ISBN: 9780815325307 - low and high style in italian renaissance art: 8 (garland studies in the renaissance) (24 resultados)

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: Very Good. 0th Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Condición: As New. No Jacket as issued. 1st Edition. 8vo. xxxi (i), 207 (47) pp. Garland Studies in the Renaissance, Volume 8; Garland Reference Library of the Humanities, Volume 2033: First Edition, 1997. Pristine, no wear. No markings, binding tight, clean, white and bright. 5.75" x 8.75". Black half-cloth with illustrated laminated boards, and gilt lettering to spine. Size: Octavo. Book.…

Hardcover. Condición: Fine. First Edition. Hardcover in glossy pictorial boards with cloth spine. First edition. Fine condition. Issued without dust jacket. 8vo. 209 pp. including bibliography, index, and an unpaginated section of black-and-white illustrations at rear.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780815325307.

Condición: New.

Hardcover. Condición: New.

Condición: New.

Condición: New. pp. 288.

Condición: New. An examination of the idealised High Art, and the private, personal, Low Art of the Renaissance, which aims to draw conclusions about class prejudice, gender stereotypes, and attitudes towards the ordinary which motivate such distinctions. This is volume 8 in the GARLAND STUDIES IN THE RENAISSANCE series. Series: Garland Studies in the Renaissance. Num Pages: 284 pages, 40 photographs, bibliography, index. BIC Classification: 1DST; ACND. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 138 x 22. Weight in Grams: 485. . 1997. 1st Edition. hardcover. . . . .…

Condición: New. pp. 288.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condición: As New. Unread book in perfect condition.

Condición: New. An examination of the idealised High Art, and the private, personal, Low Art of the Renaissance, which aims to draw conclusions about class prejudice, gender stereotypes, and attitudes towards the ordinary which motivate such distinctions. This is volume 8 in the GARLAND STUDIES IN THE RENAISSANCE series. Series: Garland Studies in the Renaissance. Num Pages: 284 pages, 40 photographs, bibliography, index. BIC Classification: 1DST; ACND. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 138 x 22. Weight in Grams: 485. . 1997. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Condición: Brand New. 1st edition. 209 pages. 9.00x6.00x0.75 inches. In Stock.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. pp. 288 This item is printed on demand.

Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. PATRICIA EMISONFirst published in 1998. Routledge is an imprint of Taylor &amp Francis, an informa company.During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful.…

Buch. Condición: Neu. Low and High Style in Italian Renaissance Art | Patricia Emison | Buch | Einband - fest (Hardcover) | Englisch | 1997 | Routledge | EAN 9780815325307 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.…