Idioma: Inglés
Publicado por Duke University Press Books, 1995
ISBN 10: 0822315947 ISBN 13: 9780822315940
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Añadir al carritoPaperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
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Idioma: Inglés
Publicado por MD - Duke University Press, 1995
ISBN 10: 0822315947 ISBN 13: 9780822315940
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
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Añadir al carritoCondición: New. Looks at how jazz music has actually been heard and felt at different levels of American culture. Editor(s): Gabbard, Krin. Num Pages: 328 pages, 39 b&w photographs. BIC Classification: 1KBB; AVGJ; AVGK. Category: (P) Professional & Vocational. Dimension: 234 x 158 x 24. Weight in Grams: 576. . 1995. Illustrated. Paperback. . . . .
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Añadir al carritoCondición: New. Looks at how jazz music has actually been heard and felt at different levels of American culture. Editor(s): Gabbard, Krin. Num Pages: 328 pages, 39 b&w photographs. BIC Classification: 1KBB; AVGJ; AVGK. Category: (P) Professional & Vocational. Dimension: 234 x 158 x 24. Weight in Grams: 576. . 1995. Illustrated. Paperback. . . . . Books ship from the US and Ireland.
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Añadir al carritoPaperback. Condición: Brand New. 328 pages. 9.50x6.50x1.00 inches. In Stock.
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Añadir al carritoPaperback. Condición: Brand New. 328 pages. 9.50x6.50x1.00 inches. In Stock. This item is printed on demand.
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Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 606.
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Añadir al carritoCondición: New. Print on Demand pp. 328.
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Añadir al carritoCondición: New. Print on Demand pp. 328 Index.
Librería: Biblios, Frankfurt am main, HESSE, Alemania
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Añadir al carritoCondición: New. PRINT ON DEMAND pp. 328 Acknowledgements.
Librería: moluna, Greven, Alemania
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Looks at how jazz music has actually been heard and felt at different levels of American culture.Über den AutorKrin GabbardInhaltsverzeichnisAcknowledgments viiIntroduction: Writing the Other His.
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Añadir al carritoTaschenbuch. Condición: Neu. Representing Jazz | Krin Gabbard | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1995 | Duke University Press | EAN 9780822315940 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
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Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the 'other' history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings.Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo' Better Blues, Cabin in the Sky, and Jammin' the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn's extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of 'vocalese.' The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture.With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore.