Librería: Greenworld Books, Arlington, TX, Estados Unidos de America
EUR 23,74
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 25,16
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Duke University Press Books, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Librería: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, Estados Unidos de America
EUR 22,18
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: As New. Still shrinkwrapped; Sign, Storage, Transmission; 8vo 8" - 9" tall; 320 pages.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 28,44
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Duke University Press, US, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 30,79
Cantidad disponible: 12 disponibles
Añadir al carritoPaperback. Condición: New. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.
Idioma: Inglés
Publicado por MD - Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 26,15
Cantidad disponible: 15 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Duke University Press 1/21/2022, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 32,15
Cantidad disponible: 5 disponibles
Añadir al carritoPaperback or Softback. Condición: New. Horn, or The Counterside of Media. Book.
Idioma: Inglés
Publicado por Duke University Press, North Carolina, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 37,55
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dali, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dali conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media. Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dali to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 29,95
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: new.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 32,64
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 28,05
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 308 pages. 9.25x6.25x0.75 inches. In Stock.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 26,09
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 32,25
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. 2022. Paperback. . . . . .
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 26,11
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 32,03
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. In.
Idioma: Inglés
Publicado por Duke University Press Books 2022-02-25, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Librería: Chiron Media, Wallingford, Reino Unido
EUR 27,05
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 31,00
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 39,56
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 47,46
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 45,14
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 308 pages. 9.25x6.25x0.75 inches. In Stock.
Librería: Speedyhen, Hertfordshire, Reino Unido
EUR 26,12
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: NEW.
Librería: moluna, Greven, Alemania
EUR 34,30
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dali to Walter Benjamin, who each explore the interplay between tactility and technological and biological .
Idioma: Inglés
Publicado por Duke University Press, North Carolina, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 60,35
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dali, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dali conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media. Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dali to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Librería: preigu, Osnabrück, Alemania
EUR 27,00
Cantidad disponible: 5 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Horn, or The Counterside of Media | Henning Schmidgen | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2022 | Duke University Press | EAN 9781478017721 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.
Idioma: Inglés
Publicado por Duke University Press, US, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Librería: Rarewaves.com UK, London, Reino Unido
EUR 27,45
Cantidad disponible: 12 disponibles
Añadir al carritoPaperback. Condición: New. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 29,00
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 522.
Idioma: Inglés
Publicado por Duke University Press Jan 2022, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
EUR 27,82
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of 'horn'-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his 'rhinoceros phase' or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media. 318 pp. Englisch.
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 48,19
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. PRINT ON DEMAND.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 33,52
Cantidad disponible: 1 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of 'horn'-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his 'rhinoceros phase' or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.