ISBN: 9781032419602 - theorising the artist interview (routledge research in art history) (25 resultados)

hardcover. Condición: Very Good. Never read, no marks or highlighting in the book. Our copy is hardback, with printed covers, showing light bumps at the corners.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Condición: New.

Hardcover. Condición: new. Hardcover. Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, History and Historiography, Subverting the Biographical Model, Interviews as Practice and Materiality and Technology, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration.The book will be of interest to scholars working in art history, museum studies, oral history and historiography. Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. 2024. 1st Edition. hardcover. . . . . .

Hardcover. Condición: new. Hardcover. Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, History and Historiography, Subverting the Biographical Model, Interviews as Practice and Materiality and Technology, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration.The book will be of interest to scholars working in art history, museum studies, oral history and historiography. Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: NEW.

Condición: New. 1st edition NO-PA16APR2015-KAP.

Condición: New. In English.

Hardback. Condición: New. Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, 'History and Historiography', 'Subverting the Biographical Model', 'Interviews as Practice' and 'Materiality and Technology', the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration.The book will be of interest to scholars working in art history, museum studies, oral history and historiography. …

Condición: New.

Condición: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. Lucia Farinati is a writer-researcher, curator and activist. She holds an MA in Curating from Goldsmiths University and a PhD in Critical Studies from Kingston University, London. She is the co-author of The Force of Listening (20.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Buch. Condición: Neu. Neuware - Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, 'History and Historiography', 'Subverting the Biographical Model', 'Interviews as Practice' and 'Materiality and Technology', the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration.The book will be of interest to scholars working in art history, museum studies, oral history and historiography. …

Hardcover. Condición: Brand New. 272 pages. 9.68x6.87x1.18 inches. In Stock.

Buch. Condición: Neu. Theorising the Artist Interview | Jennifer Thatcher (u. a.) | Buch | Routledge Research in Art History | Einband - fest (Hardcover) | Englisch | 2024 | Taylor & Francis Ltd | EAN 9781032419602 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Hardback. Condición: New. Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, 'History and Historiography', 'Subverting the Biographical Model', 'Interviews as Practice' and 'Materiality and Technology', the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration.The book will be of interest to scholars working in art history, museum studies, oral history and historiography. …