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Añadir al carritoPaperback. Condición: New. **Shortlisted for the Deutscher Memorial Prize 2023**For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labour. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media.Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code.Showing how these developments have had profound implications for both cultural creation and consumption, Chanan offers a radical and comprehensive analysis of the commodification of artistic creation and the struggle to realise its potential in the digital age.
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Añadir al carritoPaperback. Condición: new. Paperback. **Shortlisted for the Deutscher Memorial Prize 2023** For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labour. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media. Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code. Showing how these developments have had profound implications for both cultural creation and consumption, Chanan offers a radical and comprehensive analysis of the commodification of artistic creation and the struggle to realise its potential in the digital age. Explores the impact of digital technologies on the logic of cultural capitalism Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPaperback. Condición: Brand New. 256 pages. 8.50x5.50x0.80 inches. In Stock.
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Publicado por Pluto Press 2022-10-20, 2022
ISBN 10: 0745340962 ISBN 13: 9780745340968
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Publicado por Pluto Press (UK) Okt 2022, 2022
ISBN 10: 0745340962 ISBN 13: 9780745340968
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware -\*\*Shortlisted for the Deutscher Memorial Prize 2023\*\* 272 pp. Englisch.
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Publicado por Pluto Press (UK) Okt 2022, 2022
ISBN 10: 0745340962 ISBN 13: 9780745340968
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware -\*\*Shortlisted for the Deutscher Memorial Prize 2023\*\* 272 pp. Englisch.
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Añadir al carritoCondición: New. Explores the impact of digital technologies on the logic of cultural capitalismÜber den AutorMichael Chanan is a documentary filmmaker, writer and Professor Emeritus at the University of Roehampton. He has written extensively.
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Añadir al carritoPaperback. Condición: new. Paperback. **Shortlisted for the Deutscher Memorial Prize 2023** For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labour. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media. Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code. Showing how these developments have had profound implications for both cultural creation and consumption, Chanan offers a radical and comprehensive analysis of the commodification of artistic creation and the struggle to realise its potential in the digital age. Explores the impact of digital technologies on the logic of cultural capitalism Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - \*\*Shortlisted for the Deutscher Memorial Prize 2023\*\*.
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Añadir al carritoTaschenbuch. Condición: Neu. From Printing to Streaming | Cultural Production under Capitalism | Michael Chanan | Taschenbuch | Marxism and Culture | Einband - flex.(Paperback) | Englisch | 2022 | Pluto Press | EAN 9780745340968 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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Añadir al carritoPaperback. Condición: New. **Shortlisted for the Deutscher Memorial Prize 2023**For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labour. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media.Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code.Showing how these developments have had profound implications for both cultural creation and consumption, Chanan offers a radical and comprehensive analysis of the commodification of artistic creation and the struggle to realise its potential in the digital age.
Librería: Biblios, Frankfurt am main, HESSE, Alemania
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