Isbn: 9781108038805 - a treatise on the science of music: cambridge library collection - music (10 resultados)

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. One of the earliest treatises on music to take a scientific as well as a practical approach, published in 1853. Series: Cambridge Library Collection - Music. Num Pages: 246 pages, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 14. Weight in Grams: 320. . 2011. Reissue. paperback. . . . . …

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Librería: Books Puddle, Woodside, NY, Estados Unidos de AmericaBooks Puddle
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Condición: New. pp. 246.

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Condición: New. One of the earliest treatises on music to take a scientific as well as a practical approach, published in 1853. Series: Cambridge Library Collection - Music. Num Pages: 246 pages, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 14. Weight in Grams: 320. . 2011. Reissue. paperback. . . . . Books ship from the US and Ireland. …

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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - First published by the house of Novello in 1853, and later reprinted, this was one of the earliest treatises to take a scientific as well as a practical approach to the discussion of music. Written before Wagner had begun work on Tristan, this work can be seen as a response to the growing interest from the amateur in the 'science' of music. Little is known about the author, Daniel Reeves, who declares that that 'the idea of music comprises both an art and a science: the art consisting in the power of performing . ; the science, in an acquaintance with the system on which the constituent sounds . depend'. Using numerous examples, Reeves explains the basics of musical notation, and includes a lengthy mathematical analysis of the ratios of tones and intervals, underlining his belief that an understanding of music should be 'a necessary branch of every gentleman's education'.…

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Librería: Mispah books, Redhill, SURRE, Reino UnidoMispah books
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Paperback. Condición: Like New. Like New. book.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Condición: New. Print on Demand pp. 246 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Condición: New. PRINT ON DEMAND pp. 246.

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Paperback. Condición: new. Paperback. First published by the house of Novello in 1853, and later reprinted, this was one of the earliest treatises to take a scientific as well as a practical approach to the discussion of music. Written before Wagner had begun work on Tristan, this work can be seen as a response to the growing interest from the amateur in the 'science' of music. Little is known about the author, Daniel Reeves, who declares that that 'the idea of music comprises both an art and a science: the art consisting in the power of performing ; the science, in an acquaintance with the system on which the constituent sounds depend'. Using numerous examples, Reeves explains the basics of musical notation, and includes a lengthy mathematical analysis of the ratios of tones and intervals, underlining his belief that an understanding of music should be 'a necessary branch of every gentleman's education'. First published in 1853, this was one of the earliest treatises to take a scientific as well as a practical approach to the discussion of music, and can be seen as a response to the growing interest from the amateur in the 'science', as much as the 'art', of music. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Librería: moluna, Greven, Alemaniamoluna
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. First published in 1853, this was one of the earliest treatises to take a scientific as well as a practical approach to the discussion of music, and can be seen as a response to the growing interest from the amateur in the science , as much as the art , o.…