ISBN: 9781032027104 - performance, masculinity, and self-injury (routledge research in gender and art) (10 resultados)

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.Inspired by the gendered nature of discussion around self-harm, the book challenges established readings of risk-taking and self-injury in global performance practice. The interdisciplinary methodology draws from art history and sociology to provide a new critical analysis of the relationship between masculinity and self-inflicted injury. Based upon interviews with a range of artists around the world, it offers an innovative understanding of the diverse meanings behind self-injury in performance, and delves into the gendered coding of self-harming bodies. Individual chapters examine the work of Ron Athey, Guenter Brus, Wafaa Bilal, Franko B, Andre Stitt, Pyotr Pavlensky, and Yang Zhichao, offering a new perspective on the forms and functions of self-injury in performance art.The book will be of interest to scholars working in art history, performance studies, gender studies, and cultural studies. This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. 2026. 1st Edition. paperback. . . . . .

Paperback. Condición: Brand New. 194 pages. 6.77x0.51x9.61 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.Inspired by the gendered nature of discussion around self-harm, the book challenges established readings of risk-taking and self-injury in global performance practice. The interdisciplinary methodology draws from art history and sociology to provide a new critical analysis of the relationship between masculinity and self-inflicted injury. Based upon interviews with a range of artists around the world, it offers an innovative understanding of the diverse meanings behind self-injury in performance, and delves into the gendered coding of self-harming bodies. Individual chapters examine the work of Ron Athey, Günter Brus, Wafaa Bilal, Franko B, André Stitt, Pyotr Pavlensky, and Yang Zhichao, offering a new perspective on the forms and functions of self-injury in performance art.The book will be of interest to scholars working in art history, performance studies, gender studies, and cultural studies.…

Condición: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condición: NEW.

Paperback. Condición: new. Paperback. This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.Inspired by the gendered nature of discussion around self-harm, the book challenges established readings of risk-taking and self-injury in global performance practice. The interdisciplinary methodology draws from art history and sociology to provide a new critical analysis of the relationship between masculinity and self-inflicted injury. Based upon interviews with a range of artists around the world, it offers an innovative understanding of the diverse meanings behind self-injury in performance, and delves into the gendered coding of self-harming bodies. Individual chapters examine the work of Ron Athey, Guenter Brus, Wafaa Bilal, Franko B, Andre Stitt, Pyotr Pavlensky, and Yang Zhichao, offering a new perspective on the forms and functions of self-injury in performance art.The book will be of interest to scholars working in art history, performance studies, gender studies, and cultural studies. This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New.

Paperback. Condición: new. Paperback. This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.Inspired by the gendered nature of discussion around self-harm, the book challenges established readings of risk-taking and self-injury in global performance practice. The interdisciplinary methodology draws from art history and sociology to provide a new critical analysis of the relationship between masculinity and self-inflicted injury. Based upon interviews with a range of artists around the world, it offers an innovative understanding of the diverse meanings behind self-injury in performance, and delves into the gendered coding of self-harming bodies. Individual chapters examine the work of Ron Athey, Guenter Brus, Wafaa Bilal, Franko B, Andre Stitt, Pyotr Pavlensky, and Yang Zhichao, offering a new perspective on the forms and functions of self-injury in performance art.The book will be of interest to scholars working in art history, performance studies, gender studies, and cultural studies. This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…