Idioma: Inglés
Publicado por Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Idioma: Inglés
Publicado por Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Idioma: Inglés
Publicado por Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Librería: AMM Books, Gillingham, KENT, Reino Unido
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Idioma: Inglés
Publicado por Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Idioma: Inglés
Publicado por Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Añadir al carritoHardcover. Condición: new. Hardcover. Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam's side at God's command. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoHardcover. Condición: Brand New. 253 pages. 10.00x7.25x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Añadir al carritoHardback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Añadir al carritoHardcover. Condición: new. Hardcover. Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam's side at God's command. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
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Añadir al carritoHardcover. Condición: new. Hardcover. Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam's side at God's command. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoGebunden. Condición: New. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam s side at God s command.Über den AutorrnrnJack M. Greenstein is Professor and Chair of the Visual Arts.
Librería: Revaluation Books, Exeter, Reino Unido
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Añadir al carritoHardcover. Condición: Brand New. 253 pages. 10.00x7.25x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Cambridge University Press Aug 2016, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 144,67
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Añadir al carritoBuch. Condición: Neu. Neuware - Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought.
Idioma: Inglés
Publicado por Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Librería: BWS BKS, Ferndale, NY, Estados Unidos de America
EUR 1.773,60
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Añadir al carritoHardcover. Condición: New.