9780719095917 - performative monuments: the rematerialisation of public art (rethinking art's histories) de widrich, mechtild (26 resultados)
Idioma: Inglés
Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks
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Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Idioma: Inglés
Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: Solr Books, Lincolnwood, IL, Estados Unidos de AmericaSolr Books
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Condición: acceptable. This book is in Acceptable condition. All pages are intact, but may have lots of notes, water damage or other issues and be ex library.
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Editorial: Manchester University Press, Manchester, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Paperback. Condición: new. Paperback. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out,…nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection. -- . Argues the conceptual significance of performance, and of a performative model of art, to the revival of the monument in the wake of the Second World War, the Holocaust and the fall of the Eastern bloc. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Editorial: Manchester University Press, GB, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by maki…ng self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
Idioma: Inglés
Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Editorial: Manchester University Press, GB, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Paperback. Condición: New. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by maki…ng self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
Idioma: Inglés
Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. . 2014. 1st Edition. Paperback. . . . .
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Editorial: Manchester University Press 2014-05-31, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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Paperback. Condición: New.
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Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Editorial: Manchester University Press 2014-05-31, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Editorial: Manchester Univ Pr, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Paperback. Condición: Brand New. 256 pages. 9.25x6.25x0.75 inches. In Stock.
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Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Más imágenesIdioma: Inglés
Editorial: Manchester University Press, GB, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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Paperback. Condición: New. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by maki…ng self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
Idioma: Inglés
Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Condición: New. Argues the conceptual significance of performance, and of a performative model of art, to the revival of the monument in the wake of the Second World War, the Holocaust and the fall of the Eastern bloc. -- .Über den AutorrnrnMechtild Wi.
Idioma: Inglés
Editorial: Manchester University Press, Manchester, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condición: new. Paperback. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out,…nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection. -- . Argues the conceptual significance of performance, and of a performative model of art, to the revival of the monument in the wake of the Second World War, the Holocaust and the fall of the Eastern bloc. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Editorial: Manchester University Press, GB, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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Paperback. Condición: New. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by maki…ng self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
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Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 256 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.
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Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument bui…lders of the '80s, '90s and today Not by selling out, nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument.The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
Más imágenesIdioma: Inglés
Editorial: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 de 59. Libro 12 de 59 - Rethinking Art's Histories
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Taschenbuch. Condición: Neu. Performative monuments | The rematerialisation of public art | Mechtild Widrich | Taschenbuch | Kartoniert / Broschiert | Englisch | 2014 | Manchester University Press | EAN 9780719095917 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbiet…er: preigu Print on Demand.
