9780847864010 - James Rosenquist: His American Life de Baxter, Charles; Goldman, Judith (27 resultados)

hardcover. Condición: Good. Good reading copy of a PLEASE NOTE: Ex-Library edition with the usual stamps and stickers. Officially withdrawn from the library and stamped "no longer property of library," purchased at a charity even for the library system Otherwise, a clean text -- NO writing, NO highlighting to text. A useful reading copy. Oversized. Clean text -- NO writing, NO highlighting to text.ÂPLEASE NOTE: Domestic US media (standard) US orders ONLY. NO international orders.

Hardcover with dustjacket; 124 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. Publication to accompany the exhibit "James Rosenquist: His American Life" on view from October 25 to December 7, 2018 at Acquavella Galleries, New York. Jacket is lightly rubbed and worn along edges. Cover is in good condition. Binding is tight. Inside is clean, bright, and unmarked.

Hardcover. Condición: new. Hardcover. This momentous catalogue, published to accompany an in-depth survey of the artist as a history painter in the 1960s through 1980s, will give long-overdue, in-depth attention to Rosenquist's achievement in American art. A must-have for lovers of Pop Art and those who bought books on Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein, this book focuses on James Rosenquist as a history painter, who captured what he saw in the world around him, rather than just under the Pop label. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Hardcover. Condición: VG/VG. Black cloth boards with black stamped lettering, color-photographic end papers. Color-illustrated and black dust jacket with white and blue lettering. 124 pp. Color and BW illustrations, portraits. Catalog from an exhibition held at Acquavella Galleries, New York, N.Y., October 25-December 7, 2018.

Hardback. Condición: New. Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls: James Rosenquist (1933-2017) has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages. With airbrushed surreal euphoria, he slammed colours, patterns, and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work of the 1960s through 1980s, will give long-overdue attention to Rosenquist's singular achievement in American art during these three decades. From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries. For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Condición: New.

Hardcover. Black cloth boards with black stamped lettering, color-photographic end papers. Color-illustrated and black dust jacket with white and blue lettering. 124 pp. Color and BW illustrations, portraits. Photo is of another copy in our collection; this copy is sealed. Catalog from an exhibition held at Acquavella Galleries, New York, N.Y., October 25-December 7, 2018. New/Sealed (remains in publisher's wrap).

Hardcover. Condición: New. Estado de la sobrecubierta: New. New in original publisher's shrink wrap--visible in photos. Heavy oversize book that will require extra shipping charges for international orders.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls: James Rosenquist (1933-2017) has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages. With airbrushed surreal euphoria, he slammed colours, patterns, and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work of the 1960s through 1980s, will give long-overdue attention to Rosenquist's singular achievement in American art during these three decades. From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries. For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.

Condición: New.

Condición: New. 2018. Hardcover. . . . . .

Condición: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Baxter, Charles and Judith Goldman. JAMES ROSENQUIST: His American Life. 124 pages, illustrated in color. 4to, boards. New York, Rizzoli, 2018.

Condición: New.

Hardcover. Condición: new. Hardcover. This momentous catalogue, published to accompany an in-depth survey of the artist as a history painter in the 1960s through 1980s, will give long-overdue, in-depth attention to Rosenquist's achievement in American art. A must-have for lovers of Pop Art and those who bought books on Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein, this book focuses on James Rosenquist as a history painter, who captured what he saw in the world around him, rather than just under the Pop label. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Couverture rigide. Condición: Très bon.

Hardcover. Condición: new. Hardcover. This momentous catalogue, published to accompany an in-depth survey of the artist as a history painter in the 1960s through 1980s, will give long-overdue, in-depth attention to Rosenquist's achievement in American art. A must-have for lovers of Pop Art and those who bought books on Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein, this book focuses on James Rosenquist as a history painter, who captured what he saw in the world around him, rather than just under the Pop label. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condición: New. Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls: James Rosenquist (1933-2017) has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages. With airbrushed surreal euphoria, he slammed colours, patterns, and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work of the 1960s through 1980s, will give long-overdue attention to Rosenquist's singular achievement in American art during these three decades. From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries. For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.

Hardcover. Condición: Brand New. 224 pages. 12.50x10.00x0.75 inches. In Stock.

Hardcover. Condición: Good. Hardcover. Condition: GOOD. Light general shelf wear to cover, spine and page edges. Possible clean ex-library copy, with their stickers and or stamp. Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls: James Rosenquist (1933-2017) has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages. With airbrushed surreal euphoria, he slammed colors, patterns, and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work of the 1960s through 1980s, will give long-overdue attention to Rosenquist's singular achievement in American art during these three decades. From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries. For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.

Gebunden. Condición: New. Charles Baxter is an American novelist, short-story writer, and poet. Judith Goldman is an American curator and former chief curator of drawings at the Museum of Modern Art, New York.A fresh look at this giant of 1960s Pop Art--featurin.

Hardback. Condición: New. Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls: James Rosenquist (1933-2017) has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages. With airbrushed surreal euphoria, he slammed colours, patterns, and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work of the 1960s through 1980s, will give long-overdue attention to Rosenquist's singular achievement in American art during these three decades. From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries. For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.