Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Idioma: Inglés
Publicado por Cambridge University Press 1/19/2006, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Añadir al carritoPaperback or Softback. Condición: New. Music Theory and Natural Order from the Renaissance to the Early Twentieth Century. Book.
Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Idioma: Inglés
Publicado por Cambridge University Press, 2006
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Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Idioma: Inglés
Publicado por Cambridge University Press, 2006
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Idioma: Inglés
Publicado por Cambridge University Press 2008-08-21, 2008
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Añadir al carritoPaperback. Condición: New.
Idioma: Inglés
Publicado por Cambridge University Press, 2008
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Añadir al carritoCondición: New. Explores the ways music theory has represented and employed natural order since the scientific revolution. Editor(s): Clark, Suzannah; Rehding, Alexander. Num Pages: 256 pages, 10 b/w illus. 28 music examples. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 243 x 169 x 14. Weight in Grams: 41. . 2008. Illustrated. paperback. . . . .
Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Idioma: Inglés
Publicado por Cambridge University Press CUP, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Añadir al carritoCondición: New. pp. 256.
Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 79,81
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Añadir al carritoCondición: New. Explores the ways music theory has represented and employed natural order since the scientific revolution. Editor(s): Clark, Suzannah; Rehding, Alexander. Num Pages: 256 pages, 10 b/w illus. 28 music examples. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 243 x 169 x 14. Weight in Grams: 41. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de America
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Añadir al carritopaperback. Condición: New. In shrink wrap. Looks like an interesting title!
Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Añadir al carritoTaschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 63,10
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Añadir al carritoPaperback. Condición: new. Paperback. Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPaperback. Condición: Brand New. 243 pages. 9.50x6.50x0.75 inches. In Stock. This item is printed on demand.
Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
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Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: Majestic Books, Hounslow, Reino Unido
EUR 79,13
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Añadir al carritoCondición: New. Print on Demand pp. 256 Illus.
Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 79,09
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Añadir al carritoCondición: New. PRINT ON DEMAND pp. 256.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: CitiRetail, Stevenage, Reino Unido
EUR 64,98
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Añadir al carritoPaperback. Condición: new. Paperback. Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: moluna, Greven, Alemania
EUR 62,28
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory.Inhaltsverzeic.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 93,63
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Añadir al carritoPaperback. Condición: new. Paperback. Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2005
ISBN 10: 0521023920 ISBN 13: 9780521023924
Librería: preigu, Osnabrück, Alemania
EUR 64,95
Cantidad disponible: 5 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Music Theory and Natural Order from the Renaissance to the Early Twentieth Century | Suzannah Clark (u. a.) | Taschenbuch | Englisch | 2005 | Cambridge University Press | EAN 9780521023924 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.