9780847871469 - alex katz: theater & dance: the art of performance (28 resultados)
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Librería: Maxwell's House of Books, La Mesa, CA, Estados Unidos de AmericaMaxwell's House of Books
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EUR 26,76
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Clean, crisp hardcover in very good conditiion; light shelf wear and rubbing. No DJ, as issued.
Idioma: Inglés
Editorial: Rizzoli International Publications, New York, 2022
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- Primera edición
Librería: Green Mountain Books & Prints, Lyndonville, VT, Estados Unidos de AmericaGreen Mountain Books & Prints
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EUR 26,76
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Hardcover. Condición: Very Good. No Jacket. 1st Edition. Pink and black boards, top half is fuzzy black, bottom is pink with legs! Two pink ribbon page markers. Interior is clean and bright, binding is tight.
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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EUR 35,98
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Condición: As New. Unread copy in mint condition.
Idioma: Inglés
Editorial: Rizzoli International Publications, New York, 2022
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 36,06
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Hardcover. Condición: new. Hardcover. Alex Katz's long-standing fascination with dance and collaborations with renowned writers and choreographers has yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belo…ngs to the same long tradition of gestures as painting. This publication is the first to examine the many decades of Katzs work for the stage, including the ways that he introduced tenets of postwar painting into theatre and dance aesthetics. 'Id never seen anything like it', Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katzs most celebrated sets is the ensemble of cutouts he created for Kenneth Kochs 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s. Alex Katz's long-standing fascination with dance and collaborations with renowned writers and choreographers has yielded some of his most complex compositions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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EUR 36,07
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Condición: New. Brand New.
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Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de AmericaPowell's Bookstores Chicago, ABAA
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EUR 29,44
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Hardcover. Condición: Very Good. Minor shelf wear. Else a bright, clean copy. Alex Katz's long-standing fascination with dance and collaborations with renowned playwrights and choreographers yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for h…im. Dance, according to the artist, belongs to the same ?long tradition of gestures? as painting. This publication is the first to examine the many decades of Katz?s work for the stage, including the ways that he introduced tenets of postwar painting into theater and dance aesthetics. ?I?d never seen anything like it,? Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz?s most celebrated sets is the ensemble of cutouts he created for Kenneth Koch?s 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s. .
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Librería: Losaw Service, Lenox Dale, MA, Estados Unidos de AmericaLosaw Service
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EUR 26,76
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Hardcover. Condición: Very Good. Hardcover has worn corners. Pages are bright and unmarked, solid binding.
Alex Katz : Dance & Theater: The Art of Performance
Reinhart, Charles L. (CON); Salle, David (CON); Storr, Robert (CON); Tipton, Jennifer (CON); Tuite, Diana (CON)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 41,98
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 44,34
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Hardback. Condición: New. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belongs to the same long tradition of gestures as painting. This publication is the first to examine the many decades of Katz s work for the stage, including the ways that he i…ntroduced tenets of postwar painting into theatre and dance aesthetics. I d never seen anything like it, Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz s most celebrated sets is the ensemble of cutouts he created for Kenneth Koch s 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz s working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.
Alex Katz : Dance & Theater: The Art of Performance
Reinhart, Charles L. (CON); Salle, David (CON); Storr, Robert (CON); Tipton, Jennifer (CON); Tuite, Diana (CON)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 43,03
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Condición: As New. Unread book in perfect condition.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 46,13
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Hardback. Condición: New. Alex Katz's long-standing fascination with dance and collaborations with renowned playwrights and choreographers yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belongs to the s…ame "long tradition of gestures" as painting. This publication is the first to examine the many decades of Katz's work for the stage, including the ways that he introduced tenets of postwar painting into theater and dance aesthetics. "I'd never seen anything like it," Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz's most celebrated sets is the ensemble of cutouts he created for Kenneth Koch's 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. 2022. 1st Edition. Hardcover. . . . . .
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Alex Katz: Theater & Dance
Reinhart, Charles L.; Salle, David; Storr, Robert; Tipton, Jennifer; Tuite, Diana
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Librería: Massive Bookshop, Erving, MA, Estados Unidos de AmericaMassive Bookshop
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Hardcover. Condición: New.
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Librería: Book Grocer, Tullamarine, VIC, AustraliaBook Grocer
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Hardback. Diana Tuite, Rizzoli International Publications. Alex Katz's long-standing fascination with dance and collaborations with renowned writers and choreographers has yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, accordin…g to the artist, belongs to the same "long tradition of gestures" as painting. This publication is the first to examine the many decades of Katz's work for the stage, including the ways that he introduced tenets of postwar painting into theatre and dance aesthetics. 'I'd never seen anything like it', Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz's most celebrated sets is the ensemble of cutouts he created for Kenneth Koch's 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s. Hardback.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 256 pages. 10.00x8.00x1.25 inches. In Stock.
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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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Librería: Ursus Books, Ltd., New York, NY, Estados Unidos de AmericaUrsus Books, Ltd.
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Katz, Alex. ALEX KATZ: Dance & Theater: The Art of Performance. 256 pages, including 250 color plates. 4to, cloth. New York, Rizzoli, 2022. This publication is the first to examine the many decades of Katz's work for the stage, including the ways that he introduced tenets of postwar painting into theater and dance aesthetics, by… bringing together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Hardcover. Condición: new. Hardcover. Alex Katz's long-standing fascination with dance and collaborations with renowned writers and choreographers has yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belo…ngs to the same long tradition of gestures as painting. This publication is the first to examine the many decades of Katzs work for the stage, including the ways that he introduced tenets of postwar painting into theatre and dance aesthetics. 'Id never seen anything like it', Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katzs most celebrated sets is the ensemble of cutouts he created for Kenneth Kochs 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s. Alex Katz's long-standing fascination with dance and collaborations with renowned writers and choreographers has yielded some of his most complex compositions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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EUR 46,29
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Hardback. Condición: New. Alex Katz's long-standing fascination with dance and collaborations with renowned playwrights and choreographers yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belongs to the s…ame "long tradition of gestures" as painting. This publication is the first to examine the many decades of Katz's work for the stage, including the ways that he introduced tenets of postwar painting into theater and dance aesthetics. "I'd never seen anything like it," Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz's most celebrated sets is the ensemble of cutouts he created for Kenneth Koch's 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.
Idioma: Inglés
Editorial: Rizzoli International Publications, New York, 2022
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 50,61
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Hardcover. Condición: new. Hardcover. Alex Katz's long-standing fascination with dance and collaborations with renowned writers and choreographers has yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belo…ngs to the same long tradition of gestures as painting. This publication is the first to examine the many decades of Katzs work for the stage, including the ways that he introduced tenets of postwar painting into theatre and dance aesthetics. 'Id never seen anything like it', Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katzs most celebrated sets is the ensemble of cutouts he created for Kenneth Kochs 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s. Alex Katz's long-standing fascination with dance and collaborations with renowned writers and choreographers has yielded some of his most complex compositions. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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Hardback. Condición: New. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belongs to the same long tradition of gestures as painting. This publication is the first to examine the many decades of Katz s work for the stage, including the ways that he i…ntroduced tenets of postwar painting into theatre and dance aesthetics. I d never seen anything like it, Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz s most celebrated sets is the ensemble of cutouts he created for Kenneth Koch s 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz s working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.
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Librería: Books Import Srl, Milano, MI, ItaliaBooks Import Srl
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