9780719065255 - Style and Meaning: Studies in the Detailed Analysis of Film (32 resultados)

Paperback. Condición: Very Good. Style and Meaning: Studies in the Detailed Analysis of Film This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Paperback. Condición: New. Approaches to the detailed analysis of film and related questions about interpretations and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. The essays - which include contributions by established film scholars (such as George M. Wilson, V. F. Perkins and Laura Mulvey) and by younger writers in the field - centre on methods of close analysis and ground their discussion in the detail of individual films.With a common focus on the choices made by filmmakers, the writers explores different aspects of the relationship between textual detail and broader conceptual frameworks. Some chapters examine individual aspects of filmmaking - the long take, cinematography, space and point of view, unreliable narration. Others take up different kinds of questions which are equally crucial to textual analysis and interpretation, including: meaning and value; emotional response; the concept of 'the fictional world'; new technologies and film analysis. The selection of films has been made to reflect not only those areas of film history which traditionally been explored through mise-en-scène criticism, but also areas such as the avant-garde and television drama which have not tended to receives such detailed investigation. In these ways the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.Style and meaning is an important new initiative in the varied literature of film studies. its highly readable collection of analyses and variety of approaches will prove popular on undergraduate courses while providing an invaluable resource for graduate students and teachers of film and media.

Condición: As New. Unread book in perfect condition.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Condición: New. Style and Meaning: Studies in the Detailed Analysis of Film. Book.

Paperback. Condición: New. Approaches to the detailed analysis of film and related questions about interpretations and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. The essays - which include contributions by established film scholars (such as George M. Wilson, V. F. Perkins and Laura Mulvey) and by younger writers in the field - centre on methods of close analysis and ground their discussion in the detail of individual films.With a common focus on the choices made by filmmakers, the writers explores different aspects of the relationship between textual detail and broader conceptual frameworks. Some chapters examine individual aspects of filmmaking - the long take, cinematography, space and point of view, unreliable narration. Others take up different kinds of questions which are equally crucial to textual analysis and interpretation, including: meaning and value; emotional response; the concept of 'the fictional world'; new technologies and film analysis. The selection of films has been made to reflect not only those areas of film history which traditionally been explored through mise-en-scène criticism, but also areas such as the avant-garde and television drama which have not tended to receives such detailed investigation. In these ways the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.Style and meaning is an important new initiative in the varied literature of film studies. its highly readable collection of analyses and variety of approaches will prove popular on undergraduate courses while providing an invaluable resource for graduate students and teachers of film and media.

Paperback. Condición: new. Paperback. Approaches to the detailed analysis of film and related questions about interpretations and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. The essays - which include contributions by established film scholars (such as George M. Wilson, V. F. Perkins and Laura Mulvey) and by younger writers in the field - centre on methods of close analysis and ground their discussion in the detail of individual films.With a common focus on the choices made by filmmakers, the writers explores different aspects of the relationship between textual detail and broader conceptual frameworks. Some chapters examine individual aspects of filmmaking - the long take, cinematography, space and point of view, unreliable narration. Others take up different kinds of questions which are equally crucial to textual analysis and interpretation, including: meaning and value; emotional response; the concept of 'the fictional world'; new technologies and film analysis. The selection of films has been made to reflect not only those areas of film history which traditionally been explored through mise-en-scene criticism, but also areas such as the avant-garde and television drama which have not tended to receives such detailed investigation. In these ways the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.Style and meaning is an important new initiative in the varied literature of film studies. its highly readable collection of analyses and variety of approaches will prove popular on undergraduate courses while providing an invaluable resource for graduate students and teachers of film and media. -- . Approaches to the detailed analysis of film and related questions about interpretation and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. All the essays centre on methods of close analysis and ground their discussion in the detail of films. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

paperback. Condición: New.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Condición: New. Approaches to the detailed analysis of film and related questions about interpretation and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. All the essays centre on methods of close analysis and ground their discussion in the detail of films. Editor(s): Gibbs, John; Pye, Douglas. Num Pages: 264 pages, 1, black & white illustrations. BIC Classification: APFA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 232 x 155 x 24. Weight in Grams: 424. . 2011. Illustrated. Paperback. . . . .

