Idioma: Inglés
Publicado por Manchester University Press, 2017
ISBN 10: 0719087961 ISBN 13: 9780719087967
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Añadir al carritoCondición: Good. Original pictorial boards, b/w illustrations, 8vo. Rethinking Art's Histories.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
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Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
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Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
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Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Ria Christie Collections, Uxbridge, Reino Unido
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Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
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EUR 95,51
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Original o primera edición
EUR 117,10
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Añadir al carritoCondición: New. A strong and insightful work which argues that skin is not just any surface an artist can represent, but a highly overdetermined one. Focusing on five French painters - Fragonard, David, Girodet, Benoit and Ingres - it spans the fields of history of art and of medicine. Series Editor(s): Jones, Amelia; Meskimmon, Marsha. Series: Rethinking Art's Histories. Num Pages: 352 pages, 76 colour illustrations, 16 black & white illustrations. BIC Classification: 1DDF; ACQ; ACV; AFC; AGH. Category: (G) General (US: Trade). Dimension: 243 x 163 x 24. Weight in Grams: 878. . 2017. 1st Edition. Hardcover. . . . .
Idioma: Inglés
Publicado por Manchester University Press, GB, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 132,48
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Añadir al carritoHardback. Condición: New. Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Manchester University Press, GB, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 150,99
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Añadir al carritoHardback. Condición: New. Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 144,27
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Añadir al carritoCondición: New. A strong and insightful work which argues that skin is not just any surface an artist can represent, but a highly overdetermined one. Focusing on five French painters - Fragonard, David, Girodet, Benoit and Ingres - it spans the fields of history of art and of medicine. Series Editor(s): Jones, Amelia; Meskimmon, Marsha. Series: Rethinking Art's Histories. Num Pages: 352 pages, 76 colour illustrations, 16 black & white illustrations. BIC Classification: 1DDF; ACQ; ACV; AFC; AGH. Category: (G) General (US: Trade). Dimension: 243 x 163 x 24. Weight in Grams: 878. . 2017. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Manchester University Press, GB, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 153,12
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Añadir al carritoHardback. Condición: New. Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Idioma: Inglés
Publicado por Manchester University Press, GB, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Rarewaves.com UK, London, Reino Unido
EUR 124,15
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Añadir al carritoHardback. Condición: New. Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 205,56
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Añadir al carritoHardcover. Condición: Brand New. 1st edition. 314 pages. 9.50x6.50x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 118,24
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Añadir al carritoHardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 196,98
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Añadir al carritoCondición: New. Print on Demand.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Majestic Books, Hounslow, Reino Unido
EUR 202,74
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Añadir al carritoCondición: New. Print on Demand.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 202,94
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Añadir al carritoCondición: New. PRINT ON DEMAND.
Idioma: Inglés
Publicado por Manchester University Press, 2017
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: moluna, Greven, Alemania
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A strong and insightful work which argues that skin is not just any surface an artist can represent, but a highly overdetermined one. Focusing on five French painters - Fragonard, David, Girodet, Benoit and Ingres - it spans the fields of history of art and.
Idioma: Inglés
Publicado por Manchester University Press, 2017
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: preigu, Osnabrück, Alemania
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Añadir al carritoBuch. Condición: Neu. Fleshing out surfaces | Skin in French art and medicine, 1650-1850 | Mechthild Fend | Buch | Gebunden | Englisch | 2017 | Manchester University Press | EAN 9780719087967 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Idioma: Inglés
Publicado por Manchester University Press, 2016
ISBN 10: 0719087961 ISBN 13: 9780719087967
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 216,57
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Añadir al carritoBuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.