ISBN: 9780860916123 - late imperial romance (haymarket series) (26 resultados)

No jacket. Condición: Très bon. Ancien livre de bibliothèque. Sans jaquette. Edition 1994. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. No dust jacket. Edition 1994. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condición: Very Good+. Flattened crease to upper corner point of front cover. Front free endpaper is corner-clipped. ; 8vo 8" - 9" tall; 200 pp; Haymarket Series.

Paperback. Condición: Very Good+. Text clean and tight; Haymarket Series; 8vo 8" - 9" tall; 200 pages.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Condición: New.

Paperback. Condición: new. Paperback. Surpassed as the world's most vigorous capitalist manufacturer by Japan and Germany, the US now seems bound for the same rocky shores as those on which Britannia foundered at the end of the nineteenth century.John McClure charts the course of decline, first in the works of Joseph Conrad, chronicler of high imperialism's contradictions, then in the post-war fictions of Joan Didion, Robert Stone and Thomas Pynchon. He maps the complex field of romantic ideology where one can at once excoriate imperialist adventures and yet savor their taste. Late Imperial Romance thus pinpoints the contradictions and aporias of anti-imperial rhetoric among the high intelligentsia of the post-war US. Through close, sensitive, historically informed readings of their work, McClure shows how these writers create an emotive space in which the critique of imperialism is shadowed by a continuing entanglement with its ideology: running through these works is a basic imperialist theme which portrays the non-metropolitan world as enchanted environs where the white hero or heroine is tested-and not infrequently corrupted.Building on work by Frederic Jameson, McClure presents a highly original and provocative account of the ideological function of romantic fictions in the late capitalist US. A model of intelligent cultural analysis, Late Imperial Romance combines skillful literary interpretation with an acute sense of the socio-historical conditions of literary production. Examining first the works of Joseph Conrad and then the post-war fictions of Joan Didion, Robert Stone, Don DeLillo and Thomas Pynchon, McClure shows how these writers create a critique of imperialism which is riddled with feelings of contamination and failed romantic heroes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Paperback. Condición: New. Surpassed as the world's most vigorous capitalist manufacturer by Japan and Germany, the US now seems bound for the same rocky shores as those on which Britannia foundered at the end of the nineteenth century.John McClure charts the course of decline, first in the works of Joseph Conrad, chronicler of high imperialism's contradictions, then in the post-war fictions of Joan Didion, Robert Stone and Thomas Pynchon. He maps the complex field of romantic ideology where one can at once excoriate imperialist adventures and yet savor their taste. Late Imperial Romance thus pinpoints the contradictions and aporias of anti-imperial rhetoric among the high intelligentsia of the post-war US. Through close, sensitive, historically informed readings of their work, McClure shows how these writers create an emotive space in which the critique of imperialism is shadowed by a continuing entanglement with its ideology: running through these works is a basic imperialist theme which portrays the non-metropolitan world as enchanted environs where the white hero or heroine is tested-and not infrequently corrupted.Building on work by Frederic Jameson, McClure presents a highly original and provocative account of the ideological function of romantic fictions in the late capitalist US. A model of intelligent cultural analysis, Late Imperial Romance combines skillful literary interpretation with an acute sense of the socio-historical conditions of literary production.…

Paperback. Condición: New. Surpassed as the world's most vigorous capitalist manufacturer by Japan and Germany, the US now seems bound for the same rocky shores as those on which Britannia foundered at the end of the nineteenth century.John McClure charts the course of decline, first in the works of Joseph Conrad, chronicler of high imperialism's contradictions, then in the post-war fictions of Joan Didion, Robert Stone and Thomas Pynchon. He maps the complex field of romantic ideology where one can at once excoriate imperialist adventures and yet savor their taste. Late Imperial Romance thus pinpoints the contradictions and aporias of anti-imperial rhetoric among the high intelligentsia of the post-war US. Through close, sensitive, historically informed readings of their work, McClure shows how these writers create an emotive space in which the critique of imperialism is shadowed by a continuing entanglement with its ideology: running through these works is a basic imperialist theme which portrays the non-metropolitan world as enchanted environs where the white hero or heroine is tested-and not infrequently corrupted.Building on work by Frederic Jameson, McClure presents a highly original and provocative account of the ideological function of romantic fictions in the late capitalist US. A model of intelligent cultural analysis, Late Imperial Romance combines skillful literary interpretation with an acute sense of the socio-historical conditions of literary production.…