Condición: New. Approaches to the detailed analysis of film and related questions about interpretation and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. All the essays centre on methods of close analysis and ground their discussion in the detail of films. Editor(s): Gibbs, John; Pye, Douglas. Num Pages: 264 pages, 1, black & white illustrations. BIC Classification: APFA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 232 x 155 x 24. Weight in Grams: 424. . 2011. Illustrated. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 250 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Condición: New. Approaches to the detailed analysis of film and related questions about interpretations and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. The essays - which include contributions by established film scholars (such as George M. Wilson, V. F. Perkins and Laura Mulvey) and by younger writers in the field - centre on methods of close analysis and ground their discussion in the detail of individual films.With a common focus on the choices made by filmmakers, the writers explores different aspects of the relationship between textual detail and broader conceptual frameworks. Some chapters examine individual aspects of filmmaking - the long take, cinematography, space and point of view, unreliable narration. Others take up different kinds of questions which are equally crucial to textual analysis and interpretation, including: meaning and value; emotional response; the concept of 'the fictional world'; new technologies and film analysis. The selection of films has been made to reflect not only those areas of film history which traditionally been explored through mise-en-scène criticism, but also areas such as the avant-garde and television drama which have not tended to receives such detailed investigation. In these ways the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.Style and meaning is an important new initiative in the varied literature of film studies. its highly readable collection of analyses and variety of approaches will prove popular on undergraduate courses while providing an invaluable resource for graduate students and teachers of film and media.

Paperback. Condición: new. Paperback. Approaches to the detailed analysis of film and related questions about interpretations and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. The essays - which include contributions by established film scholars (such as George M. Wilson, V. F. Perkins and Laura Mulvey) and by younger writers in the field - centre on methods of close analysis and ground their discussion in the detail of individual films.With a common focus on the choices made by filmmakers, the writers explores different aspects of the relationship between textual detail and broader conceptual frameworks. Some chapters examine individual aspects of filmmaking - the long take, cinematography, space and point of view, unreliable narration. Others take up different kinds of questions which are equally crucial to textual analysis and interpretation, including: meaning and value; emotional response; the concept of 'the fictional world'; new technologies and film analysis. The selection of films has been made to reflect not only those areas of film history which traditionally been explored through mise-en-scene criticism, but also areas such as the avant-garde and television drama which have not tended to receives such detailed investigation. In these ways the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.Style and meaning is an important new initiative in the varied literature of film studies. its highly readable collection of analyses and variety of approaches will prove popular on undergraduate courses while providing an invaluable resource for graduate students and teachers of film and media. -- . Approaches to the detailed analysis of film and related questions about interpretation and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. All the essays centre on methods of close analysis and ground their discussion in the detail of films. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Approaches to the detailed analysis of film and related questions about interpretations and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. The essays - which include contributions by established film scholars (such as George M. Wilson, V. F. Perkins and Laura Mulvey) and by younger writers in the field - centre on methods of close analysis and ground their discussion in the detail of individual films.With a common focus on the choices made by filmmakers, the writers explores different aspects of the relationship between textual detail and broader conceptual frameworks. Some chapters examine individual aspects of filmmaking - the long take, cinematography, space and point of view, unreliable narration. Others take up different kinds of questions which are equally crucial to textual analysis and interpretation, including: meaning and value; emotional response; the concept of 'the fictional world'; new technologies and film analysis. The selection of films has been made to reflect not only those areas of film history which traditionally been explored through mise-en-scène criticism, but also areas such as the avant-garde and television drama which have not tended to receives such detailed investigation. In these ways the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.Style and meaning is an important new initiative in the varied literature of film studies. its highly readable collection of analyses and variety of approaches will prove popular on undergraduate courses while providing an invaluable resource for graduate students and teachers of film and media.

Condición: New. Print on Demand pp. 266 41 Illus.

Condición: New. Print on Demand pp. 266.

Condición: New. PRINT ON DEMAND pp. 266.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Approaches to the detailed analysis of film and related questions about interpretation and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. All the essays c.