Isbn: 9780754606796 - the beholder: the experience of art in early modern europe (histories of vision) (20 resultados)

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780754606796. …

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0754606791.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Cover creased else as new; Histories Of Vision.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. The ten essays written for this volume address the experience of art in early modern Europe and approach it from a variety of methodological perspectives. The boards, binding and text block are square tight and clean, the dust jacket has minor creasing to the head and tail. Book price includes 2nd class postage in UK only.…

Hardcover. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condición: New.

Condición: New. pp. 244 Index.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. Addressing the experience of art in early modern Europe and approaching it from methodological perspectives, this book includes concerns that range from the relation between its perceptual and significative dimensions to the ways in which its discursive formation anticipates, but does not exactly correspond to notions of 'aesthetic' experience. Editor(s): Frangenberg, Thomas; Williams, Robert. Series Editor(s): Eck, Dr. Caroline van. Series: Histories of Vision. Num Pages: 244 pages, Includes 35 b&w illustrations. BIC Classification: 1D; ACND; ACQB; HBTB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156. Weight in Grams: 672. . 2006. 1st Edition. hardcover. . . . .…

Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Gebunden. Condición: New. Thomas Frangenberg is Lecturer at Leicester University, UK. Robert Williams is Professor in the Department of Art History at the University of California, Santa Barbara, USA.One of the most significant developments in the study of work.

Condición: New. Addressing the experience of art in early modern Europe and approaching it from methodological perspectives, this book includes concerns that range from the relation between its perceptual and significative dimensions to the ways in which its discursive formation anticipates, but does not exactly correspond to notions of 'aesthetic' experience. Editor(s): Frangenberg, Thomas; Williams, Robert. Series Editor(s): Eck, Dr. Caroline van. Series: Histories of Vision. Num Pages: 244 pages, Includes 35 b&w illustrations. BIC Classification: 1D; ACND; ACQB; HBTB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156. Weight in Grams: 672. . 2006. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Condición: Brand New. 233 pages. 9.00x6.25x0.50 inches. In Stock.

Buch. Condición: Neu. Neuware - One of the most significant developments in the study of works of art over the past generation has been a shift in focus from the works themselves to the viewer's experience of them and the relation of that experience both to the works in question and to other aspects of cultural life. The ten essays written for this volume address the experience of art in early modern Europe and approach it from a variety of methodological perspectives: concerns range from the relation between its perceptual and significative dimensions to the ways in which its discursive formation anticipates but does not exactly correspond to later notions of 'aesthetic' experience. The modes of engagement vary from careful empirical studies that explore the complex complementary relationship between works of art and textual evidence of different kinds to ambitious efforts to mobilize the powerful interpretative tools of psychoanalysis and phenomenology. This diversity testifies to the vitality of current interest in the experience of beholding and the urgency of the challenge it poses to contemporary art-historical practice.…

Condición: New. Print on Demand pp. 244 35 Illus. This item is printed on demand.

Condición: New. PRINT ON DEMAND pp. 244.