Isbn: 9780691000978 - dvorák and his world (the bard music festival): 4 (25 resultados)

Condición: Good. . Former Library book. All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Condición: Good. Princeton University Press August 1993 Binding: Trade Paperback.

paperback. Condición: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

paperback. Condición: Very Good in Wrappers. No Jacket. Princeton. 1993. Princeton University Press. Reprinted Paperback Edition. Very Good in Wrappers. 0691000972. 296 pages. paperback. keywords: Music Dvorak. DESCRIPTION - Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the 'New World' Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a 'nationalist' composer. Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time. inventory #34901.…

Soft cover. Condición: Very Good. No Jacket. a volume in the series entitled The Bard Music Festival.

Softcover. Condición: Very good condition. x, 284 pp. Softcover. LCC: 934037.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. The cover has a bit of wear, with a creases on the spine. The page edges are lightly foxed. 296 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Condición: New.

Paperback. Condición: New. Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer.Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time.…

Condición: New. 1993. Paperback. . . . . .

Condición: As New. Unread book in perfect condition.

Condición: New. 1993. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Condición: New. In English.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: Brand New. illustrated edition. 296 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback. Condición: New. Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer.Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time.…

Paperback. Condición: Brand New. illustrated edition. 296 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Comprising both interpretive essays and a selection of documents that bear on Dvorak s career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal.&Uumlber den Autor.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Antonin Dvorák made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorák's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorák's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorák and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the 'New World' Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorák as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a 'nationalist' composer. Michael Beckerman further investigates this view of Dvorák by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorák's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janácek's analyses of the symphonic poems. Many of these documents are published in English for the first time.…

Paperback. Condición: new. Paperback. Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer.Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century.The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time. Comprising both interpretive essays and a selection of documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…