Isbn: 9781469629681 - the south in color: a visual journal (h. eugene and lillian youngs lehman series) (27 resultados)

Condición: Good. Good condition ex-library book with usual library markings and stickers.

Hardcover. Condición: Very Good. Illustrated. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: SOME ] [ Edition: First ] Publisher: University of North Carolina Press Pub Date: 9/1/2016 Binding: Hardcover Pages: 120 First edition.

Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Inscribed by author, otherwise unmarked. Upper edge of glossy dust jacket worn. Binding square & firm. Inscribed by Author(s). Book.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardcover with black cloth over boards, silver lettering along spine. Black DJ with colorful photographs on covers, black and yellow text across covers and along spine. Corners, crown and foot of spine lightly bumped. Covers otherwise pristine and still glossy. No date on title page. Copyright page dated only 2016. xviii + 120 pages. Includes foreword by Tom Rankin, full-page, colorful photographs on most pages. Front free endpaper inscribed "For Myriam Springull -- With very best wishes-- Bill Ferris, Chapel Hill, March 19, 2018" in dark pen. Pages clean and bright, glossy. Binding neat and tight. Please email us with questions or to request photos. Signed by Author(s).…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. This is a fine, as new, hardcover first edition copy in a fine, as new, DJ, black spine. Signed by Author(s).

Condición: New.

Condición: New. Brand New.

Hardback or Cased Book. Condición: New. The South in Color: A Visual Journal. Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. One mans power to capture his world in all its colours, surprises, and troubles. Since the moment William Ferriss parents gave their twelve-year-oldson a Kodak Brownie Hawkeye camera for Christmas in 1954, Ferris passionatelybegan to photograph his world. He has never stopped. The sixtiesand seventies were a particularly significant period for Ferris as he becamea pathbreaking documentarian of the American South. This beautiful,provocative collection of 100 of Ferriss photographs of the South, takenduring this formative period, capture the power of his color photography.Color film, as Ferris points out in the books introduction, was not commonlyused by documentarians during the latter half of the twentieth century,but Ferris found color to work in significant ways in the photographicjournals he created of his world in all its permutations and surprises.The volume opens with images of his familys farm and its workersfamily and hiredsoutheast of Vicksburg, Mississippi. The images are atonce lyrical and troubling. As Ferris continued to photograph people andtheir homes, churches, and blues clubs, their handmade signs and folk art,and the roads that wound through the region, divisive racial landscapesbecome part of the record. A foreword by Tom Rankin, professor of visualstudies and former director of the Center for Documentary Studies atDuke University, provides rich insight into Ferriss work. Since the moment William Ferris parents him a Kodak Brownie Hawkeye camera in 1954, Ferris passionately began to photograph his world. He has never stopped. This beautiful, provocative collection of 100 of Ferris photographs of the South, taken during his formative period, capture the power of his colour photography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: New. Signed By Author.

Condición: New. Since the moment William Ferris' parents him a Kodak Brownie Hawkeye camera in 1954, Ferris passionately began to photograph his world. He has never stopped. This beautiful, provocative collection of 100 of Ferris' photographs of the South, taken during his formative period, capture the power of his colour photography. Series: H. Eugene and Lillian Youngs Lehman Series. Num Pages: 144 pages, 103 Colour Plates. BIC Classification: 1KBBS; 3JJ; 3JM; AGN; AJB. Category: (G) General (US: Trade). Dimension: 241 x 203 x 18. Weight in Grams: 726. . 2016. . . . .…

Hardcover. Condición: New. Special order direct from the distributor.

Condición: New.

Condición: New. Since the moment William Ferris' parents him a Kodak Brownie Hawkeye camera in 1954, Ferris passionately began to photograph his world. He has never stopped. This beautiful, provocative collection of 100 of Ferris' photographs of the South, taken during his formative period, capture the power of his colour photography. Series: H. Eugene and Lillian Youngs Lehman Series. Num Pages: 144 pages, 103 Colour Plates. BIC Classification: 1KBBS; 3JJ; 3JM; AGN; AJB. Category: (G) General (US: Trade). Dimension: 241 x 203 x 18. Weight in Grams: 726. . 2016. . . . . Books ship from the US and Ireland.…

Hardcover. Condición: Brand New. 120 pages. 9.50x8.00x0.50 inches. In Stock.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. One mans power to capture his world in all its colours, surprises, and troubles. Since the moment William Ferriss parents gave their twelve-year-oldson a Kodak Brownie Hawkeye camera for Christmas in 1954, Ferris passionatelybegan to photograph his world. He has never stopped. The sixtiesand seventies were a particularly significant period for Ferris as he becamea pathbreaking documentarian of the American South. This beautiful,provocative collection of 100 of Ferriss photographs of the South, takenduring this formative period, capture the power of his color photography.Color film, as Ferris points out in the books introduction, was not commonlyused by documentarians during the latter half of the twentieth century,but Ferris found color to work in significant ways in the photographicjournals he created of his world in all its permutations and surprises.The volume opens with images of his familys farm and its workersfamily and hiredsoutheast of Vicksburg, Mississippi. The images are atonce lyrical and troubling. As Ferris continued to photograph people andtheir homes, churches, and blues clubs, their handmade signs and folk art,and the roads that wound through the region, divisive racial landscapesbecome part of the record. A foreword by Tom Rankin, professor of visualstudies and former director of the Center for Documentary Studies atDuke University, provides rich insight into Ferriss work. Since the moment William Ferris parents him a Kodak Brownie Hawkeye camera in 1954, Ferris passionately began to photograph his world. He has never stopped. This beautiful, provocative collection of 100 of Ferris photographs of the South, taken during his formative period, capture the power of his colour photography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condición: Neu. Neuware - One man's power to capture his world in all its colours, surprises, and troubles. Since the moment William Ferris's parents gave their twelve-year-oldson a Kodak Brownie Hawkeye camera for Christmas in 1954, Ferris passionatelybegan to photograph his world. He has never stopped. The sixtiesand seventies were a particularly significant period for Ferris as he becamea pathbreaking documentarian of the American South. This beautiful,provocative collection of 100 of Ferris's photographs of the South, takenduring this formative period, capture the power of his color photography.Color film, as Ferris points out in the book's introduction, was not commonlyused by documentarians during the latter half of the twentieth century,but Ferris found color to work in significant ways in the photographicjournals he created of his world in all its permutations and surprises.The volume opens with images of his family's farm and its workersfamily and hiredsoutheast of Vicksburg, Mississippi. The images are atonce lyrical and troubling. As Ferris continued to photograph people andtheir homes, churches, and blues clubs, their handmade signs and folk art,and the roads that wound through the region, divisive racial landscapesbecome part of the record. A foreword by Tom Rankin, professor of visualstudies and former director of the Center for Documentary Studies atDuke University, provides rich insight into Ferris's work.…

Gebunden. Condición: New. Since the moment William Ferris parents him a Kodak Brownie Hawkeye camera in 1954, Ferris passionately began to photograph his world. He has never stopped. This beautiful, provocative collection of 100 of Ferris photographs of the South, taken during his.

Hardcover. Condición: New. H. Eugene and Lillian Youngs Lehman Series.