Isbn: 9780674009905 - female spectacle: the theatrical roots of modern feminism (17 resultados)

Paperback. Condición: Very Good. When Sarah Bernhardt made her first American tour in 1880, the term feminism had yet to enter our national vocabulary. But over the next half-century, a rising generation of actresses and comics brought a new kind of woman to center stage. Glenn reveals the theater to have been a powerful new source of cultural authority and visibility for women.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. When Sarah Bernhardt made her first American tour in 1880, the term feminism had yet to enter our national vocabulary. But over the next half-century, a rising generation of actresses and comics brought a new kind of woman to center stage. Glenn reveals the theater to have been a powerful new source of cultural authority and visibility for women.…

paperback. Condición: Very Good. Harvard University Press, 2000, 1st.trade paperbk.prtg., 294pp., stain to fore-edge, ow VG $.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Foxing/ staining to the page edges.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780674009905. …

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

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Paperback. Condición: Brand New. 8.75x5.75x0.75 inches. In Stock.

Condición: New. pp. 336.

Condición: New. pp. 336.

Kartoniert / Broschiert. Condición: New. When Sarah Bernhardt made her first American tour in 1880, the term feminism had yet to enter our national vocabulary. But over the next half-century, a rising generation of actresses and comics brought a new kind of woman to center stage. Glenn reveals t.

Taschenbuch. Condición: Neu. Neuware - When the French actress Sarah Bernhardt made her first American tour in 1880, the term 'feminism' had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive 'New Women.'.…

Paperback. Condición: new. Paperback. When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive "New Women."Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism. When Sarah Bernhardt made her first American tour in 1880, the term feminism had yet to enter our national vocabulary. But over the next half-century, a rising generation of actresses and comics brought a new kind of woman to center stage. Glenn reveals the theater to have been a powerful new source of cultural authority and visibility for women. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…