Idioma: Inglés
Publicado por Bloomsbury Academic (UK), 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Academic (UK), 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
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Añadir al carritoCondición: New. 2025. hardcover. . . . . .
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, GB, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
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EUR 113,33
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Añadir al carritoHardback. Condición: New. In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan's film industry.Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film)tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shin'ya, and Fukui Shozin, Player explores how punk's bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street performance, handmade animation, television, and other mass media. By considering the practical, phenomenological, and political ramifications of combining diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinson's Garden (1987), Tetsuo: The Iron Man (1989), and more. He further traces the changing sociocultural position of Japan's punk generation throughout the 1980s-from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
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Añadir al carritoHardcover. Condición: new. Hardcover. In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japans film industry.Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film)tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shinya, and Fukui Shozin, Player explores how punks bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street performance, handmade animation, television, and other mass media. By considering the practical, phenomenological, and political ramifications of combining diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinsons Garden (1987), Tetsuo: The Iron Man (1989), and more. He further traces the changing sociocultural position of Japans punk generation throughout the 1980sfrom its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Idioma: Inglés
Publicado por Bloomsbury Publishing Plc -, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
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Añadir al carritohardcover. Condición: New.
Idioma: Inglés
Publicado por Bloomsbury USA Academic, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
Librería: Revaluation Books, Exeter, Reino Unido
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Añadir al carritoHardcover. Condición: Brand New. 272 pages. 9.22x6.14x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Bloomsbury Academic (UK), 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
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Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
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Añadir al carritoHardback. Condición: New. New copy - Usually dispatched within 4 working days.
Librería: Biblios, Frankfurt am main, HESSE, Alemania
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
Librería: CitiRetail, Stevenage, Reino Unido
EUR 110,76
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Añadir al carritoHardcover. Condición: new. Hardcover. In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japans film industry.Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film)tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shinya, and Fukui Shozin, Player explores how punks bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street performance, handmade animation, television, and other mass media. By considering the practical, phenomenological, and political ramifications of combining diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinsons Garden (1987), Tetsuo: The Iron Man (1989), and more. He further traces the changing sociocultural position of Japans punk generation throughout the 1980sfrom its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Librería: Russell Books, Victoria, BC, Canada
EUR 145,39
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Añadir al carritohardcover. Condición: New. Special order direct from the distributor.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, GB, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
Librería: Rarewaves.com UK, London, Reino Unido
EUR 106,78
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Añadir al carritoHardback. Condición: New. In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan's film industry.Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film)tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shin'ya, and Fukui Shozin, Player explores how punk's bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street performance, handmade animation, television, and other mass media. By considering the practical, phenomenological, and political ramifications of combining diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinson's Garden (1987), Tetsuo: The Iron Man (1989), and more. He further traces the changing sociocultural position of Japan's punk generation throughout the 1980s-from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence.
Idioma: Inglés
Publicado por Bloomsbury USA Academic, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
Librería: Revaluation Books, Exeter, Reino Unido
EUR 169,49
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Añadir al carritoHardcover. Condición: Brand New. 272 pages. 9.22x6.14x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 173,51
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Añadir al carritoHardcover. Condición: new. Hardcover. In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japans film industry.Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film)tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shinya, and Fukui Shozin, Player explores how punks bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street performance, handmade animation, television, and other mass media. By considering the practical, phenomenological, and political ramifications of combining diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinsons Garden (1987), Tetsuo: The Iron Man (1989), and more. He further traces the changing sociocultural position of Japans punk generation throughout the 1980sfrom its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Bloomsbury Academic Mai 2025, 2025
ISBN 10: 1350378569 ISBN 13: 9781350378568
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 140,82
Cantidad disponible: 1 disponibles
Añadir al carritoBuch. Condición: Neu. Neuware - 'In Japanese Cinema and Punk, Mark Player explores how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a time of crisis and change for Japan's film industry. Analyzing key examples such as Burst City (1982), Robinson's Garden (1987) and Tetsuo: The Iron Man (1989), he traces the changing sociocultural position of Japan's punk movement throughout the 1980s, from its euphoric early-80s highpoint to a growing dysphoria brought about by its co-opting and convergence by the mainstream'--.