9780691000978 - dvorák and his world (the bard music festival): 4 (20 resultados)

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: 2nd Life Books, Burlington, NJ, Estados Unidos de America2nd Life Books
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Condición: very_good. Used book in very good condition. May have some minor wear. May NOT include discs, or access code or other supplemental material. Ships directly from Amazon and is eligible for Prime or super saver FREE shipping. We ship Monday-Saturday and respond to inquiries within 24 hours.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: More Than Words, Waltham, MA, Estados Unidos de AmericaMore Than Words
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Condición: Good. . Former Library book. All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: HPB-Emerald, Dallas, TX, Estados Unidos de AmericaHPB-Emerald
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Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: Better World Books: West, Reno, NV, Estados Unidos de AmericaBetter World Books: West
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Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: Visible Voice Books, Cleveland, OH, Estados Unidos de AmericaVisible Voice Books
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Paperback. Condición: Good. Princeton University Press August 1993 Binding: Trade Paperback.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: zenosbooks, San Francisco, CA, Estados Unidos de Americazenosbooks
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paperback. Condición: Very Good in Wrappers. No Jacket. Princeton. 1993. Princeton University Press. Reprinted Paperback Edition. Very Good in Wrappers. 0691000972. 296 pages. paperback. keywords: Music Dvorak. DESCRIPTION - Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous a…mount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the 'New World' Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a 'nationalist' composer. Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time. inventory #34901.

Idioma: Inglés
Editorial: Princeton, New Jersey, United States of America: Princeton University Press, 1993
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Librería: Andover Books and Antiquities, Andover, MA, Estados Unidos de AmericaAndover Books and Antiquities
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Soft cover. Condición: Very Good. No Jacket. a volume in the series entitled The Bard Music Festival.

Dvorak and His World:
Edited by Michael Beckerman; Introduction by Michael Beckerman; Contributing authors: Michael Beckerman, David Beveridge, Leon Botstein, Tatiana Firkusny, Susan Gillespie, Joseph Horowitz, and Jan Smaczny.
Idioma: Inglés
Editorial: Princeton University Press, Princeton, New Jersey, 1993
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Librería: Andover Books and Antiquities, Andover, MA, Estados Unidos de AmericaAndover Books and Antiquities
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EUR 26,80
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Softcover. Condición: Very good condition. x, 284 pp. Softcover. LCC: 934037.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 37,39
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Condición: As New. Unread book in perfect condition.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 42,50
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Condición: New.

Idioma: Inglés
Editorial: Princeton University Press, US, 1993
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Paperback. Condición: New. Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career…and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer.Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Condición: New.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd
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paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Condición: As New. Unread book in perfect condition.

Idioma: Inglés
Editorial: Princeton Univ Pr, 1993
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. illustrated edition. 296 pages. 9.25x6.25x0.75 inches. In Stock.

Idioma: Inglés
Editorial: Princeton University Press, US, 1993
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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EUR 61,06
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Paperback. Condición: New. Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career…and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer.Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: moluna, Greven, Alemaniamoluna
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EUR 60,87
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Comprising both interpretive essays and a selection of documents that bear on Dvorak s career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappr…aisal.Über den Autor.

Idioma: Inglés
Editorial: Princeton University Press, New Jersey, 1993
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Paperback. Condición: new. Paperback. Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvora…k's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer.Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century.The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time. Comprising both interpretive essays and a selection of documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: preigu, Osnabrück, Alemaniapreigu
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Taschenbuch. Condición: Neu. Dvorák and His World | Michael Beckerman | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1993 | Princeton University Press | EAN 9780691000978 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Idioma: Inglés
Editorial: Princeton University Press, 1993
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Antonin Dvorák made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and…a selection of fascinating documents that bear on Dvorák's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorák's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorák and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the 'New World' Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorák as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a 'nationalist' composer. Michael Beckerman further investigates this view of Dvorák by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorák's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janácek's analyses of the symphonic poems. Many of these documents are published in English for the first time.