9780521360142 - French Renaissance Tragedy Hardback: The Dramatic Word: 32 (Cambridge Studies in French, Series Number 32) de Jondorf (31 resultados)

Hardcover. Condición: Very Good. French Renaissance Tragedy: The Dramatic Word (Cambridge Studies in French) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

No jacket. Condición: Bon. Ancien livre de bibliothèque avec équipements. Sans jaquette. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. No dust jacket. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st ed. dj. 22cm.

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0521360145.

1st edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Series: Cambridge studies in French. Physical description: xii, 174 pages : illustrations ; 22 cm. Subjects: French drama 16th century; History and criticism; Renaissance France; Drama in French Tragedies; Critical studies. 3 Kg.

Hard Cover. Condición: Good. No Jacket. First Edition. From an academic library with the usual stamps etc.

1st edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Series: Cambridge studies in French. Physical description: xii, 174 pages : illustrations ; 22 cm. Subjects: French drama 16th century; History and criticism; Renaissance France; Drama in French Tragedies; Critical studies. 1 Kg.

Cambridge Studies in French. First edition. xii+174 pages with index. Cloth. Fine in dustjacket.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In.

Condición: New.

Hardback. Condición: New. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective.

Condición: New. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. Series: Cambridge Studies in French. Num Pages: 188 pages, 1 b/w illus. BIC Classification: DSBD; DSG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 14. Weight in Grams: 342. . 1990. hardcover. . . . .

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 188.

Condición: New. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. Series: Cambridge Studies in French. Num Pages: 188 pages, 1 b/w illus. BIC Classification: DSBD; DSG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 14. Weight in Grams: 342. . 1990. hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condición: New. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective.

Hardcover. Condición: new. Hardcover. The principle aim of this book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterisation, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme of a play has been identified and its organising principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective. The tragedies produced in France in the sixteenth century by writers such as Garnier, La Taille, and Jodelle are increasingly accessible in good modern editions. Their subject matter included Bible stories and recent history, as well as Greek legend and Roman history. Until now, scholars have tended to regard them as a staging post on the road to Corneille and Racine. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. 186 pages. 9.00x6.00x0.50 inches. In Stock. This item is printed on demand.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condición: new. Hardcover. The principle aim of this book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterisation, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme of a play has been identified and its organising principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective. The tragedies produced in France in the sixteenth century by writers such as Garnier, La Taille, and Jodelle are increasingly accessible in good modern editions. Their subject matter included Bible stories and recent history, as well as Greek legend and Roman history. Until now, scholars have tended to regard them as a staging post on the road to Corneille and Racine. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. Print on Demand pp. 188 Illus.

Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The tragedies produced in France in the sixteenth century by writers such as Garnier, La Taille, and Jodelle are increasingly accessible in good modern editions. Their subject matter included Bible stories and recent history, as well as Greek legend and Rom.

Condición: New. PRINT ON DEMAND pp. 188 Acknowledgements.

Buch. Condición: Neu. French Renaissance Tragedy | Gillian Jondorf | Buch | Gebunden | Englisch | 2011 | Cambridge University Press | EAN 9780521360142 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.