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ISBN 10: 1474461662 ISBN 13: 9781474461665
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Publicado por Edinburgh University Press, 2025
ISBN 10: 1474461662 ISBN 13: 9781474461665
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Idioma: Inglés
Publicado por Edinburgh University Press, 2025
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Añadir al carritoPaperback. Condición: New. Abstraction is one of the most important words in modernism and in the critical thought of modernity, yet its complex work is invariably hidden in plain sight. What do we want from abstraction? Does it refer to thought, or to art? Is it a term of reproach, or of affirmation? Beyond these distinctions, Jeff Wallace's new intellectual history of abstraction in modernism and modernity proposes that abstraction is always uniquely concerned with the importance and revaluation of the inhuman in and for the human. Wallace's case studies range across the writings of Raymond Williams and Paul Valery, Marx and Marxist aesthetics, the discourse on abstract visual art in Cezanne, Kandinsky, Mondrian and Newman, the literary experimentalisms of Gertrude Stein, Wallace Stevens and Samuel Beckett, and the twenty-first-century legacies of modernist abstraction in two forms: the post-Deleuzian resurgence of interest in the philosophies of William James, Henri Bergson and A. N. Whitehead; and the act of looking at the abstract canvas in plays by Yasmina Reza, John Logan and Lee Hall. Contrary to habitual associations of abstraction's difficulty with the exclusivity of high modernism, Wallace finds an inclusive and democratic impulse at the heart of the difficulty itself the promise of an abstraction for all.
Idioma: Inglés
Publicado por Edinburgh University Press, Edinburgh, 2025
ISBN 10: 1474461662 ISBN 13: 9781474461665
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Añadir al carritoPaperback. Condición: new. Paperback. Abstraction is one of the most important words in modernism and in the critical thought of modernity, yet its complex work is invariably hidden in plain sight. What do we want from abstraction? Does it refer to thought, or to art? Is it a term of reproach, or of affirmation? Beyond these distinctions, Jeff Wallace's new intellectual history of abstraction in modernism and modernity proposes that abstraction is always uniquely concerned with the importance and revaluation of the inhuman in and for the human. Wallace's case studies range across the writings of Raymond Williams and Paul Valery, Marx and Marxist aesthetics, the discourse on abstract visual art in Cezanne, Kandinsky, Mondrian and Newman, the literary experimentalisms of Gertrude Stein, Wallace Stevens and Samuel Beckett, and the twenty-first-century legacies of modernist abstraction in two forms: the post-Deleuzian resurgence of interest in the philosophies of William James, Henri Bergson and A. N. Whitehead; and the act of looking at the abstract canvas in plays by Yasmina Reza, John Logan and Lee Hall. Contrary to habitual associations of abstraction's difficulty with the exclusivity of high modernism, Wallace finds an inclusive and democratic impulse at the heart of the difficulty itself the promise of an abstraction for all. Explores abstraction as a keyword in aesthetic modernism and in critical thinking since Marx Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Edinburgh University Press, 2025
ISBN 10: 1474461662 ISBN 13: 9781474461665
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Idioma: Inglés
Publicado por Edinburgh University Press, 2025
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Añadir al carritoPaperback. Condición: Brand New. 272 pages. 9.21x6.14x9.21 inches. In Stock.
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Publicado por Edinburgh University Press, 2025
ISBN 10: 1474461662 ISBN 13: 9781474461665
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Añadir al carritoPaperback. Condición: new. Paperback. Abstraction is one of the most important words in modernism and in the critical thought of modernity, yet its complex work is invariably hidden in plain sight. What do we want from abstraction? Does it refer to thought, or to art? Is it a term of reproach, or of affirmation? Beyond these distinctions, Jeff Wallace's new intellectual history of abstraction in modernism and modernity proposes that abstraction is always uniquely concerned with the importance and revaluation of the inhuman in and for the human. Wallace's case studies range across the writings of Raymond Williams and Paul Valery, Marx and Marxist aesthetics, the discourse on abstract visual art in Cezanne, Kandinsky, Mondrian and Newman, the literary experimentalisms of Gertrude Stein, Wallace Stevens and Samuel Beckett, and the twenty-first-century legacies of modernist abstraction in two forms: the post-Deleuzian resurgence of interest in the philosophies of William James, Henri Bergson and A. N. Whitehead; and the act of looking at the abstract canvas in plays by Yasmina Reza, John Logan and Lee Hall. Contrary to habitual associations of abstraction's difficulty with the exclusivity of high modernism, Wallace finds an inclusive and democratic impulse at the heart of the difficulty itself the promise of an abstraction for all. Explores abstraction as a keyword in aesthetic modernism and in critical thinking since Marx Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Edinburgh University Press Feb 2025, 2025
ISBN 10: 1474461662 ISBN 13: 9781474461665
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Abstraction is one of the most important words in modernism and in the critical thought of modernity, yet its complex work is invariably hidden in plain sight. What do we want from abstraction Does it refer to thought, or to art Is it a term of reproach, or of affirmation Beyond these distinctions, Jeff Wallace's new intellectual history of abstraction in modernism and modernity proposes that abstraction is always uniquely concerned with the importance and revaluation of the inhuman in and for the human. Wallace's case studies range across the writings of Raymond Williams and Paul Valéry, Marx and Marxist aesthetics, the discourse on abstract visual art in Cézanne, Kandinsky, Mondrian and Newman, the literary experimentalisms of Gertrude Stein, Wallace Stevens and Samuel Beckett, and the twenty-first-century legacies of modernist abstraction in two forms: the post-Deleuzian resurgence of interest in the philosophies of William James, Henri Bergson and A. N. Whitehead; and the act of looking at the abstract canvas in plays by Yasmina Reza, John Logan and Lee Hall. Contrary to habitual associations of abstraction's difficulty with the exclusivity of high modernism, Wallace finds an inclusive and democratic impulse at the heart of the difficulty itself - the promise of an abstraction for all.
Idioma: Inglés
Publicado por Edinburgh University Press, GB, 2025
ISBN 10: 1474461662 ISBN 13: 9781474461665
Librería: Rarewaves.com UK, London, Reino Unido
EUR 30,34
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Añadir al carritoPaperback. Condición: New. Abstraction is one of the most important words in modernism and in the critical thought of modernity, yet its complex work is invariably hidden in plain sight. What do we want from abstraction? Does it refer to thought, or to art? Is it a term of reproach, or of affirmation? Beyond these distinctions, Jeff Wallace's new intellectual history of abstraction in modernism and modernity proposes that abstraction is always uniquely concerned with the importance and revaluation of the inhuman in and for the human. Wallace's case studies range across the writings of Raymond Williams and Paul Valery, Marx and Marxist aesthetics, the discourse on abstract visual art in Cezanne, Kandinsky, Mondrian and Newman, the literary experimentalisms of Gertrude Stein, Wallace Stevens and Samuel Beckett, and the twenty-first-century legacies of modernist abstraction in two forms: the post-Deleuzian resurgence of interest in the philosophies of William James, Henri Bergson and A. N. Whitehead; and the act of looking at the abstract canvas in plays by Yasmina Reza, John Logan and Lee Hall. Contrary to habitual associations of abstraction's difficulty with the exclusivity of high modernism, Wallace finds an inclusive and democratic impulse at the heart of the difficulty itself the promise of an abstraction for all.
Librería: Revaluation Books, Exeter, Reino Unido
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Añadir al carritoPaperback. Condición: Brand New. 272 pages. 9.21x6.14x9.21 inches. In Stock. This item is printed on demand.