Barker deborah e (50 resultados)

Paperback. Condición: Very Good. Shakespeare and Gender: A History This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condición: New. Brand New.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

Condición: New. Brand New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardcover. Condición: new. Hardcover. In this bold study of cinematic depictions of violence in the south, Deborah E. Barker explores the ongoing legacy of the ""southern rape complex"" in American film. Taking as her starting point D. W. Griffith's infamous The Birth of a Nation, Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes.Drawing from Gilles Deleuze's work on cinema, Barker examines plot, dialogue, and camera technique as she considers several films: The Story of Temple Drake (1933), Sanctuary (1958), Touch of Evil (1958), To Kill a Mockingbird (1962), and Cape Fear (1962). Placing this body of analysis in the context of the historical periods when these films appeared and the literary sources on which they are based, Barker reveals the protean power of cinematic racialized violence amid the shifting cultural and political landscapes of the South and the nation as a whole.By focusing on familiar literary and cinematic texts - each produced or set during moments of national crisis such as the Great Depression or the civil rights movement - Barker's Reconstructing Violence offers fresh insights into the anxiety that has underpinned sexual and racial violence in cinematic representations of the South. In this bold study of cinematic depictions of violence in the south, Deborah Barker explores the ongoing legacy of the southern rape complex in American film. Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: New.

Hardback. Condición: New. Detecting the South in Fiction, Film, and Television, edited by Deborah E. Barker and Theresa Starkey, examines the often-overlooked and undervalued impact of the U.S. South on the origins and development of the detective genre and film noir. This wide-ranging collection engages with ongoing discussions about genre, gender, social justice, critical race theory, popular culture, cinema, and mass media. Focusing on the South, these essays uncover three frequently interrelated themes: the acknowledgment of race as it relates to slavery, segregation, and discrimination; the role of land as a source of income, an ecologically threatened space, or a place of seclusion; and the continued presence of the southern gothic in recurring elements such as dilapidated plantation houses, swamps, family secrets, and the occult. Twenty-two critical essays probe how southern detective narratives intersect with popular genre forms such as neo-noir, hard-boiled fiction, the dark thriller, suburban noir, amateur sleuths, journalist detectives, and television police procedurals.Alongside essays by scholars, Detecting the South in Fiction, Film, and Television presents pieces by authors of detective and crime fiction, including Megan Abbott and Ace Atkins, who address the extent to which the South and its artistic traditions influenced their own works. By considering the diversity of authors and characters associated with the genre, this accessible collection provides an overdue examination of the historical, political, and aesthetic contexts out of which the southern detective narrative emerged and continues to evolve.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. Detecting the South in Fiction, Film, & Television, edited by Deborah E. Barker and Theresa Starkey, examines the often-overlooked and undervalued impact of the U.S. South on the origins and development of the detective genre and film noir. This wide-ranging collection engages with ongoing discussions about genre, gender, social justice, critical race theory, popular culture, cinema, and mass media. Focusing on the South, these essays uncover three frequently interrelated themes: the acknowledgment of race as it relates to slavery, segregation, and discrimination; the role of land as a source of income, an ecologically threatened space, or a place of seclusion; and the continued presence of the southern gothic in recurring elements such as dilapidated plantation houses, swamps, family secrets, and the occult. Twenty-two critical essays probe how southern detective narratives intersect with popular genre forms such as neo-noir, hard-boiled fiction, the dark thriller, suburban noir, amateur sleuths, journalist detectives, and television police procedurals.Alongside essays by scholars, Detecting the South in Fiction, Film, and Television presents pieces by authors of detective and crime fiction, including Megan Abbott and Ace Atkins, who address the extent to which the South and its artistic traditions influenced their own works. By considering the diversity of authors and characters associated with the genre, this accessible collection provides an overdue examination of the historical, political, and aesthetic contexts out of which the southern detective narrative emerged and continues to evolve. Examines the often-overlooked and undervalued impact of the US South on the origins and development of the detective genre and film noir. This wide-ranging collection engages with ongoing discussions about genre, gender, social justice, critical race theory, popular culture, cinema, and mass media. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: New. In English.

Hardcover. Condición: Brand New. 288 pages. 9.15x6.23x1.16 inches. In Stock.

