9780792345367 - galileo and the invention of opera: a study in the phenomenology of consciousness: 29 (contributions to phenomenology, 29) de kersten, f.; kersten, fred (10 resultados)
Idioma: Inglés
Editorial: Springer, 1997
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Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de AmericaThriftBooks-Atlanta
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EUR 48,71
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Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Idioma: Inglés
Editorial: Springer, 1997
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Librería: agoodealofbooks, Ypsilanti, MI, Estados Unidos de Americaagoodealofbooks
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Hardcover. Condición: Very Good. like new hardcover signed by author with dedication to preowner. clean text. tight binding. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.
Idioma: Inglés
Editorial: Springer, 1997
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 165,66
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Condición: New. In.
Idioma: Inglés
Editorial: Kluwer Academic Publishers, 1997
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 197,65
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Condición: New. Examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. This book explores opera and science by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility o…r 'essence' (Husserl). Series: Contributions to Phenomenology. Num Pages: 299 pages, 4 black & white illustrations, 1 colour illustrations, biography. BIC Classification: HPCF3. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 155 x 18. Weight in Grams: 675. . 1997. Hardback. . . . .
Idioma: Inglés
Editorial: Springer, Springer, 1997
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 168,73
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Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished produc…ts or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness.
Idioma: Inglés
Editorial: Kluwer Academic Pub, 1997
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 234,33
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Hardcover. Condición: Brand New. 280 pages. 10.00x6.75x0.75 inches. In Stock.
Idioma: Inglés
Editorial: Kluwer Academic Publishers, 1997
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 245,83
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Condición: New. Examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. This book explores opera and science by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility o…r 'essence' (Husserl). Series: Contributions to Phenomenology. Num Pages: 299 pages, 4 black & white illustrations, 1 colour illustrations, biography. BIC Classification: HPCF3. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 155 x 18. Weight in Grams: 675. . 1997. Hardback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Editorial: Springer Netherlands, 1997
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Librería: moluna, Greven, Alemaniamoluna
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EUR 136,16
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Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period.…But instead of regarding them as finished produ.
Idioma: Inglés
Editorial: Springer, Springer Mai 1997, 1997
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Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemaniabuchversandmimpf2000
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EUR 160,49
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Buch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as fin…ished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 304 pp. Englisch.
Idioma: Inglés
Editorial: Springer Netherlands Mai 1997, 1997
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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.
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EUR 213,95
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Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as… finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness. 304 pp. Englisch.
