EUR 9,92
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Añadir al carritoPaperback. Condición: Very Good.
EUR 17,49
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Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 17,69
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Añadir al carritoCondición: New.
EUR 20,06
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por John Wiley and Sons Ltd, Oxford, 2014
ISBN 10: 0745679579 ISBN 13: 9780745679570
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Original o primera edición
EUR 24,10
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. In this important new book the leading philosopher Jacques Ranciere continues his reflections on the representative power of works of art. How does art render events that have spanned an era? What roles does it assign to those who enacted them or those who were the victims of such events? Ranciere considers these questions in relation to the works of Claude Lanzmann, Goya, Manet, Kandinsky and Barnett Newman, among others, and demonstrates that these issues are not only confined to the spectator but have greater ramifications for the history of art itself. For Ranciere, every image, in what it shows and what it hides, says something about what it is permissible to show and what must be hidden in any given place and time. Indeed the image, in its act of showing and hiding, can reopen debates that the official historical record had supposedly determined once and for all. He argues that representing the past can imprison history, but it can also liberate its true meaning. * Jacques Ranciere is a leading French philosopher, particularly well known for his work in aesthetics and political philosophy * In this concise and brilliant text, Ranciere presents a thoughtful analysis of the way in which artworks and films represent historical events and those who were involved. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 20,40
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
EUR 21,24
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Añadir al carritoCondición: new.
EUR 9,60
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Añadir al carritoSoft cover. Condición: Near Fine. Soft cover. 2014. Near Fine copy with only the lightest of shelf & handling wear. Interior is bright & free of marks. Light shelf wear to covers. Appears virtually unread.
EUR 23,30
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Añadir al carritoCondición: New. pp. 112.
EUR 19,79
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Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
EUR 31,09
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Añadir al carritoCondición: New. pp. 112.
EUR 33,38
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Añadir al carritoCondición: New. Brand new! Please provide a physical shipping address.
EUR 22,23
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Añadir al carritoCondición: New. In.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Original o primera edición
EUR 25,41
Cantidad disponible: 15 disponibles
Añadir al carritoCondición: New. * Jacques Ranciere is a leading French philosopher, particularly well known for his work in aesthetics and political philosophy * In this concise and brilliant text, Ranciere presents a thoughtful analysis of the way in which artworks and films represent historical events and those who were involved. Translator(s): Rose, Julie. Num Pages: 112 pages. BIC Classification: ABA; DSA; JF. Category: (P) Professional & Vocational. Dimension: 189 x 126 x 9. Weight in Grams: 126. . 2014. 1st Edition. Paperback. . . . .
EUR 19,78
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Añadir al carritoCondición: New.
EUR 21,45
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Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 31,05
Cantidad disponible: 15 disponibles
Añadir al carritoCondición: New. * Jacques Ranciere is a leading French philosopher, particularly well known for his work in aesthetics and political philosophy * In this concise and brilliant text, Ranciere presents a thoughtful analysis of the way in which artworks and films represent historical events and those who were involved. Translator(s): Rose, Julie. Num Pages: 112 pages. BIC Classification: ABA; DSA; JF. Category: (P) Professional & Vocational. Dimension: 189 x 126 x 9. Weight in Grams: 126. . 2014. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por John Wiley and Sons Ltd, Oxford, 2014
ISBN 10: 0745679579 ISBN 13: 9780745679570
Librería: AussieBookSeller, Truganina, VIC, Australia
Original o primera edición
EUR 39,64
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. In this important new book the leading philosopher Jacques Ranciere continues his reflections on the representative power of works of art. How does art render events that have spanned an era? What roles does it assign to those who enacted them or those who were the victims of such events? Ranciere considers these questions in relation to the works of Claude Lanzmann, Goya, Manet, Kandinsky and Barnett Newman, among others, and demonstrates that these issues are not only confined to the spectator but have greater ramifications for the history of art itself. For Ranciere, every image, in what it shows and what it hides, says something about what it is permissible to show and what must be hidden in any given place and time. Indeed the image, in its act of showing and hiding, can reopen debates that the official historical record had supposedly determined once and for all. He argues that representing the past can imprison history, but it can also liberate its true meaning. * Jacques Ranciere is a leading French philosopher, particularly well known for his work in aesthetics and political philosophy * In this concise and brilliant text, Ranciere presents a thoughtful analysis of the way in which artworks and films represent historical events and those who were involved. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 29,21
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Añadir al carritoCondición: New.
EUR 34,78
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - In this important new book the leading philosopher Jacques Rancière continues his reflections on the representative power of works of art. How does art render events that have spanned an era What roles does it assign to those who enacted them or those who were the victims of such events Rancière considers these questions in relation to the works of Claude Lanzmann, Goya, Manet, Kandinsky and Barnett Newman, among others, and demonstrates that these issues are not only confined to the spectator but have greater ramifications for the history of art itself.For Rancière, every image, in what it shows and what it hides, says something about what it is permissible to show and what must be hidden in any given place and time. Indeed the image, in its act of showing and hiding, can reopen debates that the official historical record had supposedly determined once and for all. He argues that representing the past can imprison history, but it can also liberate its true meaning.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 21,26
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Añadir al carritoPaperback. Condición: Brand New. translation edition. 97 pages. 6.00x4.00x0.25 inches. In Stock. This item is printed on demand.
Idioma: Inglés
Publicado por John Wiley and Sons Ltd, Oxford, 2014
ISBN 10: 0745679579 ISBN 13: 9780745679570
Librería: CitiRetail, Stevenage, Reino Unido
Original o primera edición Impresión bajo demanda
EUR 27,45
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. In this important new book the leading philosopher Jacques Ranciere continues his reflections on the representative power of works of art. How does art render events that have spanned an era? What roles does it assign to those who enacted them or those who were the victims of such events? Ranciere considers these questions in relation to the works of Claude Lanzmann, Goya, Manet, Kandinsky and Barnett Newman, among others, and demonstrates that these issues are not only confined to the spectator but have greater ramifications for the history of art itself. For Ranciere, every image, in what it shows and what it hides, says something about what it is permissible to show and what must be hidden in any given place and time. Indeed the image, in its act of showing and hiding, can reopen debates that the official historical record had supposedly determined once and for all. He argues that representing the past can imprison history, but it can also liberate its true meaning. * Jacques Ranciere is a leading French philosopher, particularly well known for his work in aesthetics and political philosophy * In this concise and brilliant text, Ranciere presents a thoughtful analysis of the way in which artworks and films represent historical events and those who were involved. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.