Hardcover. Condición: Brand New. 376 pages. 9.00x6.25x1.00 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 128 p. : col ill. ; 24 cm. ; ISBN 9781893164086, 189316408X OCLC 45466908 ; LCCN 2001270277 ; LC NK8730 .F47 2000 ; Dewey 738.8 ; green cloth in color photographic dustjacket ; Contents: The appeal of the teapot -- Studio potters -- Yixing influence and inspiration -- Tributes and inspiration -- Sculpture, pattern and abstraction -- Figure and narrative -- The teapot as subject ; "Teapots are complex objects steeped in world culture and art history. Their appeal -- conjuring images of afternoons in homey tearooms or elegant gatherings in grand hotels -- is universal. But a new generation of teapots has stood tradition on its ear. As author Leslie Ferrin says, "Today the teapot has one foot in the kitchen and the other in the art world." "For the artist, making a teapot provides daunting challenges. As the various parts -- body, lid, handle, spout and foot -- are assembled, each creator must solve technical difficulties within the context of design, function and scale. As a result, teapots are the objects with which artists in all media demonstrate the heights of their technical and creative abilities." "Teapots Transformed: Exploration of an Object tells the tale of this art form, from the traditional, functional teapot to an eclectic mix of contemporary designs. The exhilarating collection is presented in more than 120 vivid full-color photographs. The book will delight tea drinkers around the world, while providing inspiration for artists and a visual feast for the growing number of teapot collectors. Book jacket."--Jacket ; artists include Elain Alt, Stanley Mace Andersen, Daniel Anderson, Kate Anderson, Adrian Arleo, Arman, Robert Arneson, Rudy Autio, Chuck Aydiett, Ralph Bacerra, Clayton Bailey, D. hayne Bayless, Bennett Bean, Susan Beiner, James E Binnion, Susan Bostwick, Michael Boyd, Mark Burns, Donald Clark, Bruce Cochrane, Carol Cohen, Michael Cohen, Annette Corcoran, Michael Corney, David Damkoehler, Harris Deller, Paul A Dresang, Jack Earl, Raymon Elozua, Susan R Ewing, Laszlo Fekete, Leopold L Foulem, Viola Frey, Debra W Fritts, David Furman, David Gignac, Deborah Kate Groover, Chris Gustin, Dorothy Hafner, Mark Hewitt, Steven Hill, Albert Hodge, Kelly Torche Hong, Collie McLaughlin Hooven, Patrick Horsley, Woody Hughes, Sergei Isupov, Jan McKeache Johnston, Randy J Johnston, Laren Karnes, Beth Katleman, Miriam Kaye, Kady King, Karen Koblitz, Cindy Kolodziejski, Anne Kraus, Michael Lambert, Geo Lastomirsky, Leslie Lee, Ah Leon, Randy Long, Michael Lucaro, David Mackenzie, Warren MacKenzie, Thomas Mann, Louis Marsk, Richard Marquis, Kathryn McBride, Dennis Meiners, Richard Milette, Ron Nagle, Matt Nolen, Richard Notkin, Kevin J O'Dwyer, Jeff Oestrich, George Ohr, Ben Owen, Eunjung Park, Greg Payce, Lucian Octavius Pompli, Tom Rippon, Josilyn ock, Mary Roehm, Lesie Rosdal, Bird Ross, Kari Russell-Pool, Adrian Saxe, Scott Schoerherr, Nancy Selvin, Ellen Shankin, Mark Shapiro, Kathyn Sharbaugh, Richard Shaw, Cindy Sherman, Peter Shire, Linda Skora, Michael Simon, Farrady Newsome Sredi, Wayne Sutton, Richard Swanson, Akio Takamori, Jean Takayama-Ogawa, Claudia Tarantino, Irvin Tepper, Susan Thayer, Eric Van Emeren, Peter Voulkos, Barbara Walch, Patti Warshina, Kurt Weiser, Red Weldon-Sandlin, Beatrice Wood ; SIGNED by author ; FINE/FINE. Signed by Author(s). Book.…

Condición: New.

Hardcover. Condición: Brand New. 376 pages. 9.00x6.25x1.00 inches. In Stock.

Hardcover. Condición: new. Hardcover. In this bold study of cinematic depictions of violence in the south, Deborah E. Barker explores the ongoing legacy of the ""southern rape complex"" in American film. Taking as her starting point D. W. Griffith's infamous The Birth of a Nation, Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes.Drawing from Gilles Deleuze's work on cinema, Barker examines plot, dialogue, and camera technique as she considers several films: The Story of Temple Drake (1933), Sanctuary (1958), Touch of Evil (1958), To Kill a Mockingbird (1962), and Cape Fear (1962). Placing this body of analysis in the context of the historical periods when these films appeared and the literary sources on which they are based, Barker reveals the protean power of cinematic racialized violence amid the shifting cultural and political landscapes of the South and the nation as a whole.By focusing on familiar literary and cinematic texts - each produced or set during moments of national crisis such as the Great Depression or the civil rights movement - Barker's Reconstructing Violence offers fresh insights into the anxiety that has underpinned sexual and racial violence in cinematic representations of the South. In this bold study of cinematic depictions of violence in the south, Deborah Barker explores the ongoing legacy of the southern rape complex in American film. Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…