Soft cover. Condición: As New. Estado de la sobrecubierta: Softcover Wraps. First Softcover Edition. Softcover book is a clean tight unmarked copy.

Soft cover. Condición: As New. Estado de la sobrecubierta: Softcover Wraps. First Softcover Edition. Softcover book is a clean tight unread copy.

Paperback. Condición: New.

Condición: New. pp. 200.

paperback. Condición: Very Good. NEW EU 5 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Condición: New. 1994. paperback. . . . . .

Condición: New. pp. 200.

Condición: New. 1994. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: new. Paperback. Surpassed as the world's most vigorous capitalist manufacturer by Japan and Germany, the US now seems bound for the same rocky shores as those on which Britannia foundered at the end of the nineteenth century.John McClure charts the course of decline, first in the works of Joseph Conrad, chronicler of high imperialism's contradictions, then in the post-war fictions of Joan Didion, Robert Stone and Thomas Pynchon. He maps the complex field of romantic ideology where one can at once excoriate imperialist adventures and yet savor their taste. Late Imperial Romance thus pinpoints the contradictions and aporias of anti-imperial rhetoric among the high intelligentsia of the post-war US. Through close, sensitive, historically informed readings of their work, McClure shows how these writers create an emotive space in which the critique of imperialism is shadowed by a continuing entanglement with its ideology: running through these works is a basic imperialist theme which portrays the non-metropolitan world as enchanted environs where the white hero or heroine is tested-and not infrequently corrupted.Building on work by Frederic Jameson, McClure presents a highly original and provocative account of the ideological function of romantic fictions in the late capitalist US. A model of intelligent cultural analysis, Late Imperial Romance combines skillful literary interpretation with an acute sense of the socio-historical conditions of literary production. Examining first the works of Joseph Conrad and then the post-war fictions of Joan Didion, Robert Stone, Don DeLillo and Thomas Pynchon, McClure shows how these writers create a critique of imperialism which is riddled with feelings of contamination and failed romantic heroes. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New. Surpassed as the world's most vigorous capitalist manufacturer by Japan and Germany, the US now seems bound for the same rocky shores as those on which Britannia foundered at the end of the nineteenth century.John McClure charts the course of decline, first in the works of Joseph Conrad, chronicler of high imperialism's contradictions, then in the post-war fictions of Joan Didion, Robert Stone and Thomas Pynchon. He maps the complex field of romantic ideology where one can at once excoriate imperialist adventures and yet savor their taste. Late Imperial Romance thus pinpoints the contradictions and aporias of anti-imperial rhetoric among the high intelligentsia of the post-war US. Through close, sensitive, historically informed readings of their work, McClure shows how these writers create an emotive space in which the critique of imperialism is shadowed by a continuing entanglement with its ideology: running through these works is a basic imperialist theme which portrays the non-metropolitan world as enchanted environs where the white hero or heroine is tested-and not infrequently corrupted.Building on work by Frederic Jameson, McClure presents a highly original and provocative account of the ideological function of romantic fictions in the late capitalist US. A model of intelligent cultural analysis, Late Imperial Romance combines skillful literary interpretation with an acute sense of the socio-historical conditions of literary production.…

