Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press 4/1/2021, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Añadir al carritoPaperback or Softback. Condición: New. Shakespeare, Music and Performance. Book.
Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press, GB, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Añadir al carritoPaperback. Condición: New. Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Añadir al carritoTaschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
Idioma: Inglés
Publicado por Cambridge University Press, GB, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
Librería: Rarewaves.com UK, London, Reino Unido
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Añadir al carritoPaperback. Condición: New. Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Añadir al carritoPaperback. Condición: new. Paperback. Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives. This collection of essays traces the different uses of music in Shakespearean performance in theatre and film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers contributions from scholars and contemporary practitioners. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Añadir al carritoPaperback. Condición: Brand New. 302 pages. 9.00x6.00x0.69 inches. In Stock. This item is printed on demand.
Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
Librería: Biblios, Frankfurt am main, HESSE, Alemania
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Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
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Añadir al carritoPaperback. Condición: new. Paperback. Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives. This collection of essays traces the different uses of music in Shakespearean performance in theatre and film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers contributions from scholars and contemporary practitioners. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
Librería: moluna, Greven, Alemania
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Añadir al carritoKartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisIntroduction David Lindley and Bill Barclay 1. Theatre bands and their music in Shakespeare s London William Lyons 2. The many performance spaces for music at Jacobean indoor playhouses Simon Smith 3. In practice I. .
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
Librería: AussieBookSeller, Truganina, VIC, Australia
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Añadir al carritoPaperback. Condición: new. Paperback. Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives. This collection of essays traces the different uses of music in Shakespearean performance in theatre and film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers contributions from scholars and contemporary practitioners. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2021
ISBN 10: 1316505014 ISBN 13: 9781316505014
Librería: preigu, Osnabrück, Alemania
EUR 54,25
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Añadir al carritoTaschenbuch. Condición: Neu. Shakespeare, Music and Performance | Bill Barclay (u. a.) | Taschenbuch | Englisch | 2021 | Cambridge University Press | EAN 9781316505014 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.