Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Idioma: Inglés
Publicado por John Wiley and Sons Ltd, GB, 2020
ISBN 10: 1509537260 ISBN 13: 9781509537266
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Añadir al carritoPaperback. Condición: New. We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact-a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the "narcissism" of the selfie may well reconnect us to the deepest sources of the human manufacture of faces-a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.
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Idioma: Inglés
Publicado por John Wiley and Sons Ltd, Oxford, 2020
ISBN 10: 1509537260 ISBN 13: 9781509537266
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Añadir al carritoPaperback. Condición: new. Paperback. We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefacta construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the narcissism of the selfie may well reconnect us to the deepest sources of the human manufacture of facesa reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por John Wiley and Sons Ltd, 2020
ISBN 10: 1509537260 ISBN 13: 9781509537266
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Publicado por John Wiley and Sons Ltd, 2020
ISBN 10: 1509537260 ISBN 13: 9781509537266
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Añadir al carritopaperback. Condición: New.
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Publicado por John Wiley and Sons Ltd, 2020
ISBN 10: 1509537260 ISBN 13: 9781509537266
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Añadir al carritoCondición: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por John Wiley and Sons Ltd, Oxford, 2020
ISBN 10: 1509537260 ISBN 13: 9781509537266
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Añadir al carritoPaperback. Condición: new. Paperback. We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefacta construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the narcissism of the selfie may well reconnect us to the deepest sources of the human manufacture of facesa reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoCondición: New. highly convincing Aesthetica Fascinating Art QuarterlyMarion Zilio is a theorist, art critic and curatorWe have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions a.
Idioma: Inglés
Publicado por John Wiley And Sons Ltd Feb 2020, 2020
ISBN 10: 1509537260 ISBN 13: 9781509537266
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 18,96
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being.Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact--a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the 'narcissism' of the selfie may well reconnect us to the deepest sources of the human manufacture of faces--a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves.This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.
Idioma: Inglés
Publicado por John Wiley and Sons Ltd, 2020
ISBN 10: 1509537260 ISBN 13: 9781509537266
Librería: preigu, Osnabrück, Alemania
EUR 17,60
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Añadir al carritoTaschenbuch. Condición: Neu. Faceworld | Marion Zilio | Taschenbuch | 160 S. | Englisch | 2020 | John Wiley and Sons Ltd | EAN 9781509537266 | Verantwortliche Person für die EU: Wiley-VCH GmbH, Boschstr. 12, 69469 Weinheim, product-safety[at]wiley[dot]com | Anbieter: preigu.
Idioma: Inglés
Publicado por John Wiley and Sons Ltd, GB, 2020
ISBN 10: 1509537260 ISBN 13: 9781509537266
Librería: Rarewaves.com UK, London, Reino Unido
EUR 14,28
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Añadir al carritoPaperback. Condición: New. We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact-a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the "narcissism" of the selfie may well reconnect us to the deepest sources of the human manufacture of faces-a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.