One man’s power to capture his world in all its colours, surprises, and troubles.
Since the moment William Ferris’s parents gave their twelve-year-oldson a Kodak Brownie Hawkeye camera for Christmas in 1954, Ferris passionatelybegan to photograph his world. He has never stopped. The sixtiesand seventies were a particularly significant period for Ferris as he becamea pathbreaking documentarian of the American South. This beautiful,provocative collection of 100 of Ferris’s photographs of the South, takenduring this formative period, capture the power of his color photography.Color film, as Ferris points out in the book’s introduction, was not commonlyused by documentarians during the latter half of the twentieth century,but Ferris found color to work in significant ways in the photographicjournals he created of his world in all its permutations and surprises.
The volume opens with images of his family’s farm and its workers―family and hired―southeast of Vicksburg, Mississippi. The images are atonce lyrical and troubling. As Ferris continued to photograph people andtheir homes, churches, and blues clubs, their handmade signs and folk art,and the roads that wound through the region, divisive racial landscapesbecome part of the record. A foreword by Tom Rankin, professor of visualstudies and former director of the Center for Documentary Studies atDuke University, provides rich insight into Ferris’s work.
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William Ferris is Joel R. Williamson Eminent Professor of History at the University of North Carolina at Chapel Hill and a former chairman of the National Endowment for the Humanities. With Ferris’s two previous books, Give My Poor Heart Ease and The Storied South, The South in Color completes an informal trilogy of Ferris’s documentation of the South’s tumultuous twentieth century.
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Librería: Riverby Books, Fredericksburg, VA, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardcover with black cloth over boards, silver lettering along spine. Black DJ with colorful photographs on covers, black and yellow text across covers and along spine. Corners, crown and foot of spine lightly bumped. Covers otherwise pristine and still glossy. No date on title page. Copyright page dated only 2016. xviii + 120 pages. Includes foreword by Tom Rankin, full-page, colorful photographs on most pages. Front free endpaper inscribed "For Myriam Springull -- With very best wishes-- Bill Ferris, Chapel Hill, March 19, 2018" in dark pen. Pages clean and bright, glossy. Binding neat and tight. Please email us with questions or to request photos. Signed by Author(s). Nº de ref. del artículo: 24-1248
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