Zilio marion (61 resultados)

Condición: New.

Paperback. Condición: Good. We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact?a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the ?narcissism? of the selfie may well reconnect us to the deepest sources of the human manufacture of faces?a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.…

Paperback. Condición: New. We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact-a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the "narcissism" of the selfie may well reconnect us to the deepest sources of the human manufacture of faces-a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Good. We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact?a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the ?narcissism? of the selfie may well reconnect us to the deepest sources of the human manufacture of faces?a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.…

Condición: New. Brand New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefacta construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the narcissism of the selfie may well reconnect us to the deepest sources of the human manufacture of facesa reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: Brand New. 160 pages. 8.50x5.50x0.50 inches. In Stock.

Condición: new.

Condición: New. In English.

Paperback / softback. Condición: New. New copy - Usually dispatched within 3 working days.

paperback. Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. 2020. Paperback. . . . . .

Condición: New. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condición: New. Brand new! Please provide a physical shipping address.

Condición: New.

paperback. Condición: New.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: as new. Wie neu/Like new.

Condición: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Condición: Nuevo. Pensar el mundo a través de lo inmundo. La etimología, como es usual, aporta su luz: IN-MUNDO es "aquello que no tiene belleza ni, por lo tanto, razón de ser", es lo abyecto mismo, lo que debe ser expulsado o, al menos, puesto a distancia en un lugar contenido y controlado, para que exista mundo. Durante siglos, esa fue la visión antropomórfica dominante. Movida por este desafío, veto y reto a la vez, y valiéndose del arte contemporáneo que se animó a tratar con este presunto afuera (por ejemplo, las asombrosas obras de Gina Pane y Pierre Huygue), pero también del cine (con el ya célebre film Parasite), Marion Zilio convoca ese impensado del pensamiento, las larvas, como llave para elaborar una ontología relacional, transductiva y coindividuante, desde un perspectivismo cosmológico que dé cuenta del "desfondamiento" de aquella visión moderna demasiado humana. Las larvas, como la totalidad del mundo "natural", fueron emplazadas, visibilizadas y analizadas por el "hombre", único sujeto de conocimiento, pretencioso y autodesignado "naturalista", en vivarios, acuarios, y otras arqueologías de cristal y panópt.…

Condición: New.

Condición: New.

Taschenbuch. Condición: Neu. Neuware - We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being.Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact--a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the 'narcissism' of the selfie may well reconnect us to the deepest sources of the human manufacture of faces--a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves.This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.…

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact-a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the "narcissism" of the selfie may well reconnect us to the deepest sources of the human manufacture of faces-a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.…