Isbn: 9781350330887 - rethinking roland barthes through performance: a desire for neutral dramaturgy (thinking through theatre) (14 resultados)

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  • Idioma: Inglés

    Editorial: Methuen Drama, 2024

    1350330884 / 9781350330887

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    Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks

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    Condición: Usado - Excelente

    EUR 10,74

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    Cantidad disponible: 1 disponibles

    Paperback. Condición: Fine.

  • Idioma: Inglés

    Editorial: Methuen Drama, 2024

    1350330884 / 9781350330887

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    Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices

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    Condición: Nuevo

    EUR 41,44

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    Condición: New.

  • Idioma: Inglés

    Editorial: Bloomsbury Publishing PLC, GB, 2024

    1350330884 / 9781350330887

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    Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA

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    Condición: Nuevo

    EUR 43,82

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    Paperback. Condición: New. Through a series of reflections from internationally renowned performance-makers and contextualising essays from leading theatre and performance scholars, this is the first book to map the influence of Roland Barthes on performance. The contributions are framed through Barthes's notion of The Neutral - the suspension of binary choice that offers a welcome antidote to the political deadlock of our present moment. They cover the breadth of Barthes's work from Mythologies (1957) to 'The Death of the Author' (1967), A Lover's Discourse (1977), Camera Lucida (1980), to the more recently available lecture courses at the Collège de France. Together, they capture and rethink a range of Barthes's preoccupations, from his early writing on myths and meaning to personal reflections on love, loss and desire, and interrogate the intersections between Barthes's work and contemporary theatre and performance. This book invites readers to approach Barthes's writing from a breadth of creative-critical perspectives, to become more aware of the importance of his late thought for thinking through a range of dramaturgical forms, and to become more familiar with the work of internationally significant performance practitioners.

  • Idioma: Inglés

    Editorial: Methuen Drama, 2024

    1350330884 / 9781350330887

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    Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices

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    Condición: Usado - Como Nuevo

    EUR 42,02

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    Condición: As New. Unread book in perfect condition.

  • Idioma: Inglés

    Editorial: Methuen Drama 12/26/2024, 2024

    1350330884 / 9781350330887

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    Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores

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    Condición: Nuevo

    EUR 48,06

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    Cantidad disponible: 5 disponibles

    Paperback or Softback. Condición: New. Rethinking Roland Barthes Through Performance: A Desire for Neutral Dramaturgy. Book.

  • Idioma: Inglés

    Editorial: Methuen Drama, 2024

    1350330884 / 9781350330887

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    Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections

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    Condición: Nuevo

    EUR 41,33

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    Condición: New. In English.

  • Idioma: Inglés

    Editorial: Bloomsbury Publishing PLC, London, 2024

    1350330884 / 9781350330887

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    Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail

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    Condición: Nuevo

    EUR 54,04

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    Cantidad disponible: 1 disponibles

    Paperback. Condición: new. Paperback. Through a series of reflections from internationally renowned performance-makers and contextualising essays from leading theatre and performance scholars, this is the first book to map the influence of Roland Barthes on performance. The contributions are framed through Barthess notion of The Neutral the suspension of binary choice that offers a welcome antidote to the political deadlock of our present moment. They cover the breadth of Barthess work from Mythologies (1957) to The Death of the Author (1967), A Lovers Discourse (1977), Camera Lucida (1980), to the more recently available lecture courses at the College de France. Together, they capture and rethink a range of Barthess preoccupations, from his early writing on myths and meaning to personal reflections on love, loss and desire, and interrogate the intersections between Barthess work and contemporary theatre and performance. This book invites readers to approach Barthess writing from a breadth of creative-critical perspectives, to become more aware of the importance of his late thought for thinking through a range of dramaturgical forms, and to become more familiar with the work of internationally significant performance practitioners. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Idioma: Inglés

    Editorial: Methuen Drama, 2024

    1350330884 / 9781350330887

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    Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK

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    Condición: Nuevo

    EUR 41,24

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    Cantidad disponible: Más de 20 disponibles

    Condición: New.

  • Idioma: Inglés

    Editorial: Methuen Drama, 2024

    1350330884 / 9781350330887

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    Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK

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    Condición: Usado - Como Nuevo

    EUR 44,91

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    Condición: As New. Unread book in perfect condition.

  • Condición: Nuevo

    EUR 64,06

    Envío por EUR 11,66 
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    Cantidad disponible: 2 disponibles

    Paperback. Condición: Brand New. 264 pages. 8.50x5.43x1.00 inches. In Stock.

  • Idioma: Inglés

    Editorial: Bloomsbury Publishing PLC, GB, 2024

    1350330884 / 9781350330887

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    Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK

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    Condición: Nuevo

    EUR 41,25

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    Paperback. Condición: New. Through a series of reflections from internationally renowned performance-makers and contextualising essays from leading theatre and performance scholars, this is the first book to map the influence of Roland Barthes on performance. The contributions are framed through Barthes's notion of The Neutral - the suspension of binary choice that offers a welcome antidote to the political deadlock of our present moment. They cover the breadth of Barthes's work from Mythologies (1957) to 'The Death of the Author' (1967), A Lover's Discourse (1977), Camera Lucida (1980), to the more recently available lecture courses at the Collège de France. Together, they capture and rethink a range of Barthes's preoccupations, from his early writing on myths and meaning to personal reflections on love, loss and desire, and interrogate the intersections between Barthes's work and contemporary theatre and performance. This book invites readers to approach Barthes's writing from a breadth of creative-critical perspectives, to become more aware of the importance of his late thought for thinking through a range of dramaturgical forms, and to become more familiar with the work of internationally significant performance practitioners.

  • Idioma: Inglés

    Editorial: Bloomsbury Publishing (UK), 2024

    1350330884 / 9781350330887

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    Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US

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    Condición: Nuevo

    EUR 44,11

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    PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

  • Idioma: Inglés

    Editorial: Bloomsbury Publishing (UK), 2024

    1350330884 / 9781350330887

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    Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK

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    Condición: Nuevo

    EUR 41,63

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    PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

  • Idioma: Inglés

    Editorial: Bloomsbury Publishing PLC, London, 2024

    1350330884 / 9781350330887

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    Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail

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    Condición: Nuevo

    EUR 46,23

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    Paperback. Condición: new. Paperback. Through a series of reflections from internationally renowned performance-makers and contextualising essays from leading theatre and performance scholars, this is the first book to map the influence of Roland Barthes on performance. The contributions are framed through Barthess notion of The Neutral the suspension of binary choice that offers a welcome antidote to the political deadlock of our present moment. They cover the breadth of Barthess work from Mythologies (1957) to The Death of the Author (1967), A Lovers Discourse (1977), Camera Lucida (1980), to the more recently available lecture courses at the College de France. Together, they capture and rethink a range of Barthess preoccupations, from his early writing on myths and meaning to personal reflections on love, loss and desire, and interrogate the intersections between Barthess work and contemporary theatre and performance. This book invites readers to approach Barthess writing from a breadth of creative-critical perspectives, to become more aware of the importance of his late thought for thinking through a range of dramaturgical forms, and to become more familiar with the work of internationally significant performance practitioners. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.