Isbn: 9780691212555 - the fetters of rhyme: liberty and poetic form in early modern england (32 resultados)

Condición: New. 2021. hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. 2021. hardcover. . . . . .

hardcover. Condición: fine. Estado de la sobrecubierta: fine. x, 284 pages. 8vo, gray cloth, d.w. (very minor edgewear at head and tail). Princeton: Princeton University Press, (2021). A fine copy in a fine dust wrapper.

Hardback. Condición: Very Good. How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from ?the troublesome and modern bondage of Riming.? Despite his claim to be a pioneer, Milton was not initiating a new line of thought?English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth?s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse?s complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser?s sonnet rhymes stood as emblems of voluntary confinement, how John Donne?s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson?s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme?s allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.…

Hardback. Condición: Very Good. How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from ?the troublesome and modern bondage of Riming.? Despite his claim to be a pioneer, Milton was not initiating a new line of thought?English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth?s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse?s complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser?s sonnet rhymes stood as emblems of voluntary confinement, how John Donne?s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson?s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme?s allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.…

hardcover. Condición: Good. minor wear and creasing.

hardcover. Condición: As New. Never read, no marks or highlighting in the book. Our copy is hardback with a dust jacket, showing light shelf-wear.

Hardcover. Condición: Near Fine. Near Fine. First Edition. A nice, clean copy. ; 8vo 8" - 9" tall; 304 pages.

Hardcover. 304pp. As new, clean, tight and bright condition, with bright and crisp dust jacket.

Condición: New.

Hardback. Condición: New. How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from "the troublesome and modern bondage of Riming." Despite his claim to be a pioneer, Milton was not initiating a new line of thought-English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth's reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse's complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser's sonnet rhymes stood as emblems of voluntary confinement, how John Donne's revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson's verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme's allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condición: As New. Unread book in perfect condition.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from "the troublesome and modern bondage of Riming." Despite his claim to be a pioneer, Milton was not initiating a new line of thought-English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth's reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse's complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser's sonnet rhymes stood as emblems of voluntary confinement, how John Donne's revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson's verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme's allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.…

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Condición: new.

Condición: New.

Condición: New.

Condición: New.

Hardcover. Condición: new. Hardcover. How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetry In his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from "the troublesome and modern bondage of Riming." Despite his claim to be a pioneer, Milton was not initiating a new line of thought-English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth's reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse's complexities. Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser's sonnet rhymes stood as emblems of voluntary confinement, how John Donne's revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson's verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme's allures. Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading. How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from "the troublesome and modern bondage of Riming." Despite his claim to be a pioneer, M Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In English.

Hardcover. Condición: Brand New. 288 pages. 9.25x6.25x1.00 inches. In Stock.

Hardback. Condición: New. How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetryIn his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from "the troublesome and modern bondage of Riming." Despite his claim to be a pioneer, Milton was not initiating a new line of thought-English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth's reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse's complexities.Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser's sonnet rhymes stood as emblems of voluntary confinement, how John Donne's revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson's verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme's allures.Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.…