ISBN: 9780816689286 - cairo pop: youth music in contemporary egypt (21 resultados)

Condición: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Soft cover. Condición: Near Fine. 1st Edition. 5.5 X 8.5 inches, 256 pages. Wraps. First edition. Unmarked VERY GOOD.

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Paperback. Condición: Brand New. 280 pages. 8.50x5.50x1.50 inches. In Stock.

Condición: New. pp. 280.

Condición: New. Num Pages: 280 pages, 15 black & white illustrations. BIC Classification: 1HBE; AVA; HBJH; JFCA; JHMC. Category: (G) General (US: Trade). Dimension: 216 x 140 x 20. Weight in Grams: 386. . 2014. Paperback. . . . .

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Condición: New. pp. 280.

Condición: New. Num Pages: 280 pages, 15 black & white illustrations. BIC Classification: 1HBE; AVA; HBJH; JFCA; JHMC. Category: (G) General (US: Trade). Dimension: 216 x 140 x 20. Weight in Grams: 386. . 2014. Paperback. . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: New. Summary:Cairo Pop is the first book to examine shababiyya, the dominant popular music of Egypt that plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government. Daniel J. Gilman, who lived in Cairo at the time of the revolution, analyzes the relationship between massmediated popular music, modernity, and nationalism in the Arab world. …

Condición: New. KlappentextrnrnDaniel J. Gilman is assistant professor of anthropology at DePauw University.

Taschenbuch. Condición: Neu. Cairo Pop | Youth Music in Contemporary Egypt | Daniel J. Gilman | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2014 | University of Minnesota Press | EAN 9780816689286 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al- arab. Immensely popular in the 1950s and '60s and even into the '70s, musiqa al- arab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the 'ud-the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya-and its role in the lives of a nation's youth. 280 pp. Englisch.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al- arab. Immensely popular in the 1950s and '60s and even into the '70s, musiqa al- arab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the 'ud-the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya-and its role in the lives of a nation's youth.…