ISBN: 9781496802507 - eric rohmer: interviews (conversations with filmmakers series) (27 resultados)

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  • Idioma: Inglés

    Editorial: University Press of Mississippi, 2015

    1496802500 / 9781496802507

    Serie: Libro 72 de 126 - Conversations with Filmmakers

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  • Idioma: Inglés

    Editorial: MP-MPP University Press of Mississippi, 2015

    1496802500 / 9781496802507

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  • Idioma: Inglés

    Editorial: University Press of Mississippi, 2015

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    Serie: Libro 72 de 126 - Conversations with Filmmakers

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    Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Idioma: Inglés

    Editorial: University Press of Mississippi, 2015

    1496802500 / 9781496802507

    Serie: Libro 72 de 126 - Conversations with Filmmakers

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  • Idioma: Inglés

    Editorial: University Press of Mississippi, 2015

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  • Idioma: Inglés

    Editorial: University Press of Mississippi 2/10/2015, 2015

    1496802500 / 9781496802507

    Serie: Libro 72 de 126 - Conversations with Filmmakers

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    Paperback or Softback. Condición: New. Eric Rohmer: Interviews. Book.

  • Idioma: Inglés

    Editorial: University Press of Mississippi, US, 2015

    1496802500 / 9781496802507

    Serie: Libro 72 de 126 - Conversations with Filmmakers

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    Paperback. Condición: New. The 1969 film Ma Nuit chez Maud catapulted its shy academic film director Eric Rohmer (1920-2010) into the limelight, selling over a million tickets in France and earning a nomination for an Academy Award. Ma Nuit chez Maud remains his most famous film, the highlight of an impressive range of films examining the sexual, romantic, and artistic mores of contemporary France, the temptations of desire, the small joys of everyday life, and sometimes, the vicissitudes of history and politics. Yet Rohmer was almost fifty years old when Maud was released and had already had a career as the editor of Cahiers du Cinéma, a position he lost in a political takeover in 1963. The interviews in this book offer a range of insights into the theoretical, critical, and practical circumstances of Rohmer's remarkably coherent body of films, but also allow Rohmer to act as his own critic, providing us with an array of readings concerning his interest in setting, season, color, and narrative.Alongside the application of a theoretical rigor to his own films, Rohmer's interviews also discuss directors as varied as Godard, Carné, Renoir, and Hitchcock, and the relations of film to painting, architecture, and music. This book reproduces little-known interviews, such as a debate Rohmer undertakes with Women and Film concerning feminism, alongside detailed discussions from Cahiers and Positif, many produced in English here for the first time.…

  • Idioma: Inglés

    Editorial: University Press of Mississippi, US, 2015

    1496802500 / 9781496802507

    Serie: Libro 72 de 126 - Conversations with Filmmakers

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    Paperback. Condición: New. The 1969 film Ma Nuit chez Maud catapulted its shy academic film director Eric Rohmer (1920-2010) into the limelight, selling over a million tickets in France and earning a nomination for an Academy Award. Ma Nuit chez Maud remains his most famous film, the highlight of an impressive range of films examining the sexual, romantic, and artistic mores of contemporary France, the temptations of desire, the small joys of everyday life, and sometimes, the vicissitudes of history and politics. Yet Rohmer was almost fifty years old when Maud was released and had already had a career as the editor of Cahiers du Cinéma, a position he lost in a political takeover in 1963. The interviews in this book offer a range of insights into the theoretical, critical, and practical circumstances of Rohmer's remarkably coherent body of films, but also allow Rohmer to act as his own critic, providing us with an array of readings concerning his interest in setting, season, color, and narrative.Alongside the application of a theoretical rigor to his own films, Rohmer's interviews also discuss directors as varied as Godard, Carné, Renoir, and Hitchcock, and the relations of film to painting, architecture, and music. This book reproduces little-known interviews, such as a debate Rohmer undertakes with Women and Film concerning feminism, alongside detailed discussions from Cahiers and Positif, many produced in English here for the first time.…

  • Idioma: Inglés

    Editorial: University Press of Mississippi, 2015

    1496802500 / 9781496802507

    Serie: Libro 72 de 126 - Conversations with Filmmakers

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    Condición: New. Interviews with the director of "Ma Nuit chez Maud" Editor(s): Handyside, Fiona. Series: Conversations with Filmmakers (Hardcover). Num Pages: 200 pages, black & white illustrations. BIC Classification: APB; APFB; BGF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 14. Weight in Grams: 363. . 2015. Paperback. . . . . …

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    Editorial: University Press of Mississippi, 2015

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    Condición: New. In English.

  • Idioma: Inglés

    Editorial: University Press of Mississippi, 2015

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    Condición: New. Interviews with the director of "Ma Nuit chez Maud" Editor(s): Handyside, Fiona. Series: Conversations with Filmmakers (Hardcover). Num Pages: 200 pages, black & white illustrations. BIC Classification: APB; APFB; BGF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 14. Weight in Grams: 363. . 2015. Paperback. . . . . Books ship from the US and Ireland. …

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    Editorial: University Press of Mississippi, 2015

    1496802500 / 9781496802507

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    Paperback. Condición: Brand New. 242 pages. 8.75x6.00x0.75 inches. In Stock.

  • Idioma: Inglés

    Editorial: University Press of Mississippi, US, 2015

    1496802500 / 9781496802507

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    Paperback. Condición: New. The 1969 film Ma Nuit chez Maud catapulted its shy academic film director Eric Rohmer (1920-2010) into the limelight, selling over a million tickets in France and earning a nomination for an Academy Award. Ma Nuit chez Maud remains his most famous film, the highlight of an impressive range of films examining the sexual, romantic, and artistic mores of contemporary France, the temptations of desire, the small joys of everyday life, and sometimes, the vicissitudes of history and politics. Yet Rohmer was almost fifty years old when Maud was released and had already had a career as the editor of Cahiers du Cinéma, a position he lost in a political takeover in 1963. The interviews in this book offer a range of insights into the theoretical, critical, and practical circumstances of Rohmer's remarkably coherent body of films, but also allow Rohmer to act as his own critic, providing us with an array of readings concerning his interest in setting, season, color, and narrative.Alongside the application of a theoretical rigor to his own films, Rohmer's interviews also discuss directors as varied as Godard, Carné, Renoir, and Hitchcock, and the relations of film to painting, architecture, and music. This book reproduces little-known interviews, such as a debate Rohmer undertakes with Women and Film concerning feminism, alongside detailed discussions from Cahiers and Positif, many produced in English here for the first time.…

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    Editorial: University Press of Mississippi, 2015

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    Taschenbuch. Condición: Neu. Eric Rohmer | Interviews | Fiona Handyside | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2015 | University Press of Mississippi | EAN 9781496802507 | Verantwortliche Person für die EU: Easy Access System Europe, Mustamäe Tee 50, 10621 TALLINN, ESTLAND, gpsr[dot]requests[at]easproject[dot]com | Anbieter: preigu. …

  • Idioma: Inglés

    Editorial: University Press of Mississippi, US, 2015

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    Paperback. Condición: New. The 1969 film Ma Nuit chez Maud catapulted its shy academic film director Eric Rohmer (1920-2010) into the limelight, selling over a million tickets in France and earning a nomination for an Academy Award. Ma Nuit chez Maud remains his most famous film, the highlight of an impressive range of films examining the sexual, romantic, and artistic mores of contemporary France, the temptations of desire, the small joys of everyday life, and sometimes, the vicissitudes of history and politics. Yet Rohmer was almost fifty years old when Maud was released and had already had a career as the editor of Cahiers du Cinéma, a position he lost in a political takeover in 1963. The interviews in this book offer a range of insights into the theoretical, critical, and practical circumstances of Rohmer's remarkably coherent body of films, but also allow Rohmer to act as his own critic, providing us with an array of readings concerning his interest in setting, season, color, and narrative.Alongside the application of a theoretical rigor to his own films, Rohmer's interviews also discuss directors as varied as Godard, Carné, Renoir, and Hitchcock, and the relations of film to painting, architecture, and music. This book reproduces little-known interviews, such as a debate Rohmer undertakes with Women and Film concerning feminism, alongside detailed discussions from Cahiers and Positif, many produced in English here for the first time.…

  • Idioma: Inglés

    Editorial: University Press of Mississippi 2015-01, 2015

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  • Idioma: Inglés

    Editorial: Univ Pr of Mississippi, 2015

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  • Idioma: Inglés

    Editorial: University Press Of Mississippi Jan 2015, 2015

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    Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The 1969 film Ma Nuit chez Maud catapulted its shy academic film director Eric Rohmer (1920-2010) into the limelight, selling over a million tickets in France and earning a nomination for an Academy Award. Ma Nuit chez Maud remains his most famous film, the highlight of an impressive range of films examining the sexual, romantic, and artistic mores of contemporary France, the temptations of desire, the small joys of everyday life, and sometimes, the vicissitudes of history and politics. Yet Rohmer was almost fifty years old when Maud was released and had already had a career as the editor of Cahiers du Cinéma, a position he lost in a political takeover in 1963. The interviews in this book offer a range of insights into the theoretical, critical, and practical circumstances of Rohmer's remarkably coherent body of films, but also allow Rohmer to act as his own critic, providing us with an array of readings concerning his interest in setting, season, color, and narrative.Alongside the application of a theoretical rigor to his own films, Rohmer's interviews also discuss directors as varied as Godard, Carné, Renoir, and Hitchcock, and the relations of film to painting, architecture, and music. This book reproduces little-known interviews, such as a debate Rohmer undertakes with Women and Film concerning feminism, alongside detailed discussions from Cahiers and Positif, many produced in English here for the first time. 244 pp. Englisch.…

  • Idioma: Inglés

    Editorial: University Press of Mississippi, 2015

    1496802500 / 9781496802507

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    Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 370.

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  • Idioma: Inglés

    Editorial: University Press Of Mississippi, 2015

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    Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The 1969 film Ma Nuit chez Maud catapulted its shy academic film director Eric Rohmer (1920-2010) into the limelight, selling over a million tickets in France and earning a nomination for an Academy Award. Ma Nuit chez Maud remains his most famous film, the highlight of an impressive range of films examining the sexual, romantic, and artistic mores of contemporary France, the temptations of desire, the small joys of everyday life, and sometimes, the vicissitudes of history and politics. Yet Rohmer was almost fifty years old when Maud was released and had already had a career as the editor of Cahiers du Cinéma, a position he lost in a political takeover in 1963. The interviews in this book offer a range of insights into the theoretical, critical, and practical circumstances of Rohmer's remarkably coherent body of films, but also allow Rohmer to act as his own critic, providing us with an array of readings concerning his interest in setting, season, color, and narrative.Alongside the application of a theoretical rigor to his own films, Rohmer's interviews also discuss directors as varied as Godard, Carné, Renoir, and Hitchcock, and the relations of film to painting, architecture, and music. This book reproduces little-known interviews, such as a debate Rohmer undertakes with Women and Film concerning feminism, alongside detailed discussions from Cahiers and Positif, many produced in English here for the first time. …

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    Editorial: University Press of Mississippi, 2015

    1496802500 / 9781496802507

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    Kartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The interviews in this book offer a range of insights into the theoretical, critical, and practical circumstances of Eric Rohmer s remarkably coherent body of films, but also allow Rohmer to act as his own critic, providing us with an array of readings conc.…