9780807160626 - reconstructing violence: the southern rape complex in film and literature (southern literary studies) de barker, deborah e. (8 resultados)
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Librería: 3rd St. Books, Lees Summit, MO, Estados Unidos de America3rd St. Books
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EUR 30,97
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very good, clean, tight condition. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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EUR 38,88
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Condición: New. Brand New.
Idioma: Inglés
Editorial: Louisiana State University Press, Baton Rouge 2015
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 60,21
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Hardcover. Condición: new. Hardcover. In this bold study of cinematic depictions of violence in the south, Deborah E. Barker explores the ongoing legacy of the ""southern rape complex"" in American film. Taking as her starting point D. W. Griffith's infamous The Birth of a Nation, Barker demonstrates how the tropes and imagery o…f the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes.Drawing from Gilles Deleuze's work on cinema, Barker examines plot, dialogue, and camera technique as she considers several films: The Story of Temple Drake (1933), Sanctuary (1958), Touch of Evil (1958), To Kill a Mockingbird (1962), and Cape Fear (1962). Placing this body of analysis in the context of the historical periods when these films appeared and the literary sources on which they are based, Barker reveals the protean power of cinematic racialized violence amid the shifting cultural and political landscapes of the South and the nation as a whole.By focusing on familiar literary and cinematic texts - each produced or set during moments of national crisis such as the Great Depression or the civil rights movement - Barker's Reconstructing Violence offers fresh insights into the anxiety that has underpinned sexual and racial violence in cinematic representations of the South. In this bold study of cinematic depictions of violence in the south, Deborah Barker explores the ongoing legacy of the southern rape complex in American film. Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Revaluation Books, Exeter, , Reino UnidoRevaluation Books
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EUR 66,05
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Hardcover. Condición: Brand New. 288 pages. 9.15x6.23x1.16 inches. In Stock.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 74,53
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Condición: New.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 84,29
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Condición: New.
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Librería: moluna, Greven, , Alemaniamoluna
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EUR 60,07
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Gebunden. Condición: New. In this bold study of cinematic depictions of violence in the south, Deborah Barker explores the ongoing legacy of the southern rape complex in American film. Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert t.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 79,95
Envío por EUR 62,88Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Buch. Condición: Neu. Neuware - In this bold study of cinematic depictions of violence in the south, Deborah E. Barker explores the ongoing legacy of the ''southern rape complex'' in American film. Taking as her starting point D. W. Griffith's infamous The Birth of a Nation, Barker demonstrates how the tropes and imagery of the…southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes.Drawing from Gilles Deleuze's work on cinema, Barker examines plot, dialogue, and camera technique as she considers several films: The Story of Temple Drake (1933), Sanctuary (1958), Touch of Evil (1958), To Kill a Mockingbird (1962), and Cape Fear (1962). Placing this body of analysis in the context of the historical periods when these films appeared and the literary sources on which they are based, Barker reveals the protean power of cinematic racialized violence amid the shifting cultural and political landscapes of the South and the nation as a whole.By focusing on familiar literary and cinematic texts - each produced or set during moments of national crisis such as the Great Depression or the civil rights movement - Barker's Reconstructing Violence offers fresh insights into the anxiety that has underpinned sexual and racial violence in cinematic representations of the South.
