9780582437906 - Russian Cinema (Inside Film) de Gillespie, David C. C. (29 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Condición: Like New. Ships in a BOX from Central Missouri! Like Brand NEW. No tears, highlighting or writing because it's never been used! May have minor shelf wear. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condición: Good to Very Good. 201 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Reasons for lower "good" rating: (1) Covers show shelf rubbing / dulling. (2) The lower right corner front cover and pages are lightly bumped. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780582437906.

paperback. Condición: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Condición: New. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: New. pp. x + 201.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. x + 201.

Condición: New. In.

Paperback. Condición: new. Paperback. Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others.The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema.Subsequent chapters explore a variety of topics: * The literary space - the cinematic rendering of the literary text, from 'Sovietized' versions to bolder and more innovative interpretations, as well as adaptations of foreign classics * The Russian film comedy looks at this perennially popular genre over the decades, from the 'domestication' of laughter under Stalin to the emergence of satire * The historical film - how history has been used in film to affirm prevailing ideological norms, from October to Taurus Women and Russian film discusses some of the female stars of the Soviet screen (Liubov Orlova, Vera Alentova, Liudmila Gurchenko), as well as films made by male and female directors, such as Askoldov and Kira Muratova * Film and ideology shows why ideology was an essential component of Soviet films such as The Maxim Trilogy, and how it was later definitively rejected * The Russian war film looks at Civil War and Second World War films, and the post-Soviet treatment of recent conflicts in Afghanistan and Chechnya * Private life and public morality explores the evolution of melodramas about youth angst, town and village life, personal relationships, and the emergence of the dominant sub-genre of the 1990s, the gangster thriller Autobiography, memory and identity offers a close reading of the work of Andrei Tarkovskii, Russia's greatest post-war director, whose films, including Andrei Rublev and Mirror, place him among the foremost European auteur film-makersRussian Cinema offers a close analysis of over 300 films illustrated with representative stills throughout.As with other titles in the Inside Film series it includes comprehensive filmographies, a thorough bibliography and an annotated further reading list. The book is a jargon-free, accessible study that will be of interest to undergraduates of film studies, modern languages, Russian language and literature, as well as cineastes, film teachers and researchers. Dr David Gillespie is Reader in Russian in the Department of European Studies and Modern Languages at the University of Bath. Series Editor - Alexander Ballinger, McLean Film & Media Ltd. Cover Image: Ignat Daniltsev in Mirror (Andrei Tarkovskii, 1974) reproduced with kind permission of Artificial Eye Film Company Ltd. This title aims to provide a broad introduction to Russian cinema, taking a thematic, genre and topical approach, rather than the political and historical approaches generally adopted. The key emphasis is on the aesthetic, rather than the contextual. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. This exploration of the cinematic genres developed over almost 100 years, takes in over 300 films with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others. It assesses the legacy of 19th century art as well music and soundtrack, especially the work of Shostakovich and Prokofev. Series: Inside Film. Num Pages: 216 pages, illustrations, bibliography, index. BIC Classification: 1DVUA; APF. Category: (P) Professional & Vocational. Dimension: 233 x 157 x 12. Weight in Grams: 322. . 2002. 1st Edition. paperback. . . . .

Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condición: New. This exploration of the cinematic genres developed over almost 100 years, takes in over 300 films with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others. It assesses the legacy of 19th century art as well music and soundtrack, especially the work of Shostakovich and Prokofev. Series: Inside Film. Num Pages: 216 pages, illustrations, bibliography, index. BIC Classification: 1DVUA; APF. Category: (P) Professional & Vocational. Dimension: 233 x 157 x 12. Weight in Grams: 322. . 2002. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. annotated edition. 216 pages. 9.25x6.25x0.50 inches. In Stock.

Paperback. Condición: new. Paperback. Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others.The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema.Subsequent chapters explore a variety of topics: * The literary space - the cinematic rendering of the literary text, from 'Sovietized' versions to bolder and more innovative interpretations, as well as adaptations of foreign classics * The Russian film comedy looks at this perennially popular genre over the decades, from the 'domestication' of laughter under Stalin to the emergence of satire * The historical film - how history has been used in film to affirm prevailing ideological norms, from October to Taurus Women and Russian film discusses some of the female stars of the Soviet screen (Liubov Orlova, Vera Alentova, Liudmila Gurchenko), as well as films made by male and female directors, such as Askoldov and Kira Muratova * Film and ideology shows why ideology was an essential component of Soviet films such as The Maxim Trilogy, and how it was later definitively rejected * The Russian war film looks at Civil War and Second World War films, and the post-Soviet treatment of recent conflicts in Afghanistan and Chechnya * Private life and public morality explores the evolution of melodramas about youth angst, town and village life, personal relationships, and the emergence of the dominant sub-genre of the 1990s, the gangster thriller Autobiography, memory and identity offers a close reading of the work of Andrei Tarkovskii, Russia's greatest post-war director, whose films, including Andrei Rublev and Mirror, place him among the foremost European auteur film-makersRussian Cinema offers a close analysis of over 300 films illustrated with representative stills throughout.As with other titles in the Inside Film series it includes comprehensive filmographies, a thorough bibliography and an annotated further reading list. The book is a jargon-free, accessible study that will be of interest to undergraduates of film studies, modern languages, Russian language and literature, as well as cineastes, film teachers and researchers. Dr David Gillespie is Reader in Russian in the Department of European Studies and Modern Languages at the University of Bath. Series Editor - Alexander Ballinger, McLean Film & Media Ltd. Cover Image: Ignat Daniltsev in Mirror (Andrei Tarkovskii, 1974) reproduced with kind permission of Artificial Eye Film Company Ltd. This title aims to provide a broad introduction to Russian cinema, taking a thematic, genre and topical approach, rather than the political and historical approaches generally adopted. The key emphasis is on the aesthetic, rather than the contextual. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. pp. x + 201 Illus. This item is printed on demand.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: Brand New. annotated edition. 216 pages. 9.25x6.25x0.50 inches. In Stock. This item is printed on demand.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Gillespie, David C.Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia s tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov an.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'Russian Cinema' provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others.