Isbn: 9780822346968 - b jenkins (refiguring american music) (31 resultados)

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condición: Very Good. Cover and edges may have some wear.

Condición: New.

Paperback or Softback. Condición: New. B Jenkins. Book.

Paperback. Condición: New. The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poet's mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvisation, and the black radical aesthetic and political tradition. In Moten's verse, the arts, scholarship, and activism intertwine. Cadences echo from his mother's Arkansas home through African American history and avant-garde jazz riffs. Formal innovations suggest the ways that words, sounds, and music give way to one another.The first and last poems in the collection are explicitly devoted to Moten's mother; the others relate more obliquely to her life and legacy. They invoke performers, writers, artists, and thinkers including not only James Baldwin, Roland Barthes, Frederick Douglass, Billie Holiday, Audre Lorde, Charlie Parker, and Cecil Taylor, but also contemporary scholars of race, affect, and queer theory. The book concludes with an interview conducted by Charles Henry Rowell, the editor of the journal Callaloo. Rowell elicits Moten's thoughts on the relation of his poetry to theory, music, and African American vernacular culture. …

Condición: As New. Unread book in perfect condition.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poet's mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvisation, and the black radical aesthetic and political tradition. In Moten's verse, the arts, scholarship, and activism intertwine. Cadences echo from his mother's Arkansas home through African American history and avant-garde jazz riffs. Formal innovations suggest the ways that words, sounds, and music give way to one another.The first and last poems in the collection are explicitly devoted to Moten's mother; the others relate more obliquely to her life and legacy. They invoke performers, writers, artists, and thinkers including not only James Baldwin, Roland Barthes, Frederick Douglass, Billie Holiday, Audre Lorde, Charlie Parker, and Cecil Taylor, but also contemporary scholars of race, affect, and queer theory. The book concludes with an interview conducted by Charles Henry Rowell, the editor of the journal Callaloo. Rowell elicits Moten's thoughts on the relation of his poetry to theory, music, and African American vernacular culture. This fourth collection of poetry from the literary and cultural critic Fred Moten is an elegy to his mother and an inquiry into language, music, performance, improvisation, and the black radical tradition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: new.

Soft cover. Condición: New. 112 numbered pages. 9 1/4 x 6 1/8 in. SIGNED by author on initial title page. Signed by Author(s).

Condición: New. pp. 128.

Paperback. Condición: Brand New. 120 pages. 9.10x6.00x0.40 inches. In Stock.

Condición: New. In English.

Condición: New. This fourth collection of poetry from the literary and cultural critic Fred Moten is an elegy to his mother and an inquiry into language, music, performance, improvisation, and the black radical tradition. Series: Refiguring American Music. Num Pages: 128 pages, illustrations. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 235 x 155 x 10. Weight in Grams: 198. . 2010. Paperback. . . . .…

Paperback. Condición: New.

Condición: New.

Condición: New. pp. 128.

Condición: New. pp. 128.

Condición: New. This fourth collection of poetry from the literary and cultural critic Fred Moten is an elegy to his mother and an inquiry into language, music, performance, improvisation, and the black radical tradition. Series: Refiguring American Music. Num Pages: 128 pages, illustrations. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 235 x 155 x 10. Weight in Grams: 198. . 2010. Paperback. . . . . Books ship from the US and Ireland.…

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Fine. 1st Edition. may contain a few feint notation marks but otherwise as new.

Taschenbuch. Condición: Neu. Neuware - The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poet's mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvisation, and the black radical aesthetic and political tradition. In Moten's verse, the arts, scholarship, and activism intertwine. Cadences echo from his mother's Arkansas home through African American history and avant-garde jazz riffs. Formal innovations suggest the ways that words, sounds, and music give way to one another.The first and last poems in the collection are explicitly devoted to Moten's mother; the others relate more obliquely to her life and legacy. They invoke performers, writers, artists, and thinkers including not only James Baldwin, Roland Barthes, Frederick Douglass, Billie Holiday, Audre Lorde, Charlie Parker, and Cecil Taylor, but also contemporary scholars of race, affect, and queer theory. The book concludes with an interview conducted by Charles Henry Rowell, the editor of the journal Callaloo. Rowell elicits Moten's thoughts on the relation of his poetry to theory, music, and African American vernacular culture. …

Paperback. Condición: New. The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poet's mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvisation, and the black radical aesthetic and political tradition. In Moten's verse, the arts, scholarship, and activism intertwine. Cadences echo from his mother's Arkansas home through African American history and avant-garde jazz riffs. Formal innovations suggest the ways that words, sounds, and music give way to one another.The first and last poems in the collection are explicitly devoted to Moten's mother; the others relate more obliquely to her life and legacy. They invoke performers, writers, artists, and thinkers including not only James Baldwin, Roland Barthes, Frederick Douglass, Billie Holiday, Audre Lorde, Charlie Parker, and Cecil Taylor, but also contemporary scholars of race, affect, and queer theory. The book concludes with an interview conducted by Charles Henry Rowell, the editor of the journal Callaloo. Rowell elicits Moten's thoughts on the relation of his poetry to theory, music, and African American vernacular culture. …

Condición: NEW.

Paperback. Condición: new. Paperback. The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poet's mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvisation, and the black radical aesthetic and political tradition. In Moten's verse, the arts, scholarship, and activism intertwine. Cadences echo from his mother's Arkansas home through African American history and avant-garde jazz riffs. Formal innovations suggest the ways that words, sounds, and music give way to one another.The first and last poems in the collection are explicitly devoted to Moten's mother; the others relate more obliquely to her life and legacy. They invoke performers, writers, artists, and thinkers including not only James Baldwin, Roland Barthes, Frederick Douglass, Billie Holiday, Audre Lorde, Charlie Parker, and Cecil Taylor, but also contemporary scholars of race, affect, and queer theory. The book concludes with an interview conducted by Charles Henry Rowell, the editor of the journal Callaloo. Rowell elicits Moten's thoughts on the relation of his poetry to theory, music, and African American vernacular culture. This fourth collection of poetry from the literary and cultural critic Fred Moten is an elegy to his mother and an inquiry into language, music, performance, improvisation, and the black radical tradition. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Kartoniert / Broschiert. Condición: New. This fourth collection of poetry from the literary and cultural critic Fred Moten is an elegy to his mother and an inquiry into language, music, performance, improvisation, and the black radical tradition.&Uumlber den AutorFred Mote.

Taschenbuch. Condición: Neu. B Jenkins | Fred Moten | Taschenbuch | Refiguring American Music | Einband - flex.(Paperback) | Englisch | 2010 | Duke University Press | EAN 9780822346968 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

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