Isbn: 9780521319430 - benjamin britten: death in venice (cambridge opera handbooks) (29 resultados)

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780521319430.…

Series: Cambridge Opera Handbooks. -- The author of the introduction and compiler of these essays was Britten's publisher at the time the title opera was written. -- Softcover. Condition: near fine. ISBN 0521319439.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. It will thus remain a source of first-hand information on Britten's final operatic achievement. Donald Mitchell was Britten's publisher at the time of Death in Venice and his Introduction includes many personal observations on the genesis of the work. The latter part of the book contains essays by T. J. Reed and Patrick Carnegy on the libretto's source in Thomas Mann's novella and Philip Reed compares briefly Visconti's cinematic interpretation of the novella. The volume is richly illustrated with music examples, sketches and extracts from the autograph score, and pictures from the first production. It will make an essential reference work and indispensable companion for opera-goers, students and scholars alike.…

Paperback. Condición: Very Good. Slight wear.

Condición: New. In English.

Condición: New.

Condición: New. pp. 248.

Condición: As New. Unread book in perfect condition.

Condición: New. This book is a source of first-hand information on Britten's final operatic achievement. Editor(s): Mitchell, Donald. Series Editor(s): Wagner, Richard. Series: Cambridge Opera Handbooks. Num Pages: 248 pages, illustrations, music, bibliography, index. BIC Classification: AVG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 14. Weight in Grams: 320. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: New. This book is a source of first-hand information on Britten's final operatic achievement. Editor(s): Mitchell, Donald. Series Editor(s): Wagner, Richard. Series: Cambridge Opera Handbooks. Num Pages: 248 pages, illustrations, music, bibliography, index. BIC Classification: AVG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 14. Weight in Grams: 320. . 2008. Illustrated. paperback. . . . . …

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. It will thus remain a source of first-hand information on Britten's final operatic achievement. Donald Mitchell was Britten's publisher at the time of Death in Venice and his Introduction includes many personal observations on the genesis of the work. The latter part of the book contains essays by T. J. Reed and Patrick Carnegy on the libretto's source in Thomas Mann's novella and Philip Reed compares briefly Visconti's cinematic interpretation of the novella. The volume is richly illustrated with music examples, sketches and extracts from the autograph score, and pictures from the first production. It will make an essential reference work and indispensable companion for opera-goers, students and scholars alike.…

Softcover. Condición: Gut. Illustrated. 248 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung. B260912ah19 ISBN: 9780521319430 Sprache: Englisch Gewicht in Gramm: 320.

Paperback. Condición: New. This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. It will thus remain a source of first-hand information on Britten's final operatic achievement. Donald Mitchell was Britten's publisher at the time of Death in Venice and his Introduction includes many personal observations on the genesis of the work. The latter part of the book contains essays by T. J. Reed and Patrick Carnegy on the libretto's source in Thomas Mann's novella and Philip Reed compares briefly Visconti's cinematic interpretation of the novella. The volume is richly illustrated with music examples, sketches and extracts from the autograph score, and pictures from the first production. It will make an essential reference work and indispensable companion for opera-goers, students and scholars alike.…

Paperback. Condición: new. Paperback. This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. It will thus remain a source of first-hand information on Britten's final operatic achievement. Donald Mitchell was Britten's publisher at the time of Death in Venice and his Introduction includes many personal observations on the genesis of the work. The latter part of the book contains essays by T. J. Reed and Patrick Carnegy on the libretto's source in Thomas Mann's novella and Philip Reed compares briefly Visconti's cinematic interpretation of the novella. The volume is richly illustrated with music examples, sketches and extracts from the autograph score, and pictures from the first production. It will make an essential reference work and indispensable companion for opera-goers, students and scholars alike. This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New. Print on Demand pp. 248 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. PRINT ON DEMAND pp. 248.

Paperback. Condición: new. Paperback. This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. It will thus remain a source of first-hand information on Britten's final operatic achievement. Donald Mitchell was Britten's publisher at the time of Death in Venice and his Introduction includes many personal observations on the genesis of the work. The latter part of the book contains essays by T. J. Reed and Patrick Carnegy on the libretto's source in Thomas Mann's novella and Philip Reed compares briefly Visconti's cinematic interpretation of the novella. The volume is richly illustrated with music examples, sketches and extracts from the autograph score, and pictures from the first production. It will make an essential reference work and indispensable companion for opera-goers, students and scholars alike. This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Paperback. Condición: new. Paperback. This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. It will thus remain a source of first-hand information on Britten's final operatic achievement. Donald Mitchell was Britten's publisher at the time of Death in Venice and his Introduction includes many personal observations on the genesis of the work. The latter part of the book contains essays by T. J. Reed and Patrick Carnegy on the libretto's source in Thomas Mann's novella and Philip Reed compares briefly Visconti's cinematic interpretation of the novella. The volume is richly illustrated with music examples, sketches and extracts from the autograph score, and pictures from the first production. It will make an essential reference work and indispensable companion for opera-goers, students and scholars alike. This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Kartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the sta.…

Taschenbuch. Condición: Neu. Benjamin Britten | Death in Venice | Donald Mitchell (u. a.) | Taschenbuch | Englisch | 2004 | Cambridge University Press | EAN 9780521319430 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…