Taschenbuch. Condición: Neu. Neuware - Surpassed as the world's most vigorous capitalist manufacturer by Japan and Germany, the US now seems bound for the same rocky shores as those on which Britannia foundered at the end of the nineteenth century.John McClure charts the course of decline, first in the works of Joseph Conrad, chronicler of high imperialism's contradictions, then in the post-war fictions of Joan Didion, Robert Stone and Thomas Pynchon. He maps the complex field of romantic ideology where one can at once excoriate imperialist adventures and yet savor their taste. Late Imperial Romance thus pinpoints the contradictions and aporias of anti-imperial rhetoric among the high intelligentsia of the post-war US. Through close, sensitive, historically informed readings of their work, McClure shows how these writers create an emotive space in which the critique of imperialism is shadowed by a continuing entanglement with its ideology: running through these works is a basic imperialist theme which portrays the non-metropolitan world as enchanted environs where the white hero or heroine is testedand not infrequently corrupted.Building on work by Frederic Jameson, McClure presents a highly original and provocative account of the ideological function of romantic fictions in the late capitalist US. A model of intelligent cultural analysis, Late Imperial Romance combines skillful literary interpretation with an acute sense of the socio-historical conditions of literary production.…

Paperback. Condición: new. Paperback. Surpassed as the world's most vigorous capitalist manufacturer by Japan and Germany, the US now seems bound for the same rocky shores as those on which Britannia foundered at the end of the nineteenth century.John McClure charts the course of decline, first in the works of Joseph Conrad, chronicler of high imperialism's contradictions, then in the post-war fictions of Joan Didion, Robert Stone and Thomas Pynchon. He maps the complex field of romantic ideology where one can at once excoriate imperialist adventures and yet savor their taste. Late Imperial Romance thus pinpoints the contradictions and aporias of anti-imperial rhetoric among the high intelligentsia of the post-war US. Through close, sensitive, historically informed readings of their work, McClure shows how these writers create an emotive space in which the critique of imperialism is shadowed by a continuing entanglement with its ideology: running through these works is a basic imperialist theme which portrays the non-metropolitan world as enchanted environs where the white hero or heroine is tested-and not infrequently corrupted.Building on work by Frederic Jameson, McClure presents a highly original and provocative account of the ideological function of romantic fictions in the late capitalist US. A model of intelligent cultural analysis, Late Imperial Romance combines skillful literary interpretation with an acute sense of the socio-historical conditions of literary production. Examining first the works of Joseph Conrad and then the post-war fictions of Joan Didion, Robert Stone, Don DeLillo and Thomas Pynchon, McClure shows how these writers create a critique of imperialism which is riddled with feelings of contamination and failed romantic heroes. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Kartoniert / Broschiert. Condición: New. Examining first the works of Joseph Conrad and then the post-war fictions of Joan Didion, Robert Stone, Don DeLillo and Thomas Pynchon, McClure shows how these writers create a critique of imperialism which is riddled with feelings of contamination and fail.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: New. Surpassed as the world's most vigorous capitalist manufacturer by Japan and Germany, the US now seems bound for the same rocky shores as those on which Britannia foundered at the end of the nineteenth century.John McClure charts the course of decline, first in the works of Joseph Conrad, chronicler of high imperialism's contradictions, then in the post-war fictions of Joan Didion, Robert Stone and Thomas Pynchon. He maps the complex field of romantic ideology where one can at once excoriate imperialist adventures and yet savor their taste. Late Imperial Romance thus pinpoints the contradictions and aporias of anti-imperial rhetoric among the high intelligentsia of the post-war US. Through close, sensitive, historically informed readings of their work, McClure shows how these writers create an emotive space in which the critique of imperialism is shadowed by a continuing entanglement with its ideology: running through these works is a basic imperialist theme which portrays the non-metropolitan world as enchanted environs where the white hero or heroine is tested-and not infrequently corrupted.Building on work by Frederic Jameson, McClure presents a highly original and provocative account of the ideological function of romantic fictions in the late capitalist US. A model of intelligent cultural analysis, Late Imperial Romance combines skillful literary interpretation with an acute sense of the socio-historical conditions of literary production.…