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Galileo and the Invention of Opera: A Study in the Phenomenology of Consciousness: 29 (Contributions to Phenomenology, 29) - Tapa dura

Libro 61 de 119: Contributions to Phenomenology

Kersten, F.; Kersten, Fred

 
9780792345367: Galileo and the Invention of Opera: A Study in the Phenomenology of Consciousness: 29 (Contributions to Phenomenology, 29)
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ISBN 10: 0792345363 ISBN 13: 9780792345367
Editorial: Springer, 1997

Sinopsis

Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground’, or `parallel’ ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence’ (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness.

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Reseña del editor

Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness.

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Editorial
Springer
Año de publicación
1997
Idioma
Inglés
ISBN 10 
0792345363
ISBN 13 
9780792345367
Encuadernación
Tapa dura
Número de páginas
304
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