations of texts. Zhang speaks too of his work with the actress Gong Li and of her roles in six of his films, most of which depict the role of a woman living in feudal patriarchal society. Zhang was one of the 1982 Beijing Film Academy graduates-the so-called Fifth Generation of filmmakers, who were the first generation of Chinese directors trained after the Cultural Revolution. He discusses the Academy's impact on him and his peers. He often mentions that many of his fellow graduates now work in television because the state did not deem their films successful. ""If a film does not recoup its costs in China,"" he told the New York Times in 2000, ""you're not going to make another one. And you're not going to make a film without attracting investors."" Using his art as a means of exploring oppression and its devastation of human relationships, Zhang talks openly about the effects of mainland China's codes of censorship on his work. He often bemoans his lack of access to films, especially international films, during his youth. As he discusses his filmmaking style and compares it to the current state of Chinese filmmaking, he is revealed as open and modest, yet deeply passionate about his art. Readers meeting him through these interviews will see him to be complex, serious, and as quietly unassuming as his movies. …

Paperback. Condición: Brand New. 169 pages. 9.25x6.25x0.50 inches. In Stock. This item is printed on demand.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992). Several of these interviews appear in English for the first time. Some come from Chinese-language periodicals, and a few have never been published until now. In these conversations with such notable critics as Michel Ciment, Robert Sklar, and Tam Kwok-Kan, Zhang Yimou discusses all his films and speaks candidly about his work both as a cinematographer and an actor. Certain topics-the symbolism in his use of color, the use of women protagonists in most of his films, his working relationships with the Taiwanese filmmakers Hou Hsiao-Hsien and Edward Yang-emerge many times in the interviews. He shows strong interests in literature and film adaptations of texts. Zhang speaks too of his work with the actress Gong Li and of her roles in six of his films, most of which depict the role of a woman living in feudal patriarchal society. Zhang was one of the 1982 Beijing Film Academy graduates-the so-called Fifth Generation of filmmakers, who were the first generation of Chinese directors trained after the Cultural Revolution. He discusses the Academy's impact on him and his peers. He often mentions that many of his fellow graduates now work in television because the state did not deem their films successful. ''If a film does not recoup its costs in China,'' he told the New York Times in 2000, ''you're not going to make another one. And you're not going to make a film without attracting investors.'' Using his art as a means of exploring oppression and its devastation of human relationships, Zhang talks openly about the effects of mainland China's codes of censorship on his work. He often bemoans his lack of access to films, especially international films, during his youth. As he discusses his filmmaking style and compares it to the current state of Chinese filmmaking, he is revealed as open and modest, yet deeply passionate about his art. Readers meeting him through these interviews will see him to be complex, serious, and as quietly unassuming as his movies. 204 pp. Englisch.…

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 333.

Condición: New. PRINT ON DEMAND pp. 204.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992). Several of these interviews appear in English for the first time. Some come from Chinese-language periodicals, and a few have never been published until now. In these conversations with such notable critics as Michel Ciment, Robert Sklar, and Tam Kwok-Kan, Zhang Yimou discusses all his films and speaks candidly about his work both as a cinematographer and an actor. Certain topics-the symbolism in his use of color, the use of women protagonists in most of his films, his working relationships with the Taiwanese filmmakers Hou Hsiao-Hsien and Edward Yang-emerge many times in the interviews. He shows strong interests in literature and film adaptations of texts. Zhang speaks too of his work with the actress Gong Li and of her roles in six of his films, most of which depict the role of a woman living in feudal patriarchal society. Zhang was one of the 1982 Beijing Film Academy graduates-the so-called Fifth Generation of filmmakers, who were the first generation of Chinese directors trained after the Cultural Revolution. He discusses the Academy's impact on him and his peers. He often mentions that many of his fellow graduates now work in television because the state did not deem their films successful. ''If a film does not recoup its costs in China,'' he told the New York Times in 2000, ''you're not going to make another one. And you're not going to make a film without attracting investors.'' Using his art as a means of exploring oppression and its devastation of human relationships, Zhang talks openly about the effects of mainland China's codes of censorship on his work. He often bemoans his lack of access to films, especially international films, during his youth. As he discusses his filmmaking style and compares it to the current state of Chinese filmmaking, he is revealed as open and modest, yet deeply passionate about his art. Readers meeting him through these interviews will see him to be complex, serious, and as quietly unassuming as his movies. …

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum and Raise the Red Lantern. Several of these interviews appear in English for the first time. Zhang Yimou discusses all his films and sp.…